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Yamaha

Yamaha Electro-Acoustic Guitar CPX600

Yamaha Electro-Acoustic Guitar CPX600

A stage guitar with a real acoustic voice behind it.

  • Grand auditorium cutaway body - 400 mm wide and up to 115 mm deep for a full acoustic voice
  • SYSTEM65 preamp with three-band EQ, sweepable mid control and built-in chromatic tuner
  • Under-saddle piezo with an individual element beneath each string
  • Deep cutaway keeps the upper frets reachable on a large body
  • Gloss finish in Black, Old Violin Sunburst, Root Beer or Vintage Tint
MRPRs. 36,990.00
YMS PriceRs. 35,141.005% OFF
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Product details

A Stage Guitar with a Real Acoustic Voice Behind It.

The Yamaha CPX600 is the bigger-bodied half of Yamaha's stage-guitar range. Yamaha describes the CPX as combining “the on-stage prowess of the legendary APX series with a bigger-bodied design for a louder, fuller acoustic sound and a more traditional look”.

That extra size is the whole point. At 400 mm across and 95–115 mm deep, the grand auditorium cutaway body has noticeably more air behind it than a thinline electro-acoustic — so it holds its own unplugged in a room, rather than only coming alive through a PA.

Plugged in, the SYSTEM65 preamp gives you a three-band EQ with a sweepable mid control and a built-in tuner, fed by a piezo pickup with a separate element under each string. A deep cutaway keeps the upper frets reachable. Available in Black, Old Violin Sunburst, Root Beer and Vintage Tint.

SYSTEM65 — Everything You Need On Stage, On the Guitar

Plenty of acoustics at this price give you a volume knob and a tone knob. SYSTEM65 gives you enough control to actually fix a room, which is the difference between an instrument you can gig with and one you have to fight.

1. A separate sensor under every string

The under-saddle piezo uses “individual elements for each string to give an ultra-clear, ultra-wide bandwidth signal”. Each string is read on its own, so the low E does not swamp the top end and the balance across the strings stays even.

2. Three-band EQ with a sweepable mid

Bass, middle and treble, plus a mid frequency control that moves where the mid band sits. Boxy rooms and feedback usually live in a narrow mid band — being able to move to it and pull it down is far more useful than a fixed mid knob.

3. A tuner built into the panel

A chromatic tuner sits in the same control panel, so you can tune quietly between songs without a clip-on or a pedal. Everything runs from one battery in the panel.

Key Features

🎸

Grand auditorium cutaway body — 400 mm wide, up to 115 mm deep

Yamaha's medium-jumbo shape sits between a concert and a dreadnought in width, but it is deep — and depth is where low end comes from. Unplugged it has real body and warmth; plugged in it still sounds like an acoustic guitar rather than a pickup.

Deep cutaway on a big body

The reason to choose a cutaway on a body this size is that you get the volume of a large guitar without losing the top of the neck. Lead lines and higher voicings stay reachable, which is exactly what a big-bodied guitar usually costs you.

🔌

SYSTEM65 preamp with tuner and sweepable mid

Volume, three-band EQ, a movable mid-frequency control and a built-in chromatic tuner, all in a side-mounted panel you can reach while playing. Plug straight into an amp or PA and shape the sound at the guitar.

🌲

Spruce top with non-scalloped X bracing

Yamaha specifies a spruce top over “non-scalloped X-type bracing”. Leaving the braces unscalloped keeps the top stiffer and more controlled — which is the right call on a guitar built to be amplified, because a stiffer top is less prone to booming and feeding back at stage volume.

🎵

634 mm scale, 43 mm nut, rosewood fingerboard

A standard full-size 634 mm scale with a 43 mm nut and R400 mm fingerboard radius. The 10.0 mm string spacing is slightly tighter than Yamaha's L Series, which suits chord work and makes the neck feel quick under the hand.

🌏

Locally sourced tonewoods for back, sides and neck

Yamaha's specification lists the back, sides and neck as “locally sourced tonewood” — timber selected close to the factory rather than shipped across the world. It keeps the guitar affordable and cuts the transport footprint, without changing how it plays.

Gloss finish, ivory binding, four colours

Ivory and black body binding, a decorative soundhole rosette, a snowflake inlay at the headstock and die-cast chrome TM29T tuners. Gloss body throughout, in Black, Old Violin Sunburst, Root Beer or Vintage Tint.

CPX600 or APX600?

These two are the same guitar electronically — same SYSTEM65 preamp, same scale, same nut width, same woods, same tuners. The body is the only thing that changes, and it changes a lot.

