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Yamaha

Yamaha Electro-Acoustic Guitar LL16

Yamaha Electro-Acoustic Guitar LL16

The Original Jumbo, all solid woods, with an A.R.E. top.

  • Original Jumbo body, the largest in the L Series
  • Solid Engelmann spruce top treated with Yamaha A.R.E.
  • Solid rosewood back and sides, not laminate
  • 5-ply mahogany and rosewood neck with ebony board
  • Passive SRT Zero Impact pickup and stiffened gig bag
MRPRs. 110,990.00
YMS PriceRs. 105,441.005% OFF
Taxes included.
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The Original Jumbo. Yamaha's Signature Acoustic, in All Solid Woods.

The Yamaha LL16 ARE is the guitar the L Series is built around — the Original Jumbo, a round-shoulder dreadnought shape Yamaha has refined since 1974. It pairs a hand-selected solid Engelmann spruce top with solid rosewood back and sides for the volume, headroom and low-end authority that a big body makes possible.

The top is treated with A.R.E., Yamaha's own wood-reforming process, before the guitar is assembled. A new LL16 already has the open, played-in response that normally takes years to arrive — which matters most on a large body, where a stiff new top is the thing holding the sound back.

A 5-ply mahogany and rosewood neck, ebony fingerboard and bridge, modified non-scalloped bracing and the passive SRT Zero Impact pickup finish an instrument built for the long term. Supplied with a stiffened fabric gig bag, in Natural, Brown Sunburst or Dark Tinted.

A.R.E. — Acoustic Resonance Enhancement

An acoustic guitar sounds better after years of playing because the cellular structure of the top slowly changes. A.R.E. is Yamaha's method of reaching that state in the factory, without heat-charring the wood or removing anything from it.

1. Controlled atmosphere, not fire

Yamaha manipulates temperature, humidity and atmospheric pressure together, in a sealed process, rather than simply baking the wood.

2. The molecules change

The process alters the molecular properties of the wood, reaching conditions Yamaha describes as similar to the molecular characteristics of woods in instruments that have been played for years.

3. You hear it on day one

The result is a top that is already loose and responsive — stronger fundamentals, richer overtones and more volume from less effort, straight out of the bag. It still opens up further as you play it.

Key Features

🎸

Original Jumbo body — 415 mm across, the largest in the L Series

The round-shoulder dreadnought shape moves considerably more air than a concert body. Yamaha describes the LL as delivering “rich volume, a wide dynamic range, and excellent tonal balance” — it holds its own against a band without needing to be plugged in.

🌲

Hand-selected solid Engelmann spruce top with A.R.E.

Engelmann is lighter and more elastic than the Sitka used on most dreadnoughts, so a big body stays sensitive to a soft touch instead of needing to be driven hard. A.R.E. adds the maturity that would otherwise take years of playing.

🔊

Solid rosewood back and sides — not laminate

The LL16 is an all-solid guitar. Rosewood on a body this size gives deep, sustaining bass, scooped mids and bell-like treble, and unlike laminate it will keep improving for as long as you own it.

🎵

Modified non-scalloped bracing keeps a big body tight

Yamaha deliberately does not scallop the braces on the L Series. The modified non-scalloped pattern “retains the L Series' characteristic bright tone while enhancing low-end tone” — so a hard-strummed dreadnought stays defined instead of turning muddy in the bass.

5-ply neck, volute and double-action truss rod

Five laminations of mahogany and rosewood with a volute at the headstock and a double-action adjustable rod — a construction Yamaha specifies for “excellent strength and stability”. Under the higher string tension a dreadnought carries, that stability earns its keep.

🔌

SRT Zero Impact passive pickup — no controls, no battery, no holes

A passive system with an individual piezo element under each string, designed to “minimize the pickup's impact on the tone and traditional appearance of the instrument”. No preamp box cut into the side, no battery to die mid-set — just a LINE OUT jack and the guitar's own voice. Set your level at the desk or through a preamp.

Appointments that match the woods

Ebony fingerboard and bridge, maple and black body binding, an abalone, black and white sound-hole rosette, tortoise-pattern pickguard, and die-cast gold TM29G tuners. Gloss body, matte neck — so the finish shines but your hand still slides.

🎒

Elixir strings and a stiffened gig bag included

Fitted with Elixir NANOWEB 80/20 Bronze Light strings, and supplied with a stiffened fabric gig bag and hex wrench. The bag is padded and semi-rigid with carry straps — good protection for transport, though not a moulded hard case. Ask us if you want to add one.

LL16 or LS16?

Both share the same A.R.E. top treatment, all-solid construction, 650 mm scale, 44 mm nut and SRT Zero Impact pickup. The body is what changes the voice.

Model Body Yamaha's description Best for
LL16 (this guitar) Original Jumbo — 415 mm wide “Rich volume, a wide dynamic range, and excellent tonal balance” Strumming, flatpicking, playing over a band
LS16 Concert — 380 mm wide “Excellent total balance”; “a big, confident sound for its size” Fingerstyle, recording, singer-songwriters

FAQ

Q. What is an “Original Jumbo”? Is it a dreadnought?

It is Yamaha's own name for the L Series body, which their specifications list as a round-shoulder dreadnought style. It is dreadnought-sized but with sloped rather than square shoulders, which softens the attack slightly and makes it a little easier to hold.

