{"product_id":"yamaha-recording-custom-stainless-steel-snare-drum","title":"Yamaha Recording Custom Stainless Steel Snare Drum (RLS1455 \/ RLS1470)","description":"\u003cstyle\u003e\n.yms-rc{box-sizing:border-box;width:100%;max-width:100%;padding:0 18px 0 20px;margin:0 auto;color:#1f2937;line-height:1.6}\n.yms-rc *{box-sizing:border-box}\n.yms-rc h2{font-size:clamp(20px,2.6vw,25px)!important;font-weight:700!important;margin:30px 0 12px!important;color:#111827!important}\n.yms-rc h3{font-size:clamp(16px,2vw,18px)!important;font-weight:700!important;margin:0 0 6px!important}\n.yms-rc p{margin:0 0 12px}\n.yms-rc .i{padding:18px 16px;border-left:4px solid #6b3fa0;background:#faf6ff;border-radius:10px;margin:8px 0 6px}\n.yms-rc .i h2{margin:0 0 10px!important}\n.yms-rc .flag{padding:12px 14px;background:#fff7ed;border:1px solid #fed7aa;border-radius:9px;margin:0 0 12px}\n.yms-rc .g{display:grid;grid-template-columns:repeat(auto-fit,minmax(150px,1fr));gap:10px;margin:6px 0 4px}\n.yms-rc .t{border:1px solid #e5e7eb;border-radius:10px;background:#fafafa;padding:12px 14px}\n.yms-rc .t span{display:block;font-size:12px;letter-spacing:.06em;text-transform:uppercase;color:#6b7280;margin:0 0 3px}\n.yms-rc .t strong{font-size:16px;color:#111827}\n.yms-rc ul.b{list-style:none;padding:0;margin:0}\n.yms-rc ul.b li{padding:0 0 0 22px;position:relative;margin:0 0 10px}\n.yms-rc ul.b li:before{content:\"\\25AA\";position:absolute;left:4px;color:#6b3fa0}\n.yms-rc .d{padding:20px 18px;background:#2a1b3d;color:#e7dff2;border-radius:12px;margin:18px 0}\n.yms-rc .d h2,.yms-rc .d h3{color:#fff!important;margin-top:0!important}\n.yms-rc .d .sub{padding:12px 14px;background:rgba(255,255,255,.07);border-radius:9px;margin:0 0 10px}\n.yms-rc .s{width:100%;overflow-x:auto;-webkit-overflow-scrolling:touch}\n.yms-rc table{border-collapse:collapse;width:100%;min-width:660px;font-size:14px}\n.yms-rc th,.yms-rc td{border:1px solid #e5e7eb;padding:8px 10px;text-align:left;vertical-align:top}\n.yms-rc th{background:#f3f0fa;font-weight:700}\n.yms-rc tr.me td{background:#faf6ff;font-weight:700}\n.yms-rc .q{margin:0 0 4px;font-weight:700}\n.yms-rc .fq{padding:14px 0;border-bottom:1px solid #e5e7eb}\n.yms-rc .w{padding:16px;background:#f8f8f8;border-radius:12px;margin:22px 0 8px}\n.yms-rc .feat{display:grid;grid-template-columns:240px 1fr;gap:22px;align-items:start;margin:14px 0;padding:18px;border:1px solid #e5e7eb;border-radius:12px;background:#fff}\n.yms-rc .feat figure{margin:0}\n.yms-rc .feat img{display:block;width:100%;max-width:240px;height:auto;border:1px solid #eeeeee;border-radius:8px;background:#fff}\n.yms-rc .pair{display:grid;gap:10px}\n.yms-rc figcaption{margin:7px 0 0;font-size:12px;line-height:1.45;color:#6b7280}\n.yms-rc .feat p:last-child{margin-bottom:0}\n.yms-rc .augrp{display:grid;grid-template-columns:repeat(auto-fit,minmax(280px,1fr));gap:16px;margin:12px 0 6px}\n.yms-rc .augrp\u003ediv{border:1px solid #e5e7eb;border-radius:12px;padding:16px;background:#fafafa}\n.yms-rc .augrp h3{margin:0 0 4px!important}\n.yms-rc .augrp .sub2{font-size:12.5px;color:#6b7280;margin:0 0 12px}\n.yms-rc .arow{margin:0 0 13px}\n.yms-rc .arow:last-child{margin:0}\n.yms-rc .arow span{display:block;font-size:13px;font-weight:600;color:#374151;margin:0 0 5px}\n.yms-rc audio{display:block;width:100%;height:38px}\n.yms-rc .src{font-size:12px;color:#6b7280;margin:10px 0 0}\n@media screen and (max-width:749px){.yms-rc .feat{grid-template-columns:1fr}.yms-rc .feat figure{max-width:280px;margin:0 auto}}\n\u003c\/style\u003e\n\u003cdiv class=\"yms-rc\" data-yms-dtx=\"true\"\u003e\n\u003cdiv class=\"i\"\u003e\n\u003ch2\u003eThe One That Cuts Through\u003c\/h2\u003e\n\u003cdiv class=\"flag\"\u003e\n\u003cstrong\u003eTwo depths, and they are not the same drum.