{"product_id":"yamaha-mgp32x-mixing-console","title":"Yamaha MGP32X 32-Channel Premium Analog Mixing Console","description":"\u003cstyle\u003e\n[data-yms-mg]{box-sizing:border-box;width:100%;max-width:100%;padding:0 18px 0 20px;margin:0 auto;color:#1f2937;line-height:1.6}\n[data-yms-mg] *{box-sizing:border-box}\n[data-yms-mg] h2{font-size:clamp(20px,2.6vw,25px)!important;font-weight:700!important;margin:28px 0 12px!important;color:#111827!important}\n[data-yms-mg] h3{font-size:clamp(16px,2vw,18px)!important;font-weight:700!important;margin:0 0 6px!important}\n[data-yms-mg] p{margin:0 0 12px}\n[data-yms-mg] .i{padding:18px 16px;border-left:4px solid #6b3fa0;background:#faf6ff;border-radius:10px;margin:8px 0 6px}\n[data-yms-mg] .i h2{margin:0 0 10px!important}\n[data-yms-mg] .g{display:grid;grid-template-columns:repeat(auto-fit,minmax(150px,1fr));gap:10px;margin:6px 0 4px}\n[data-yms-mg] .t{border:1px solid #e5e7eb;border-radius:10px;background:#fafafa;padding:12px 14px}\n[data-yms-mg] .t span{display:block;font-size:12px;letter-spacing:.06em;text-transform:uppercase;color:#6b7280;margin:0 0 3px}\n[data-yms-mg] .t strong{font-size:16px;color:#111827}\n[data-yms-mg] ul.b{list-style:none;padding:0;margin:0}\n[data-yms-mg] ul.b li{padding:0 0 0 22px;position:relative;margin:0 0 10px}\n[data-yms-mg] ul.b li:before{content:\"\\25AA\";position:absolute;left:4px;color:#6b3fa0}\n[data-yms-mg] .d{padding:20px 18px;background:#2a1b3d;color:#e7dff2;border-radius:12px;margin:18px 0}\n[data-yms-mg] .d h2,[data-yms-mg] .d h3{color:#fff!important;margin-top:0!important}\n[data-yms-mg] .d .sub{padding:12px 14px;background:rgba(255,255,255,.07);border-radius:9px;margin:0 0 10px}\n[data-yms-mg] .s{width:100%;overflow-x:auto;-webkit-overflow-scrolling:touch}\n[data-yms-mg] table{border-collapse:collapse;width:100%;min-width:520px;font-size:14px}\n[data-yms-mg] th,[data-yms-mg] td{border:1px solid #e5e7eb;padding:9px 11px;text-align:left;vertical-align:top}\n[data-yms-mg] th{background:#f3f0fa;font-weight:700}\n[data-yms-mg] td.same{color:#3f7d3f;text-align:center}\n[data-yms-mg] .q{margin:0 0 4px;font-weight:700}\n[data-yms-mg] .fq{padding:14px 0;border-bottom:1px solid #e5e7eb}\n[data-yms-mg] .w{padding:16px;background:#f8f8f8;border-radius:12px;margin:22px 0 8px}\n\u003c\/style\u003e\n\u003cdiv data-yms-mg=\"true\"\u003e\n\n\u003cdiv class=\"i\"\u003e\n\u003ch2\u003eTwenty-Four Mic Inputs, Two Effects Engines, One Console\u003c\/h2\u003e\n\u003cp\u003eThe MGP32X is the largest analog console Yamaha builds: 32 mixing channels with \u003cstrong\u003e24 mic inputs\u003c\/strong\u003e, six AUX sends plus two dedicated FX sends, four group buses, two matrix outputs, a mono out, channel inserts on all 24 mono channels, talkback, and two effects processors — REV-X reverb and SPX multi-effects — running simultaneously.\u003c\/p\u003e\n\u003cp\u003eThis is a console for large installed systems and full production work: theatres, large auditoria and worship venues, conference and banquet facilities, festival stages and rental inventory. Where an MG desk runs out of inputs, sends or routing, this one keeps going.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eAt a Glance\u003c\/h2\u003e\n\u003cdiv class=\"g\"\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eMixing channels\u003c\/span\u003e\u003cstrong\u003e32\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eMic inputs\u003c\/span\u003e\u003cstrong\u003e24 × D-PRE\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eSends\u003c\/span\u003e\u003cstrong\u003e6 AUX + 2 FX\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eBuses\u003c\/span\u003e\u003cstrong\u003e4 group + stereo\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eEffects\u003c\/span\u003e\u003cstrong\u003eREV-X + SPX, both live\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eWeight\u003c\/span\u003e\u003cstrong\u003e19 kg\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eWhat You Get\u003c\/h2\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003e\n\u003cstrong\u003e24 mic inputs\u003c\/strong\u003e, each with +48V phantom power and its own 100 Hz high-pass filter, on discrete Class-A D-PRE preamps. 32 line inputs in total (24 mono, 4 stereo).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSix AUX sends plus two separate FX sends.\u003c\/strong\u003e Effects run on their own path, so all six sends stay free for foldback wedges, in-ear feeds or zone outputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel inserts on all 24 mono channels\u003c\/strong\u003e for outboard compressors, gates and channel strips.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTwo matrix outputs and a mono output\u003c\/strong\u003e — independent feeds for lobby, overflow, broadcast or a delay ring.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDual effects engines.\u003c\/strong\u003e FX1 is Yamaha's \u003cstrong\u003eREV-X\u003c\/strong\u003e reverb (Hall, Room, Plate — 8 programmes); FX2 is the \u003cstrong\u003eSPX\u003c\/strong\u003e multi-effect processor (16 programmes) with editable parameters.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOne-knob compressors with LED indicators on channels 9–24\u003c\/strong\u003e — sixteen channels of compression you can see engaging.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUSB recording and playback\u003c\/strong\u003e to a USB storage device in WAV or MP3, from Stereo Out or Matrix Out 1\/2. Internal universal power supply, 100–240V. 1,027 × 169 × 565 mm, 19 kg.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"d\"\u003e\n\u003ch2\u003eThree Things the MG Range Cannot Do\u003c\/h2\u003e\n\u003cdiv class=\"sub\"\u003e\n\u003ch3\u003e1. Priority Ducker\u003c\/h3\u003e\n\u003cp style=\"margin:0;color:#ded3ee\"\u003eNominate a microphone and it automatically pulls down the background music the moment someone speaks, then restores the level when they stop. No operator required — the reason this desk suits unmanned installs, conference rooms and hospitality venues.