{"product_id":"yamaha-electro-acoustic-guitar-ll16","title":"Yamaha Electro-Acoustic Guitar LL16","description":"\u003cstyle\u003e\n[data-yms-description-gutter=\"true\"]{box-sizing:border-box;width:100%;max-width:100%;padding:0 18px 0 20px;margin:0 auto;overflow:visible}\n[data-yms-description-gutter=\"true\"] *{box-sizing:border-box}\n[data-yms-description-gutter=\"true\"] h2{font-size:clamp(22px,3vw,28px)!important;font-weight:700!important;line-height:1.3!important;letter-spacing:-.01em!important}\n[data-yms-description-gutter=\"true\"] h3{font-size:clamp(17px,2vw,19px)!important;font-weight:700!important;line-height:1.4!important}\n[data-yms-description-gutter=\"true\"] p,[data-yms-description-gutter=\"true\"] li{overflow-wrap:anywhere;word-break:break-word}\n[data-yms-description-gutter=\"true\"] .yms-scroll{width:100%;overflow-x:auto;-webkit-overflow-scrolling:touch}\n[data-yms-description-gutter=\"true\"] table{border-collapse:collapse;width:100%;min-width:520px;font-size:15px}\n[data-yms-description-gutter=\"true\"] th,[data-yms-description-gutter=\"true\"] td{padding:10px 12px;text-align:left;border-bottom:1px solid #e5e7eb;vertical-align:top}\n[data-yms-description-gutter=\"true\"] th{background:#faf6ff;font-weight:700}\n\u003c\/style\u003e\n\u003cdiv data-yms-description-gutter=\"true\"\u003e\n  \u003cdiv style=\"padding:20px 16px;border-left:4px solid #6b3fa0;background:#faf6ff;border-radius:10px;margin:0 0 26px;max-width:100%;\"\u003e\n    \u003ch2 style=\"margin:0 0 12px;\"\u003eThe Original Jumbo. Yamaha's Signature Acoustic, in All Solid Woods.\u003c\/h2\u003e\n    \u003cp style=\"margin:0 0 12px;\"\u003eThe \u003cstrong\u003eYamaha LL16 ARE\u003c\/strong\u003e is the guitar the L Series is built around — the \u003cstrong\u003eOriginal Jumbo\u003c\/strong\u003e, a round-shoulder dreadnought shape Yamaha has refined since 1974. It pairs a hand-selected \u003cstrong\u003esolid Engelmann spruce\u003c\/strong\u003e top with \u003cstrong\u003esolid rosewood\u003c\/strong\u003e back and sides for the volume, headroom and low-end authority that a big body makes possible.\u003c\/p\u003e\n    \u003cp style=\"margin:0 0 12px;\"\u003eThe top is treated with \u003cstrong\u003eA.R.E.\u003c\/strong\u003e, Yamaha's own wood-reforming process, before the guitar is assembled. A new LL16 already has the open, played-in response that normally takes years to arrive — which matters most on a large body, where a stiff new top is the thing holding the sound back.\u003c\/p\u003e\n    \u003cp style=\"margin:0;\"\u003eA \u003cstrong\u003e5-ply mahogany and rosewood neck\u003c\/strong\u003e, ebony fingerboard and bridge, modified non-scalloped bracing and the passive \u003cstrong\u003eSRT Zero Impact\u003c\/strong\u003e pickup finish an instrument built for the long term. Supplied with a stiffened fabric gig bag, in Natural, Brown Sunburst or Dark Tinted.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:22px 18px;background:#2a1b3d;color:#f4effa;border-radius:12px;margin:0 0 30px;\"\u003e\n    \u003ch2 style=\"margin:0 0 10px;color:#ffffff;\"\u003eA.R.E. — Acoustic Resonance Enhancement\u003c\/h2\u003e\n    \u003cp style=\"margin:0 0 16px;color:#ded3ee;\"\u003eAn acoustic guitar sounds better after years of playing because the cellular structure of the top slowly changes. A.R.E. is Yamaha's method of reaching that state in the factory, without heat-charring the wood or removing anything from it.\u003c\/p\u003e\n    \u003cdiv style=\"padding:14px 16px;background:rgba(255,255,255,.07);border-radius:10px;margin:0 0 12px;\"\u003e\n      \u003ch3 style=\"margin:0 0 6px;color:#ffffff;\"\u003e1. Controlled atmosphere, not fire\u003c\/h3\u003e\n      \u003cp style=\"margin:0;color:#ded3ee;\"\u003eYamaha manipulates \u003cstrong\u003etemperature, humidity and atmospheric pressure\u003c\/strong\u003e together, in a sealed process, rather than simply baking the wood.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"padding:14px 16px;background:rgba(255,255,255,.07);border-radius:10px;margin:0 0 12px;\"\u003e\n      \u003ch3 style=\"margin:0 0 6px;color:#ffffff;\"\u003e2. The molecules change\u003c\/h3\u003e\n      \u003cp style=\"margin:0;color:#ded3ee;\"\u003eThe process alters \u003cstrong\u003ethe molecular properties of the wood\u003c\/strong\u003e, reaching conditions Yamaha describes as similar to the molecular characteristics of woods in instruments that have been played for years.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"padding:14px 16px;background:rgba(255,255,255,.07);border-radius:10px;\"\u003e\n      \u003ch3 style=\"margin:0 0 6px;color:#ffffff;\"\u003e3. You hear it on day one\u003c\/h3\u003e\n      \u003cp style=\"margin:0;color:#ded3ee;\"\u003eThe result is a top that is already loose and responsive — stronger fundamentals, richer overtones and more volume from less effort, straight out of the bag. It still opens up further as you play it.