\u003c\/strong\u003e Choose \u003cstrong\u003e14 × 5.5\" (RLS1455)\u003c\/strong\u003e or \u003cstrong\u003e14 × 7\" (RLS1470)\u003c\/strong\u003e above. The depth, hoop tension count and snare wires differ — and the 14 × 5.5\" ships with \u003cstrong\u003eSteve Gadd's signature snare wire in the box\u003c\/strong\u003e. Details below. Sold as a snare drum only; a snare stand is not included, so tell us if you need one and we will match a Yamaha stand to it.\u003c\/div\u003e\n\u003cp\u003eStainless steel is the most direct and projecting of the three Recording Custom metals. The \u003cstrong\u003e1.2 mm stainless-steel shell with its centre bead formed on the outside\u003c\/strong\u003e produces a crisp, articulate voice with the cutting crack needed to stay present over amplified instruments.\u003c\/p\u003e\n\u003cp\u003eYamaha developed the metal Recording Custom snares with Steve Gadd's input, aiming for the consistency and wide tuning response demanded in the studio. The outward bead opens the shell compared with Yamaha's earlier inward-bead designs, while the Dyna Hoops focus the response without choking it.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch2\u003eAt a Glance\u003c\/h2\u003e\n\u003cdiv class=\"g\"\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eShell\u003c\/span\u003e\u003cstrong\u003eStainless steel 1.2 mm\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eSizes\u003c\/span\u003e\u003cstrong\u003e14 × 5.5\" or 14 × 7\"\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eHoops\u003c\/span\u003e\u003cstrong\u003e2.3 mm Dyna Hoop\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eBearing edge\u003c\/span\u003e\u003cstrong\u003e45 degrees\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eHeads\u003c\/span\u003e\u003cstrong\u003eRemo USA, fitted\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eSnare stand\u003c\/span\u003e\u003cstrong\u003eNot included\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch2\u003eWhat You Get\u003c\/h2\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.2 mm stainless-steel shell\u003c\/strong\u003e with the centre bead formed on the \u003cem\u003eoutside\u003c\/em\u003e of the shell — see below for why that matters.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.3 mm steel Dyna Hoops\u003c\/strong\u003e — 10 tension on the RLS1455 and 8 tension on the RLS1470, as listed by Yamaha. Stiffer than a standard triple-flange hoop, they tighten the sound and sharpen the response without the hard clamp of a die-cast hoop.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOne-piece lugs with an internal lug lock mechanism,\u003c\/strong\u003e which resists the slow detuning that comes from sustained hard playing.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ-type strainer on the release side, DC3-type butt side\u003c\/strong\u003e — heavy-duty hardware built for stable, smooth operation and quick wire changes.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRemo US Ambassador Coated batter and Remo US Ambassador Snare side heads,\u003c\/strong\u003e fitted at the factory.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e45-degree bearing edge and a 2.4 mm snare bed,\u003c\/strong\u003e on both sizes.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDeveloped with Steve Gadd,\u003c\/strong\u003e whose playing helped define the Recording Custom sound.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eThree Details That Define It\u003c\/h2\u003e\n\u003cdiv class=\"feat\"\u003e\n\u003cfigure class=\"pair\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/0F5A09AEBF204F049ACDA943BE5F37B5_12083_tcm117-1707229.jpg?v=1788896071\" alt=\"Yamaha Recording Custom high-carbon steel snare wire\" width=\"240\" height=\"184\" loading=\"lazy\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/E077965E0EEF4F38A8185BEB3BB7150F_12083_tcm117-1633183.jpg?v=1788896117\" alt=\"Yamaha Steve Gadd signature snare wire\" width=\"240\" height=\"184\" loading=\"lazy\"\u003e\n\u003cfigcaption\u003eThe fitted high-carbon steel wire and the Steve Gadd SN1410H, bundled with the RLS1455 only.