{"product_id":"yamaha-mgp24x-mixing-console","title":"Yamaha MGP24X 24-Channel Premium Analog Mixing Console","description":"\u003cstyle\u003e\n[data-yms-mg]{box-sizing:border-box;width:100%;max-width:100%;padding:0 18px 0 20px;margin:0 auto;color:#1f2937;line-height:1.6}\n[data-yms-mg] *{box-sizing:border-box}\n[data-yms-mg] h2{font-size:clamp(20px,2.6vw,25px)!important;font-weight:700!important;margin:28px 0 12px!important;color:#111827!important}\n[data-yms-mg] h3{font-size:clamp(16px,2vw,18px)!important;font-weight:700!important;margin:0 0 6px!important}\n[data-yms-mg] p{margin:0 0 12px}\n[data-yms-mg] .i{padding:18px 16px;border-left:4px solid #6b3fa0;background:#faf6ff;border-radius:10px;margin:8px 0 6px}\n[data-yms-mg] .i h2{margin:0 0 10px!important}\n[data-yms-mg] .g{display:grid;grid-template-columns:repeat(auto-fit,minmax(150px,1fr));gap:10px;margin:6px 0 4px}\n[data-yms-mg] .t{border:1px solid #e5e7eb;border-radius:10px;background:#fafafa;padding:12px 14px}\n[data-yms-mg] .t span{display:block;font-size:12px;letter-spacing:.06em;text-transform:uppercase;color:#6b7280;margin:0 0 3px}\n[data-yms-mg] .t strong{font-size:16px;color:#111827}\n[data-yms-mg] ul.b{list-style:none;padding:0;margin:0}\n[data-yms-mg] ul.b li{padding:0 0 0 22px;position:relative;margin:0 0 10px}\n[data-yms-mg] ul.b li:before{content:\"\\25AA\";position:absolute;left:4px;color:#6b3fa0}\n[data-yms-mg] .d{padding:20px 18px;background:#2a1b3d;color:#e7dff2;border-radius:12px;margin:18px 0}\n[data-yms-mg] .d h2,[data-yms-mg] .d h3{color:#fff!important;margin-top:0!important}\n[data-yms-mg] .d .sub{padding:12px 14px;background:rgba(255,255,255,.07);border-radius:9px;margin:0 0 10px}\n[data-yms-mg] .s{width:100%;overflow-x:auto;-webkit-overflow-scrolling:touch}\n[data-yms-mg] table{border-collapse:collapse;width:100%;min-width:520px;font-size:14px}\n[data-yms-mg] th,[data-yms-mg] td{border:1px solid #e5e7eb;padding:9px 11px;text-align:left;vertical-align:top}\n[data-yms-mg] th{background:#f3f0fa;font-weight:700}\n[data-yms-mg] td.same{color:#3f7d3f;text-align:center}\n[data-yms-mg] .q{margin:0 0 4px;font-weight:700}\n[data-yms-mg] .fq{padding:14px 0;border-bottom:1px solid #e5e7eb}\n[data-yms-mg] .w{padding:16px;background:#f8f8f8;border-radius:12px;margin:22px 0 8px}\n\u003c\/style\u003e\n\u003cdiv data-yms-mg=\"true\"\u003e\n\n\u003cdiv class=\"i\"\u003e\n\u003ch2\u003eA Different Class of Desk from the MG\u003c\/h2\u003e\n\u003cp\u003eThe MGP24X is not a bigger MG. It is Yamaha's premium analog console: 24 mixing channels with 16 mic inputs, \u003cstrong\u003esix AUX sends plus two dedicated FX sends\u003c\/strong\u003e, four group buses, matrix outputs, a mono out, channel inserts on every mono channel, talkback, and \u003cstrong\u003etwo independent effects engines\u003c\/strong\u003e running at once — REV-X reverb and SPX multi-effects.\u003c\/p\u003e\n\u003cp\u003eIt is built for installed sound and larger production work: theatres, auditoria, houses of worship, banquet and conference venues, and rental companies. The features that matter there — inserts for outboard, matrix feeds for lobby and overflow zones, a priority ducker so a microphone automatically dips the background music without an operator — simply do not exist on the MG range.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eAt a Glance\u003c\/h2\u003e\n\u003cdiv class=\"g\"\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eMixing channels\u003c\/span\u003e\u003cstrong\u003e24\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eMic inputs\u003c\/span\u003e\u003cstrong\u003e16 × D-PRE\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eSends\u003c\/span\u003e\u003cstrong\u003e6 AUX + 2 FX\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eBuses\u003c\/span\u003e\u003cstrong\u003e4 group + stereo\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eEffects\u003c\/span\u003e\u003cstrong\u003eREV-X + SPX, both live\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eWeight\u003c\/span\u003e\u003cstrong\u003e15.5 kg\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eWhat You Get\u003c\/h2\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003e\n\u003cstrong\u003e16 mic inputs\u003c\/strong\u003e, each with +48V phantom power and its own 100 Hz high-pass filter, on discrete Class-A D-PRE preamps. 