{"product_id":"yamaha-electro-acoustic-guitar-ls6","title":"Yamaha Electro-Acoustic Guitar LS6","description":"\u003cstyle\u003e\n[data-yms-description-gutter=\"true\"]{box-sizing:border-box;width:100%;max-width:100%;padding:0 18px 0 20px;margin:0 auto;overflow:visible}\n[data-yms-description-gutter=\"true\"] *{box-sizing:border-box}\n[data-yms-description-gutter=\"true\"] h2{font-size:clamp(22px,3vw,28px)!important;font-weight:700!important;line-height:1.3!important;letter-spacing:-.01em!important}\n[data-yms-description-gutter=\"true\"] h3{font-size:clamp(17px,2vw,19px)!important;font-weight:700!important;line-height:1.4!important}\n[data-yms-description-gutter=\"true\"] p,[data-yms-description-gutter=\"true\"] li{overflow-wrap:anywhere;word-break:break-word}\n[data-yms-description-gutter=\"true\"] .yms-scroll{width:100%;overflow-x:auto;-webkit-overflow-scrolling:touch}\n[data-yms-description-gutter=\"true\"] table{border-collapse:collapse;width:100%;min-width:560px;font-size:15px}\n[data-yms-description-gutter=\"true\"] th,[data-yms-description-gutter=\"true\"] td{padding:10px 12px;text-align:left;border-bottom:1px solid #e5e7eb;vertical-align:top}\n[data-yms-description-gutter=\"true\"] th{background:#faf6ff;font-weight:700}\n[data-yms-description-gutter=\"true\"] td.yms-same{color:#3f7d3f;}\n\u003c\/style\u003e\n\u003cdiv data-yms-description-gutter=\"true\"\u003e\n  \u003cdiv style=\"padding:20px 16px;border-left:4px solid #6b3fa0;background:#faf6ff;border-radius:10px;margin:0 0 26px;max-width:100%;\"\u003e\n    \u003ch2 style=\"margin:0 0 12px;\"\u003eThe L Series Top, and the L Series Neck, at a Lower Price.\u003c\/h2\u003e\n    \u003cp style=\"margin:0 0 12px;\"\u003eThe \u003cstrong\u003eYamaha LS6 ARE\u003c\/strong\u003e is the entry point to Yamaha's L Series, and it does not economise where it counts. The top is the same \u003cstrong\u003ehand-selected solid Engelmann spruce with A.R.E.\u003c\/strong\u003e that Yamaha fits to the LS16 — a genuinely aged, played-in top rather than a stiff new one. The neck is the same \u003cstrong\u003e5-ply mahogany and rosewood\u003c\/strong\u003e construction, and the pickup is the same passive \u003cstrong\u003eSRT Zero Impact\u003c\/strong\u003e system.\u003c\/p\u003e\n    \u003cp style=\"margin:0 0 12px;\"\u003eWhat changes is what surrounds it. The back and sides are \u003cstrong\u003elayered rosewood rather than solid\u003c\/strong\u003e, the fingerboard and bridge are rosewood rather than ebony, and the binding is cream instead of maple. Those are the parts that let Yamaha take a large amount off the price while leaving the guitar's voice and feel largely intact.\u003c\/p\u003e\n    \u003cp style=\"margin:0;\"\u003eThe result is a concert-body electro-acoustic that sounds well beyond its price, in the same 380 mm body as the LS16, in Natural or Brown Sunburst.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:22px 18px;background:#2a1b3d;color:#f4effa;border-radius:12px;margin:0 0 30px;\"\u003e\n    \u003ch2 style=\"margin:0 0 10px;color:#ffffff;\"\u003eA.R.E. — Acoustic Resonance Enhancement\u003c\/h2\u003e\n    \u003cp style=\"margin:0 0 16px;color:#ded3ee;\"\u003eAn acoustic guitar sounds better after years of playing because the cellular structure of the top slowly changes. A.R.E. is Yamaha's method of reaching that state in the factory, without heat-charring the wood or removing anything from it. On the LS6 it is applied to exactly the same solid Engelmann spruce Yamaha uses further up the range.\u003c\/p\u003e\n    \u003cdiv style=\"padding:14px 16px;background:rgba(255,255,255,.07);border-radius:10px;margin:0 0 12px;\"\u003e\n      \u003ch3 style=\"margin:0 0 6px;color:#ffffff;\"\u003e1. Controlled atmosphere, not fire\u003c\/h3\u003e\n      \u003cp style=\"margin:0;color:#ded3ee;\"\u003eYamaha manipulates \u003cstrong\u003etemperature, humidity and atmospheric pressure\u003c\/strong\u003e together, in a sealed process, rather than simply baking the wood.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"padding:14px 16px;background:rgba(255,255,255,.07);border-radius:10px;margin:0 0 12px;\"\u003e\n      \u003ch3 style=\"margin:0 0 6px;color:#ffffff;\"\u003e2. The molecules change\u003c\/h3\u003e\n      \u003cp style=\"margin:0;color:#ded3ee;\"\u003eThe process alters \u003cstrong\u003ethe molecular properties of the wood\u003c\/strong\u003e, reaching conditions Yamaha describes as similar to the molecular characteristics of woods in instruments that have been played for years.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"padding:14px 16px;background:rgba(255,255,255,.07);border-radius:10px;\"\u003e\n      \u003ch3 style=\"margin:0 0 6px;color:#ffffff;\"\u003e3. You hear it on day one\u003c\/h3\u003e\n      \u003cp style=\"margin:0;color:#ded3ee;\"\u003eThe result is a top that is already loose and responsive — stronger fundamentals, richer overtones and more volume from less effort. It still opens up further as you play it.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003ch2 style=\"padding-bottom:10px;border-bottom:2px solid #6b3fa0;margin:0 0 18px;\"\u003eKey Features\u003c\/h2\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Spruce top\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e🌲\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eSolid Engelmann spruce top with A.R.E. — the same as the LS16\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eThis is the single most important part of an acoustic guitar's sound, and Yamaha does not downgrade it here. Engelmann is lighter and more elastic than the Sitka used on most guitars in this bracket, so the LS6 responds to a light touch instead of needing to be driven.