\u003c\/figcaption\u003e\n\u003c\/figure\u003e\n\u003cdiv\u003e\n\u003ch3\u003eSnare Wire — and Steve Gadd's own set in the box\u003c\/h3\u003e\n\u003cp\u003eThe RLS1455 carries a \u003cstrong\u003e20-strand SN1420H\u003c\/strong\u003e; the deeper RLS1470 uses a denser \u003cstrong\u003e25-strand SN1425H\u003c\/strong\u003e. More strands give the 7-inch drum a fuller, more even wire response under the resonant head.\u003c\/p\u003e\n\u003cp\u003eThe RLS1455 also arrives with a second wire: the \u003cstrong\u003eSN1410H “SG type”\u003c\/strong\u003e Steve Gadd prefers. It begins as a 14-strand wire with the middle four strands removed, leaving 10. Yamaha says this sharpens the cutoff for a crisper, more staccato note. The nine demos below let you hear the RLS1455 with both wire choices.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feat\"\u003e\n\u003cfigure\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/0E6F21203E8E4BF3B8190EF097655EF3_12083_tcm117-1661460.jpg?v=1788895791\" alt=\"The centre bead formed on the outside of a Yamaha Recording Custom metal shell\" width=\"240\" height=\"301\" loading=\"lazy\"\u003e\u003cfigcaption\u003eThe bead runs around the outside of the shell, rather than the inside.\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003cdiv\u003e\n\u003ch3\u003eCentre Bead — on the outside, for the first time\u003c\/h3\u003e\n\u003cp\u003eA centre bead is the ridge pressed around the middle of a metal shell; it stiffens the shell and focuses the fundamental. Yamaha traditionally formed that bead on the inside of its snare shells. After repeated evaluation with Steve Gadd, these drums move it to the \u003cstrong\u003eoutside\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eYamaha describes the result as more open than its conventional drums, with crisp, articulate response. On stainless steel, that openness keeps the shell lively while preserving the strong attack and projection players choose it for.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feat\"\u003e\n\u003cfigure\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/6B26F8BFCB9940D4AC34BDC79CB133D4_12083_tcm117-1735775.jpg?v=1788895929\" alt=\"Yamaha heavy-duty Q-type snare strainer\" width=\"240\" height=\"301\" loading=\"lazy\"\u003e\u003cfigcaption\u003eThe heavy-duty Q-type strainer on the release side.\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003cdiv\u003e\n\u003ch3\u003eQ-Type Strainer\u003c\/h3\u003e\n\u003cp\u003eThe heavy-duty \u003cstrong\u003eQ-type strainer\u003c\/strong\u003e is solid, stable and smooth in operation, with fine adjustment that holds where you set it.\u003c\/p\u003e\n\u003cp\u003eIt also makes wire replacement straightforward — particularly useful on the RLS1455, where Yamaha supplies two distinct wire voices in the box.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch2\u003eHear It\u003c\/h2\u003e\n\u003cp\u003eYamaha's official sound demos, recorded at three tunings with Ambassador heads. The RLS1455 is presented with its fitted 20-strand wire and with the bundled Steve Gadd 10-strand wire, so you can hear the change in cutoff before choosing.\u003c\/p\u003e\n\u003cdiv class=\"augrp\"\u003e\n\u003cdiv\u003e\n\u003ch3\u003eRLS1455 — 14 × 5.5\"\u003c\/h3\u003e\n\u003cp class=\"sub2\"\u003e20-strand SN1420H wire\u003c\/p\u003e\n\u003cdiv class=\"arow\"\u003e\n\u003cspan\u003eLow tuning\u003c\/span\u003e\u003caudio controls preload=\"none\" src=\"https:\/\/uk.yamaha.com\/en\/files\/RLS1455_Kit_All_Low_with_AMB_tcm117-1783451.mp3\"\u003e\u003c\/audio\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"arow\"\u003e\n\u003cspan\u003eMid tuning\u003c\/span\u003e\u003caudio controls preload=\"none\" src=\"https:\/\/uk.yamaha.com\/en\/files\/RLS1455_Kit_All_Mid_with_AMB_tcm117-1783149.mp3\"\u003e\u003c\/audio\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"arow\"\u003e\n\u003cspan\u003eHigh