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Yamaha

Yamaha Classical Guitar CG142S

Yamaha Classical Guitar CG142S

A solid spruce top, in gloss.

  • Solid spruce top - more volume and dynamics, and it improves the more you play it
  • Gloss body with black-and-white binding, the traditional polished classical look
  • Nato back, sides and neck for a warm, even and stable response
  • Rosewood fingerboard and bridge with the flat radius classical technique expects
  • Full 650 mm scale and 52 mm nut - the correct geometry for graded exams
MRPRs. 32,990.00
YMS PriceRs. 31,341.005% OFF
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A Solid Spruce Top, in Gloss.

The Yamaha CG142S is an entry point into Yamaha's solid-top CG range — and a solid top matters more than any amount of nicer hardware further up a range. Yamaha's own summary is that “its solid spruce top and rosewood fingerboard” combine with “superb sound and playability” to “make it an outstanding value”.

A solid spruce top is one piece of wood rather than glued laminate layers. It moves more freely under the strings, so you get more volume, a wider range between soft and loud, and more colour to work with. And unlike a laminate top, it keeps opening up the more you play it.

Nato back, sides and neck, rosewood fingerboard and bridge, chrome tuners, black-and-white binding, and a gloss body with a matte neck. Full 650 mm scale and 52 mm nut — the correct geometry for graded study. If you prefer a matte finish, the CG122MS below it offers the same solid spruce top for a little less.

Why a Solid Top Changes the Instrument

This is the real dividing line between the C Series and the CG Series. If you only understand one thing before spending the difference, make it this.

1. A solid top moves more freely

A laminate top is several thin layers glued together, and the glue stiffens it. One solid piece of spruce flexes far more readily under the strings — which means more volume, a wider dynamic range and more tonal colour available to your right hand.

2. It gets better as you play it

Solid wood keeps loosening with use. Played regularly for a few years, this guitar will sound noticeably more open than the day it arrived — something a laminate top simply does not do. You are buying an instrument that improves rather than one that stays put.

3. And it asks for a little more care

The honest trade-off: solid wood responds to humidity in a way laminate does not. Keep it out of direct sun, out of hot cars, and away from air conditioning blowing straight at it. In dry conditions a case humidifier is cheap insurance. None of this is difficult — it just needs knowing.

Key Features

🌲

Solid spruce top — the upgrade that actually matters

The same solid spruce top used on the dearer CG182S. More volume, more dynamics and more colour from the outset, and an instrument that keeps improving for as long as you own it.

Gloss body with black-and-white binding

The traditional polished classical look, with black-and-white body binding. Gloss wipes clean easily and can be polished if it picks up scuffs. The neck stays matte so your thumb slides rather than sticks.

🎸

Nato back and sides

A consistent mid-weight hardwood often used in place of mahogany, giving a warm, even response that sits well under a spruce top. Stable, too, which is no bad thing in a humid climate.

650 mm scale, 52 mm nut, flat classical radius

Rosewood fingerboard with the flat radius classical technique expects, and 11.8 mm string spacing. The scale that classical repertoire, method books and graded exam syllabi are all written around.

🎓

The natural step up from a student guitar

If you have outgrown a C40 or C80 and want to hear the difference rather than just look at nicer trim, this is the sort of guitar to move to. Chrome tuners and simple binding keep the cost in the wood rather than the decoration.

Which CG Should You Buy?

All four CG models have a solid top and identical playing geometry. What changes is the timber and the trim — and on a classical guitar, timber is most of the price.

  CG122MS CG142S (this guitar) CG182S CG192S
Top Solid spruce Solid spruce Solid spruce Solid European spruce
Back & sides Nato Nato Rosewood Rosewood
Fingerboard Rosewood Rosewood Ebony Ebony
Finish Matte Gloss Gloss Gloss
Tuners Chrome Chrome Gold Gold
Price Lowest Second lowest Higher Highest
Scale / nut Identical across all four — 650 mm scale, 52 mm nut, 11.8 mm spacing

FAQ

Q. How is this different from the cheaper CG122MS?

Mainly the finish. Both have the same solid spruce top, nato back and sides, rosewood fingerboard and chrome tuners. The CG122MS is matte with black-and-natural binding; this one is gloss with black-and-white binding. If you prefer a polished classical look, pay the difference. If you like matte — or want to save the money — the CG122MS gives you the same solid top.

Q. Is it worth stepping up from a C Series guitar?

Yes, and this is the step worth making. Every C Series model has a laminate top; every CG model has a solid one. That single change does more for volume, dynamics and long-term tone than any amount of nicer hardware.

Q. Should I stretch to the CG182S instead?

Both have solid spruce tops, so the top — the thing that matters most — is the same. The 182S adds rosewood back and sides, an ebony fingerboard, gold tuners and wood binding. Those are real, but if your budget stops here you are not missing the important part.

Q. How do I look after a solid top in India?

Keep it out of direct sunlight, never leave it in a parked car, and do not sit it where an air conditioner blows straight onto it. In dry weather a case humidifier costs very little and prevents the cracking and shrinkage that dry air can cause. Ask us and we will include one.

Q. Is this suitable for graded exams?

Very much so. The 650 mm scale and 52 mm nut are exactly what graded syllabi assume, and the solid top gives an examiner more dynamic range and tonal colour to hear. It is a sensible instrument to work through the higher grades on.

Q. Can I put steel strings on it?

No — please don't. A classical guitar is built for the far lower tension of nylon and has no truss rod. Steel strings will pull the neck forward and can lift the bridge, and that damage is not covered by warranty.

Q. Is a case included?

No — the CG142S is supplied without a case. On a solid-wood guitar a proper case is worth having, both for knocks and for buffering humidity swings. Ask us and we will pair a suitable classical case before it ships.

Why Buy from YMS?

  • Authorised Yamaha Premium Retailer: Buy a genuine India-market Yamaha instrument with official manufacturer warranty support.
  • Set up before it reaches you: We check action, relief and intonation, which matters more on a solid-top instrument than on any student guitar.
  • Expert guidance: We will tell you honestly when a step up or down the CG range is worth it and when it is not.
  • Care for solid wood: Ask us about hard cases, case humidifiers and looking after a solid top in the Indian climate.
  • Pan-India delivery: Order from anywhere in India, subject to serviceability for your location.
  • Physical-store support: YMS teams in Bengaluru and Mangaluru are available for product enquiries and after-sales guidance.

Specifications

Overview
Model Yamaha CG142S
Type Full-size nylon-string classical guitar
Series CG Series
Body Shape Yamaha CG Shape (non-cutaway)
Finish Natural
Body & Neck
Top Solid Spruce
Back Nato
Sides Nato
Neck Nato
Fingerboard Rosewood (flat classical radius)
Bridge Rosewood
Body Binding Black + White
Headstock Slotted, classical style
Dimensions
Scale Length 650 mm
Nut Width 52 mm
String Spacing 11.8 mm
Hardware & Finish
Tuners Chrome
Strings Nylon
Body Finish Gloss
Neck Finish Matte
Electronics None - purely acoustic
Included No case supplied

Solid top instrument. Solid wood is more sensitive to humidity than laminate - a case and humidifier are recommended in the Indian climate. Specifications from Yamaha official product data.

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