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sub\"\u003e\n\u003ch3\u003e2. The Stereo Hybrid Channel\u003c\/h3\u003e\n\u003cp style=\"margin:0;color:#ded3ee\"\u003eA digitally controlled stereo channel sitting inside an analog console, with its own three-band mid-sweep EQ and onboard converters. It is where the ducker, the leveler and the USB playback live — analog-style knobs on the surface, DSP underneath.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sub\"\u003e\n\u003ch3\u003e3. X-pressive EQ\u003c\/h3\u003e\n\u003cp style=\"margin:0;color:#ded3ee\"\u003eYamaha's modelled vintage EQ curves — 8 kHz high shelf, sweepable 250 Hz–5 kHz mid, 125 Hz low shelf, ±15 dB — with very steep shelving derived from classic outboard modules. A different response from the standard MG EQ, not just more of it.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"margin:0\"\u003eThere is also a \u003cstrong style=\"color:#fff\"\u003eLeveler\u003c\/strong\u003e, an automatic gain-riding compressor for un-manned playback, and a dedicated \u003cstrong style=\"color:#fff\"\u003etalkback\u003c\/strong\u003e mic input for cueing the stage or the crew.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eMGP32X or MGP24X?\u003c\/h2\u003e\n\u003cp\u003eThe two consoles are the same desk in two sizes. Everything that shapes the sound is identical — choose on input count and how much space you have.\u003c\/p\u003e\n\u003cdiv class=\"s\"\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003cth\u003e \u003c\/th\u003e\n\u003cth\u003eMGP32X (this console)\u003c\/th\u003e\n\u003cth\u003eMGP24X\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMixing channels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e32 — 24 mono + 4 stereo\u003c\/td\u003e\n\u003ctd\u003e24 — 16 mono + 4 stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMic inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e24\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChannel inserts\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e24\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOne-knob compressors\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eChannels 9–24\u003c\/td\u003e\n\u003ctd\u003eChannels 9–16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSends, buses, matrix\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\" class=\"same\"\u003eIdentical — 6 AUX + 2 FX sends, 4 group buses + stereo, 2 matrix out, 1 mono out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\" class=\"same\"\u003eIdentical — REV-X (8 programmes) and SPX (16 programmes), both running at once\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePreamps \u0026amp; EQ\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\" class=\"same\"\u003eIdentical — discrete Class-A D-PRE, X-pressive EQ, 100 Hz HPF per mic input\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWidth\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1,027 mm\u003c\/td\u003e\n\u003ctd\u003e819 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e19 kg\u003c\/td\u003e\n\u003ctd\u003e15.5 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Do I actually need 24 mic inputs?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eWrite out your channel list before deciding. A miked drum kit, bass, two guitars, keys, four vocals and a couple of playback feeds lands around sixteen — which the MGP24X covers. Go to the 32 when you are handling a choir, a horn section, multiple bands changing over, or a permanent install where you want spare inputs patched and ready.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e How is this different from an MG20XU?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eSubstantially. The MG20XU has four AUX sends shared with its effects, no inserts, no matrix, no mono out, no talkback, one effects engine and no ducker. The MGP32X has six sends plus two separate FX sends, twenty-four inserts, two matrix outputs, a mono out, talkback and two effects engines running together.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Can it record multitrack?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eNo. The USB port records a stereo pair to a USB storage device as WAV or MP3, from the Stereo Out or a Matrix Out — an archive of the event, not a session. Note that WAV recording has strict transfer-speed requirements: Yamaha recommends a fast USB hard disk or SSD, while MP3 works with ordinary USB sticks.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e How much space does it need?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003e1,027 mm wide and 565 mm deep, 19 kg. It is a table or flight-case console, not rack-mountable. Measure your booth before ordering.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"w\"\u003e\n\u003ch2 style=\"margin:0 0 12px!important\"\u003eWhy Buy from YMS?\u003c\/h2\u003e\n\u003cp style=\"margin:0 0 8px\"\u003eYMS For Music is an authorised \u003cstrong\u003eYamaha Premium Retailer\u003c\/strong\u003e. Every console is genuine Yamaha stock with full manufacturer warranty, sold and supported by people who use these desks on real jobs.\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eFor an install of this size, talk to us first — channel counts, matrix zoning and ducker setup are worth getting right before you buy. Demo units in Bengaluru and Mangaluru, secure delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":48084015874213,"sku":"MGP32X","price":123075.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/yamaha-mgp32-channel-mixing-console-1_96051b0b-3a76-4ede-9a0d-2fd746edd366.jpg?v=1785589372","url":"https:\/\/ymsformusic.com\/products\/yamaha-mgp32x-mixing-console","provider":"YMSFORMUSIC","version":"1.0","type":"link"}