24 line inputs in total (16 mono, 4 stereo).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSix AUX sends plus two separate FX sends.\u003c\/strong\u003e The effects never eat into your monitor mixes — six independent foldback or zone feeds stay available at all times.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel inserts on all 16 mono channels\u003c\/strong\u003e, for patching outboard compressors, gates or channel strips into the signal path.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTwo matrix outputs and a mono output\u003c\/strong\u003e — separate feeds for a lobby, an overflow room, a broadcast leg or a delay ring, mixed independently of front of house.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDual effects engines.\u003c\/strong\u003e FX1 is Yamaha's high-resolution \u003cstrong\u003eREV-X\u003c\/strong\u003e reverb (Hall, Room, Plate — 8 programmes); FX2 is the \u003cstrong\u003eSPX\u003c\/strong\u003e multi-effect processor (16 programmes) with editable parameters. Both run simultaneously.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUSB recording and playback\u003c\/strong\u003e direct to a USB storage device, in WAV or MP3, sourced from the Stereo Out or Matrix Out 1\/2 — and playback routable to a hybrid channel or monitor out.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal universal power supply\u003c\/strong\u003e, 100–240V, plus talkback mic input. 819 × 169 × 565 mm, 15.5 kg.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"d\"\u003e\n\u003ch2\u003eThree Things the MG Range Cannot Do\u003c\/h2\u003e\n\u003cdiv class=\"sub\"\u003e\n\u003ch3\u003e1. Priority Ducker\u003c\/h3\u003e\n\u003cp style=\"margin:0;color:#ded3ee\"\u003eNominate a microphone and it automatically pulls down the background music the moment someone speaks, then restores the level when they stop. No operator required — the reason this desk suits unmanned installs, conference rooms and hospitality venues.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sub\"\u003e\n\u003ch3\u003e2. The Stereo Hybrid Channel\u003c\/h3\u003e\n\u003cp style=\"margin:0;color:#ded3ee\"\u003eA digitally controlled stereo channel sitting inside an analog console, with its own three-band mid-sweep EQ and onboard converters. It is where the ducker, the leveler and the USB playback live — analog-style knobs on the surface, DSP underneath.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sub\"\u003e\n\u003ch3\u003e3. X-pressive EQ\u003c\/h3\u003e\n\u003cp style=\"margin:0;color:#ded3ee\"\u003eYamaha's modelled vintage EQ curves — 8 kHz high shelf, sweepable 250 Hz–5 kHz mid, 125 Hz low shelf, ±15 dB — with very steep shelving derived from classic outboard modules. A different response from the standard MG EQ, not just more of it.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"margin:0\"\u003eThere is also a \u003cstrong style=\"color:#fff\"\u003eLeveler\u003c\/strong\u003e, an automatic gain-riding compressor for un-manned playback, and \u003cstrong style=\"color:#fff\"\u003eone-knob compressors with LED indicators\u003c\/strong\u003e so you can see compression engage on each channel.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eMGP24X or MGP32X?\u003c\/h2\u003e\n\u003cp\u003eThe two consoles are the same desk in two sizes. Everything that shapes the sound is identical — choose on input count and how much space you have.