tuning\u003c\/span\u003e\u003caudio controls preload=\"none\" src=\"https:\/\/uk.yamaha.com\/en\/files\/RLS1455_Kit_All_Hi_with_AMB_tcm117-1782928.mp3\"\u003e\u003c\/audio\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eRLS1455 — Steve Gadd wire\u003c\/h3\u003e\n\u003cp class=\"sub2\"\u003eBundled 10-strand SN1410H wire\u003c\/p\u003e\n\u003cdiv class=\"arow\"\u003e\n\u003cspan\u003eLow tuning\u003c\/span\u003e\u003caudio controls preload=\"none\" src=\"https:\/\/uk.yamaha.com\/en\/files\/RLS1455_w_SN1410_Kit_All_Low_with_AMB_tcm117-1782244.mp3\"\u003e\u003c\/audio\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"arow\"\u003e\n\u003cspan\u003eMid tuning\u003c\/span\u003e\u003caudio controls preload=\"none\" src=\"https:\/\/uk.yamaha.com\/en\/files\/RLS1455_w_SN1410_Kit_All_Mid_with_AMB_tcm117-1783445.mp3\"\u003e\u003c\/audio\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"arow\"\u003e\n\u003cspan\u003eHigh tuning\u003c\/span\u003e\u003caudio controls preload=\"none\" src=\"https:\/\/uk.yamaha.com\/en\/files\/RLS1455_w_SN1410_Kit_All_Hi_with_AMB_tcm117-1782231.mp3\"\u003e\u003c\/audio\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eRLS1470 — 14 × 7\"\u003c\/h3\u003e\n\u003cp class=\"sub2\"\u003e25-strand SN1425H wire\u003c\/p\u003e\n\u003cdiv class=\"arow\"\u003e\n\u003cspan\u003eLow tuning\u003c\/span\u003e\u003caudio controls preload=\"none\" src=\"https:\/\/uk.yamaha.com\/en\/files\/RLS1470_Kit_All_Low_with_AMB_tcm117-1783412.mp3\"\u003e\u003c\/audio\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"arow\"\u003e\n\u003cspan\u003eMid tuning\u003c\/span\u003e\u003caudio controls preload=\"none\" src=\"https:\/\/uk.yamaha.com\/en\/files\/RLS1470_Kit_All_Mid_with_AMB_tcm117-1782234.mp3\"\u003e\u003c\/audio\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"arow\"\u003e\n\u003cspan\u003eHigh tuning\u003c\/span\u003e\u003caudio controls preload=\"none\" src=\"https:\/\/uk.yamaha.com\/en\/files\/RLS1470_Kit_All_Hi_with_AMB_tcm117-1782943.mp3\"\u003e\u003c\/audio\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"src\"\u003eAudio: official Yamaha sound demos.\u003c\/p\u003e\n\u003cdiv class=\"d\"\u003e\n\u003ch2\u003eChoose Your Size\u003c\/h2\u003e\n\u003cdiv class=\"sub\"\u003e\n\u003ch3\u003e14 × 5.5\" — RLS1455\u003c\/h3\u003e\n\u003cp style=\"margin:0;color:#ded3ee\"\u003eThe versatile choice: fast, sensitive and easy to place in a mix. It uses a 10-tension Dyna Hoop and the 20-strand SN1420H, and is the only size that includes \u003cstrong\u003eSteve Gadd's 10-strand SN1410H signature wire\u003c\/strong\u003e for a shorter, more staccato second voice.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sub\"\u003e\n\u003ch3\u003e14 × 7\" — RLS1470\u003c\/h3\u003e\n\u003cp style=\"margin:0;color:#ded3ee\"\u003eAn inch and a half deeper, with a lower fundamental and more air behind the note. Yamaha pairs it with an 8-tension Dyna Hoop and a denser 25-strand SN1425H wire. Choose it for the biggest backbeat and maximum body from the stainless shell.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch2\u003eWhich Metal?\u003c\/h2\u003e\n\u003cp\u003eAll three Recording Custom metals share the 1.2 mm shell, the external centre bead, the 45-degree bearing edge and the Q-type strainer. Two things change: the metal, and the hoop. \u003cstrong\u003eStainless steel\u003c\/strong\u003e gives the strongest attack and projection. \u003cstrong\u003eBrass\u003c\/strong\u003e is darker and weightier, with more body and a lower fundamental. \u003cstrong\u003eAluminium\u003c\/strong\u003e is open and woody, and the only one fitted with 3.0 mm die-cast hoops rather than Dyna Hoops.