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Rosewood body\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e🎸\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eLayered rosewood back and sides\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eRosewood gives the LS6 its scooped midrange and clear treble. In layered form it is also considerably more tolerant of humidity swings and knocks than solid rosewood — a fair trade for a guitar that gets carried around, and part of why the price is what it is.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Neck\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e✋\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eThe full 5-ply neck, not a cost-reduced one\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eFive laminations of mahogany and rosewood with a volute at the headstock and a double-action adjustable rod — identical to the LS16. Grain directions oppose each other across the laminations, so the neck resists twisting and seasonal movement.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Bracing\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e🔊\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eConcert body with the L Series voice\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eYamaha describes the LS shape as having “excellent total balance” and delivering “a big, confident sound for its size”, and recommends it for fingerstyle players. The body is dimensionally identical to the LS16 — 380 mm wide, 100–120 mm deep.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Pickup\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e🔌\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eSRT Zero Impact passive pickup — no controls, no battery, no holes\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eThe same passive system as the rest of the L Series, with an individual piezo element under each string, designed to “minimize the pickup's impact on the tone and traditional appearance of the instrument”. No preamp box in the side, no battery to die mid-set — just a LINE OUT jack. Set your level at the desk or through a preamp.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Appointments\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e✨\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eGold tuners and an abalone rosette\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eThe LS6 keeps the die-cast gold TM29G tuners, the abalone, black and white sound-hole rosette and the tortoise-pattern pickguard from further up the range, over a gloss body and matte neck. Binding is cream and black; the fingerboard and bridge are rosewood.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 30px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Strings\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e🎵\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eElixir strings fitted; add a bag or case\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eElixir NANOWEB 80\/20 Bronze Light strings come fitted from the factory. Yamaha does not include a bag or case with the LS6 — ask us and we will add a suitable gig bag or hard case to your order.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003ch2 style=\"padding-bottom:10px;border-bottom:2px solid #6b3fa0;margin:0 0 16px;\"\u003eLS6 or LS16?\u003c\/h2\u003e\n  \u003cp style=\"margin:0 0 14px;\"\u003eSame body size, same top, same neck, same pickup. Here is exactly what your money buys when you step up.\u003c\/p\u003e\n  \u003cdiv class=\"yms-scroll\" style=\"margin:0 0 30px;\"\u003e\n    \u003ctable\u003e\n      \u003cthead\u003e\n        \u003ctr\u003e\n\u003cth\u003e \u003c\/th\u003e\n\u003cth\u003eLS6 (this guitar)\u003c\/th\u003e\n\u003cth\u003eLS16\u003c\/th\u003e\n\u003c\/tr\u003e\n      \u003c\/thead\u003e\n      \u003ctbody\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTop\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"yms-same\"\u003eSolid Engelmann spruce with A.R.E.\u003c\/td\u003e\n\u003ctd class=\"yms-same\"\u003eIdentical\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBack \u0026amp; sides\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRosewood, layered\u003c\/td\u003e\n\u003ctd\u003eRosewood, \u003cstrong\u003esolid\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFingerboard \u0026amp; bridge\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRosewood\u003c\/td\u003e\n\u003ctd\u003e\u003cstrong\u003eEbony\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBody binding\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCream + black\u003c\/td\u003e\n\u003ctd\u003eMaple + black\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eNeck\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"yms-same\"\u003e5-ply mahogany + rosewood, volute\u003c\/td\u003e\n\u003ctd class=\"yms-same\"\u003eIdentical\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTuners\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"yms-same\"\u003eDie-cast gold TM29G\u003c\/td\u003e\n\u003ctd class=\"yms-same\"\u003eIdentical\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePickup\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"yms-same\"\u003ePassive SRT Zero Impact\u003c\/td\u003e\n\u003ctd class=\"yms-same\"\u003eIdentical\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBody size\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"yms-same\"\u003eConcert, 380 mm wide\u003c\/td\u003e\n\u003ctd class=\"yms-same\"\u003eIdentical\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBag\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNot included\u003c\/td\u003e\n\u003ctd\u003eStiffened fabric gig bag\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\n    \u003c\/table\u003e\n  \u003c\/div\u003e\n\n  \u003ch2 style=\"padding-bottom:10px;border-bottom:2px solid #6b3fa0;margin:0 0 4px;\"\u003eFAQ\u003c\/h2\u003e\n\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e Is the LS6 all solid wood?