\u003c\/p\u003e\n\u003cdiv class=\"s\"\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003cth\u003e \u003c\/th\u003e\n\u003cth\u003eMGP24X (this console)\u003c\/th\u003e\n\u003cth\u003eMGP32X\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMixing channels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e24 — 16 mono + 4 stereo\u003c\/td\u003e\n\u003ctd\u003e32 — 24 mono + 4 stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMic inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003ctd\u003e24\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChannel inserts\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003ctd\u003e24\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOne-knob compressors\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eChannels 9–16\u003c\/td\u003e\n\u003ctd\u003eChannels 9–24\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSends, buses, matrix\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\" class=\"same\"\u003eIdentical — 6 AUX + 2 FX sends, 4 group buses + stereo, 2 matrix out, 1 mono out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\" class=\"same\"\u003eIdentical — REV-X (8 programmes) and SPX (16 programmes), both running at once\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePreamps \u0026amp; EQ\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\" class=\"same\"\u003eIdentical — discrete Class-A D-PRE, X-pressive EQ, 100 Hz HPF per mic input\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWidth\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e819 mm\u003c\/td\u003e\n\u003ctd\u003e1,027 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e15.5 kg\u003c\/td\u003e\n\u003ctd\u003e19 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e How is this different from an MG20XU?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eSubstantially. The MG20XU has four AUX sends shared with its effects, no inserts, no matrix, no mono out, no talkback, one effects engine and no ducker. The MGP24X has six sends plus two separate FX sends, sixteen inserts, two matrix outputs, a mono out, talkback and two effects engines running together. They are aimed at different jobs.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Can it record multitrack?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eNo. The USB port records a stereo pair to a USB storage device as WAV or MP3, taken from the Stereo Out or a Matrix Out — an archive of the event, not a session. For multitrack from a Yamaha mixer, look at the MGX12 or MGX16 digital consoles.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Any catch with USB recording?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eYes, worth knowing: WAV recording has strict transfer-speed requirements and some USB flash drives will not keep up. Yamaha recommends a fast USB hard disk or SSD for WAV. MP3 recording works with ordinary USB sticks.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e What does the priority ducker need to work?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eNothing external. You assign the priority mic and the attenuation depth at the desk, and it operates automatically — which is why these consoles end up in venues where nobody is sitting at the board.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Is it rack-mountable?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eNo — at 819 mm wide this is a table or flight-case console, not a rack unit. The internal universal power supply does make it straightforward to install permanently, with no external adapter to accommodate.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"w\"\u003e\n\u003ch2 style=\"margin:0 0 12px!important\"\u003eWhy Buy from YMS?\u003c\/h2\u003e\n\u003cp style=\"margin:0 0 8px\"\u003eYMS For Music is an authorised \u003cstrong\u003eYamaha Premium Retailer\u003c\/strong\u003e. Every console is genuine Yamaha stock with full manufacturer warranty, sold and supported by people who use these desks on real jobs.\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eFor an install of this size, talk to us first — channel counts, matrix zoning and ducker setup are worth getting right before you buy. Demo units in Bengaluru and Mangaluru, secure delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":48084015808677,"sku":"MGP24X","price":102450.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/yamaha-mgp-24-channel-mixing-console-1_12a5e261-5866-4ad4-ba72-d1f662e68d94.jpg?v=1785589385","url":"https:\/\/ymsformusic.com\/products\/yamaha-mgp24x-mixing-console","provider":"YMSFORMUSIC","version":"1.0","type":"link"}