  CPX600 (this guitar) APX600
Body depth 95–115 mm — full depth 80–90 mm — thinline
Body width 400 mm 384 mm
Unplugged sound Louder and fuller, with real low end Quieter and thinner acoustically
Feel A traditional acoustic against you Slim and electric-like, very comfortable
Electronics Identical — SYSTEM65 preamp with tuner
Scale / nut Identical — 634 mm scale, 43 mm nut
Best for Players who want one guitar for stage and home Players who mostly play plugged in, or want the slimmest body

FAQ

Q. Does the CPX600 have a solid top?

No. Yamaha's specification lists the top as “Spruce” rather than solid spruce, so it is a laminate top — some retailers get this wrong. That is normal at this price, and it is not a bad thing on a stage guitar: a laminate top is far more stable in changing humidity and less prone to feeding back at volume. If an all-solid or solid-top instrument is what you want, talk to us about the L Series instead.

Q. Is it a medium jumbo or a grand auditorium?

Both terms are Yamaha's. The specification sheet calls the shape “grand auditorium cutaway style”, while Yamaha's own product literature describes the CPX as a “medium-jumbo body”. In practical terms it is 400 mm wide and unusually deep — bigger and fuller than a concert guitar, a little narrower than a dreadnought.

Q. What does the mid frequency control actually do?

A normal mid knob boosts or cuts a fixed band. The mid frequency control lets you move that band up or down the spectrum first, then cut or boost it. When a room is making the guitar sound boxy, or a particular note is ringing out and feeding back, you can hunt down that frequency and pull it out instead of dulling the whole guitar.

Q. Does it need a battery?

Yes — the SYSTEM65 preamp is active, so it runs on a battery in the control panel. It is only drawing power when a lead is plugged into the jack, so unplug the cable when you finish playing and the battery lasts a long time.

Q. Is a case or gig bag included?

No — the CPX600 is supplied without a case. We stock bags and cases that fit it properly, so ask us and we will pair one with your guitar before it ships.

Q. Is this a good first guitar?

It is a good first serious guitar. The neck is comfortable and the setup is forgiving, but the real value is that you will not outgrow it the moment you start playing to an audience — the electronics are genuinely giggable. If you only ever play at home, a plain acoustic will give you more guitar for the money.

Q. Which colour should I pick?

They are identical instruments, so it is purely taste. Vintage Tint shows the spruce grain with contrasting darker sides; Old Violin Sunburst is the classic warm burst; Root Beer is a deep translucent red-brown; Black is the most understated on a dark stage. All four are gloss.

Q. How do I stop it feeding back on stage?

A deep-bodied acoustic will feed back if you push it. Start by rolling the bass back a little, then use the mid frequency control to find and cut the offending note. Standing away from the monitors helps, and a soundhole feedback buster is an inexpensive fix if you play loud rooms regularly — ask us and we will sort one out.

Why Buy from YMS?

  • Authorised Yamaha Premium Retailer: Buy a genuine India-market Yamaha instrument with official manufacturer warranty support.
  • Set up before it reaches you: We check action, relief and intonation, and confirm the preamp and tuner work, so it is stage-ready on arrival.
  • Expert guitar guidance: Our team can compare the CPX600 and APX600 with you and advise on amps, DIs and feedback control.
  • Support beyond the guitar: Ask us about cases and gig bags, spare batteries, strings, capos, stands and cables.
  • Pan-India delivery: Order from anywhere in India, subject to serviceability for your location.
  • Physical-store support: YMS teams in Bengaluru and Mangaluru are available for product enquiries and after-sales guidance.

Specifications

Overview
Model Yamaha CPX600
Type Electro-acoustic guitar with cutaway
Series CPX Series
Body Shape Grand Auditorium Cutaway Style (medium jumbo)
Finishes Black, Old Violin Sunburst, Root Beer, Vintage Tint
Body & Neck
Top Spruce
Back Locally Sourced Tonewood
Sides Locally Sourced Tonewood
Neck Locally Sourced Tonewood
Bracing Non-scalloped X-type
Fingerboard Rosewood
Fingerboard Radius R400 mm (15 3/4 in)
Bridge Rosewood
Nut / Saddle Urea
Body Binding Ivory + Black
Dimensions
Scale Length 634 mm (25 in)
Body Length 511 mm (20 1/8 in)
Body Width 400 mm (15 3/4 in)
Body Depth 95-115 mm (3 3/4 - 4 1/2 in)
Total Length 1043 mm (41 5/8 in)
Nut Width 43 mm (1 11/16 in)
String Spacing 10.0 mm
Electronics
Preamp System Yamaha SYSTEM65
Pickup Under-saddle piezo, individual element per string
Controls Volume, Bass, Middle, Treble, Mid Frequency
Tuner Built-in chromatic tuner
Power Battery powered (active preamp)
Hardware & Finish
Tuners Die-cast Chrome (TM29T)
Body Finish Gloss
Neck Finish Matte (gloss on Black)
Included No case or gig bag supplied

Specifications from Yamaha official product data. Yamaha lists the top as 'Spruce' rather than solid spruce. Some regional variation may apply.

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