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eNo, and we would rather say so plainly. The \u003cem\u003etop\u003c\/em\u003e is solid Engelmann spruce with A.R.E. — the part that does most of the work. The back and sides are layered rosewood. For all-solid construction in the same body, look at the LS16.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e How much difference do solid back and sides actually make?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eLess than the top, but it is audible: solid rosewood adds overtone complexity and keeps developing over years, where layered stays roughly as it started. Layered is tougher and more humidity-stable in return. If your budget stretches, play both back to back — the difference is real but it is not night and day.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e Rosewood or ebony fingerboard — does it matter?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eMostly it is feel and wear. Ebony is denser and slicker under the fingers and resists wear longer; rosewood is slightly softer and more open-pored. Both are entirely serviceable, and a good setup matters far more than the board material.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e Is A.R.E. the same as a torrefied or roasted top?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eThey aim at the same result but are not the same process. Torrefaction bakes wood at high heat. A.R.E. controls temperature, humidity and atmospheric pressure together to alter the wood's molecular properties. Yamaha developed it in-house and uses it across the L Series.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e Where are the volume and tone controls?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eThere aren't any, by design. The SRT Zero Impact system is passive, so there is no preamp, no battery and no control panel routed into the side. You plug into the LINE OUT jack and set the level at your amp, mixer or an outboard acoustic preamp\/DI.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e Does it come with a bag or case?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eNo. Yamaha lists only a hex wrench with the LS6 — unlike the LS16 and LL16, which include a stiffened fabric gig bag. Tell us when you order and we will recommend a bag or hard case to go with it.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e Is a concert body too small to strum?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eNo. Yamaha describes the LS as delivering “a big, confident sound for its size”. A dreadnought will still move more air — if you mostly strum hard in a band, ask us about the LL16.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e How does the LS6 compare with the TransAcoustic models?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eDifferent purposes. The TAG1E\/TAS1E build reverb and chorus into the guitar for playing at home. The LS6 has no onboard effects — it puts the money into the top, the neck and the L Series build instead.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0 26px;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e How should I look after a solid-top guitar?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eKeep it in a bag or case when you are not playing, away from direct sun and air-conditioning vents, and use a soundhole humidifier in very dry weather. The solid top is more responsive than laminate and also more sensitive to humidity swings.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:18px 16px;background:#f8f8f8;border-radius:12px;\"\u003e\n    \u003ch2 style=\"margin:0 0 14px;\"\u003eWhy Buy from YMS?\u003c\/h2\u003e\n    \u003cul style=\"list-style:none;padding:0;margin:0;\"\u003e\n      \u003cli style=\"margin:0 0 11px;\"\u003e✓ \u003cstrong\u003eAuthorised Yamaha Premium Retailer:\u003c\/strong\u003e Buy a genuine India-market Yamaha instrument with official manufacturer warranty support.\u003c\/li\u003e\n      \u003cli style=\"margin:0 0 11px;\"\u003e✓ \u003cstrong\u003eSet up before it reaches you:\u003c\/strong\u003e We check action, relief and intonation so the guitar plays properly from the first day.\u003c\/li\u003e\n      \u003cli style=\"margin:0 0 11px;\"\u003e✓ \u003cstrong\u003eHonest comparisons:\u003c\/strong\u003e Our team will talk you through LS6 versus LS16 versus LL16 and tell you when the cheaper one is the right call.\u003c\/li\u003e\n      \u003cli style=\"margin:0 0 11px;\"\u003e✓ \u003cstrong\u003eSupport beyond the guitar:\u003c\/strong\u003e The LS6 ships without a bag — ask us about gig bags, hard cases, humidifiers, Elixir strings, capos, stands and cables.\u003c\/li\u003e\n      \u003cli style=\"margin:0 0 11px;\"\u003e✓ \u003cstrong\u003ePan-India delivery:\u003c\/strong\u003e Order from anywhere in India, subject to serviceability for your location.\u003c\/li\u003e\n      \u003cli style=\"margin:0;\"\u003e✓ \u003cstrong\u003ePhysical-store support:\u003c\/strong\u003e YMS teams in Bengaluru and Mangaluru are available for product enquiries and after-sales guidance.\u003c\/li\u003e\n    \u003c\/ul\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e","brand":"Yamaha","offers":[{"title":"Brown Sunburst","offer_id":48081715560613,"sku":"ZJ26310","price":63641.0,"currency_code":"INR","in_stock":true},{"title":"Natural","offer_id":48083944407205,"sku":"ZJ26300","price":63641.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/LS6_1.png?v=1787477654","url":"https:\/\/ymsformusic.com\/products\/yamaha-electro-acoustic-guitar-ls6","provider":"YMSFORMUSIC","version":"1.0","type":"link"}