Q. How different is the LL16 from the LS16 in practice?

The LL16 body is 35 mm wider and 16 mm longer, at the same 100–120 mm depth. That is a real step up in volume and bass. The LS16 is easier to hold and more delicate under the fingers; the LL16 pushes harder and takes a pick better. Woods, neck, hardware and electronics are identical.

Q. Is the LL16 all solid wood?

Yes. Solid Engelmann spruce top, solid rosewood back, solid rosewood sides. Many guitars advertised as “solid top” use laminate back and sides; the LL16 does not.

Q. Is A.R.E. the same as a torrefied or roasted top?

They aim at the same result but are not the same process. Torrefaction bakes wood at high heat. A.R.E. controls temperature, humidity and atmospheric pressure together to alter the wood's molecular properties. Yamaha developed it in-house and uses it across the L Series.

Q. Where are the volume and tone controls?

There aren't any, by design. The SRT Zero Impact system is passive, so there is no preamp, no battery and no control panel routed into the side. You plug into the LINE OUT jack and set the level at your amp, mixer or an outboard acoustic preamp/DI.

Q. Does a passive pickup need anything extra to gig with?

Most acoustic amps and PA channels will take it directly. If you want more control on stage, a small acoustic preamp or DI with EQ and a notch filter is the usual pairing — useful on a large-bodied guitar, which is more prone to low-end feedback at volume. Ask us and we will match one to your setup.

Q. Is a dreadnought too big for a smaller player?

It can be. The Original Jumbo's sloped shoulders help, but if reaching over the body is uncomfortable, the LS16 gives you the same woods, A.R.E. top and electronics in a concert body. Come and try both if you can.

Q. What does the 5-ply neck actually get me?

Stability. Laminating mahogany and rosewood in alternating layers means the grain directions oppose each other, so the neck is far less likely to twist or shift with humidity — which matters a great deal in the Indian climate.

Q. How should I look after an all-solid guitar?

Keep it in its bag when you are not playing, away from direct sun and air-conditioning vents, and use a soundhole humidifier in very dry weather. Solid tops are more responsive than laminate and also more sensitive to humidity swings.

Q. What is included in the box?

A stiffened fabric gig bag and a hex wrench, with Elixir NANOWEB 80/20 Bronze Light strings fitted. Yamaha's own specification sheet calls this a “hard bag”, but it is a padded semi-rigid fabric bag rather than a moulded hard case.

Why Buy from YMS?

  • Authorised Yamaha Premium Retailer: Buy a genuine India-market Yamaha instrument with official manufacturer warranty support.
  • Set up before it reaches you: On an instrument at this level we check action, relief and intonation so it plays properly out of the bag.
  • Expert guitar guidance: Our team can compare the LL16 and LS16 with you, and advise on preamps, DIs and amplification for the passive SRT pickup.
  • Support beyond the guitar: Ask us about hard cases, humidifiers, Elixir strings, capos, stands and cables.
  • Pan-India delivery: Order from anywhere in India, subject to serviceability for your location.
  • Physical-store support: YMS teams in Bengaluru and Mangaluru are available for product enquiries and after-sales guidance.

Specifications

Overview
Model Yamaha LL16 ARE
Series Yamaha L Series
Instrument type All-solid electro-acoustic guitar
Body shape Original Jumbo (round-shoulder dreadnought style)
Finishes Natural; Brown Sunburst; Dark Tinted
Body finish Gloss
Neck finish Matte
Tonewoods and construction
Top material Solid Engelmann spruce with A.R.E.
Back material Solid rosewood
Side material Solid rosewood
Wood treatment A.R.E. (Acoustic Resonance Enhancement) applied to the top
Bracing Modified non-scalloped bracing
Neck and fingerboard
Neck material Mahogany + rosewood (5-ply)
Headstock Volute
Truss rod Double-action adjustable rod
Fingerboard material Ebony
Bridge material Ebony
Nut material Urea
Saddle material Urea
Dimensions
Scale length 650 mm (25-9/16 in)
Body length 513 mm (20-3/16 in)
Total length 1,046 mm (41-3/16 in)
Body width 415 mm (16-5/16 in)
Body depth 100-120 mm (3-15/16 in - 4-3/4 in)
Nut width 44 mm (1-3/4 in)
String spacing 11 mm
Appointments and hardware
Tuners Die-cast gold (TM29G)
Body binding Maple + black
Sound hole inlay Abalone + black + white
Pickguard Tortoise pattern
Bridge pins Black ABS with white dot
Electronics
Pickup system Passive system + SRT piezo pickup (SRT Zero Impact)
Pickup design Individual piezo element for each string
Preamp None - passive, no battery required
Onboard controls None
Connections LINE OUT
Strings and included accessories
Strings Elixir NANOWEB 80/20 Bronze Light
Bag Stiffened fabric gig bag - padded and semi-rigid, not a moulded hard case (listed by Yamaha as 'hard bag')
Accessories Hex wrench

Specifications are based on Yamaha's published L Series specifications and may change or vary by region.

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