\u003c\/p\u003e\n\u003cdiv class=\"s\"\u003e\u003ctable\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eShell\u003c\/th\u003e\n\u003cth\u003eModels\u003c\/th\u003e\n\u003cth\u003eSizes\u003c\/th\u003e\n\u003cth\u003eHoops\u003c\/th\u003e\n\u003cth\u003eCharacter\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"me\"\u003e\n\u003ctd\u003eStainless steel 1.2 mm\u003c\/td\u003e\n\u003ctd\u003eRLS1455 \/ RLS1470\u003c\/td\u003e\n\u003ctd\u003e14 × 5.5\" or 14 × 7\"\u003c\/td\u003e\n\u003ctd\u003e2.3 mm Dyna Hoop\u003c\/td\u003e\n\u003ctd\u003eCrisp attack and strong projection\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBrass 1.2 mm\u003c\/td\u003e\n\u003ctd\u003eRRS1455 \/ RRS1465 \/ RRS1365\u003c\/td\u003e\n\u003ctd\u003e14 × 5.5\", 14 × 6.5\" or 13 × 6.5\"\u003c\/td\u003e\n\u003ctd\u003e2.3 mm Dyna Hoop\u003c\/td\u003e\n\u003ctd\u003eDark intensity, weight and body\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAluminium 1.2 mm\u003c\/td\u003e\n\u003ctd\u003eRAS1455 \/ RAS1465\u003c\/td\u003e\n\u003ctd\u003e14 × 5.5\" or 14 × 6.5\"\u003c\/td\u003e\n\u003ctd\u003e3.0 mm die-cast\u003c\/td\u003e\n\u003ctd\u003eOpen and woody, all-rounder\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e What is the Steve Gadd snare wire, and do I get it?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eIt is the SN1410H, a 14-strand wire with the middle four strands removed, leaving 10. Yamaha bundles it with the \u003cstrong\u003eRLS1455 only\u003c\/strong\u003e. Its shorter cutoff produces a crisper, more staccato note. The RLS1470 does not include it.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Which depth should I choose?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eChoose the RLS1455 if this will be your only snare: it responds faster, includes the extra Gadd wire and covers the widest range of work. Choose the RLS1470 for a lower fundamental, greater body and the biggest backbeat. Listen to both above before deciding.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Does this use die-cast hoops?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eNo. Both stainless models use 2.3 mm steel Dyna Hoops. The RLS1455 is 10 tension and Yamaha lists the RLS1470 as 8 tension. In this metal family, only the aluminium models use 3.0 mm die-cast hoops.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Stainless steel or brass?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eChoose stainless steel when attack and projection matter most, especially with amplified music. Choose brass when you want more weight, a darker centre and less emphasis on the upper attack.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Does it come with a snare stand?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eNo. This is the drum alone, in either depth. Ask us and we will add a suitable Yamaha snare stand.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"w\"\u003e\n\u003ch2 style=\"margin:0 0 12px!important\"\u003eWhy Buy from YMS?\u003c\/h2\u003e\n\u003cp style=\"margin:0 0 8px\"\u003eYMS For Music is an authorised \u003cstrong\u003eYamaha Premium Retailer\u003c\/strong\u003e. Every drum is genuine Yamaha stock with full manufacturer warranty.\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003ePlay the metals side by side in Bengaluru or Mangaluru — aluminium, stainless steel and brass are genuinely different instruments, and ten minutes with all three settles it faster than any description. Secure delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\r\n","brand":"Yamaha","offers":[{"title":"14 x 5.5\" (RLS1455)","offer_id":48245897265317,"sku":"ZT36430","price":57951.0,"currency_code":"INR","in_stock":true},{"title":"14 x 7\" (RLS1470)","offer_id":48245897298085,"sku":"ZT36440","price":76351.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/yamaha-rls1455-recording-custom-stainless-steel-snare.jpg?v=1788945698","url":"https:\/\/ymsformusic.com\/products\/yamaha-recording-custom-stainless-steel-snare-drum","provider":"YMSFORMUSIC","version":"1.0","type":"link"}