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003ch2 style=\"padding-bottom:10px;border-bottom:2px solid #6b3fa0;margin:0 0 18px;\"\u003eKey Features\u003c\/h2\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Original Jumbo body\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e🎸\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eOriginal Jumbo body — 415 mm across, the largest in the L Series\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eThe round-shoulder dreadnought shape moves considerably more air than a concert body. Yamaha describes the LL as delivering “rich volume, a wide dynamic range, and excellent tonal balance” — it holds its own against a band without needing to be plugged in.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Spruce top\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e🌲\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eHand-selected solid Engelmann spruce top with A.R.E.\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eEngelmann is lighter and more elastic than the Sitka used on most dreadnoughts, so a big body stays sensitive to a soft touch instead of needing to be driven hard. A.R.E. adds the maturity that would otherwise take years of playing.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Rosewood\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e🔊\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eSolid rosewood back and sides — not laminate\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eThe LL16 is an all-solid guitar. Rosewood on a body this size gives deep, sustaining bass, scooped mids and bell-like treble, and unlike laminate it will keep improving for as long as you own it.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Bracing\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e🎵\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eModified non-scalloped bracing keeps a big body tight\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eYamaha deliberately does not scallop the braces on the L Series. The modified non-scalloped pattern “retains the L Series' characteristic bright tone while enhancing low-end tone” — so a hard-strummed dreadnought stays defined instead of turning muddy in the bass.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Neck\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e✋\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003e5-ply neck, volute and double-action truss rod\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eFive laminations of mahogany and rosewood with a volute at the headstock and a double-action adjustable rod — a construction Yamaha specifies for “excellent strength and stability”. Under the higher string tension a dreadnought carries, that stability earns its keep.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Pickup\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e🔌\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eSRT Zero Impact passive pickup — no controls, no battery, no holes\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eA passive system with an individual piezo element under each string, designed to “minimize the pickup's impact on the tone and traditional appearance of the instrument”. No preamp box cut into the side, no battery to die mid-set — just a LINE OUT jack and the guitar's own voice. Set your level at the desk or through a preamp.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Appointments\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e✨\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eAppointments that match the woods\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eEbony fingerboard and bridge, maple and black body binding, an abalone, black and white sound-hole rosette, tortoise-pattern pickguard, and die-cast gold TM29G tuners. Gloss body, matte neck — so the finish shines but your hand still slides.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 30px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Gig bag\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e🎒\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eElixir strings and a stiffened gig bag included\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eFitted with Elixir NANOWEB 80\/20 Bronze Light strings, and supplied with a stiffened fabric gig bag and hex wrench. The bag is padded and semi-rigid with carry straps — good protection for transport, though not a moulded hard case. Ask us if you want to add one.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003ch2 style=\"padding-bottom:10px;border-bottom:2px solid #6b3fa0;margin:0 0 16px;\"\u003eLL16 or LS16?\u003c\/h2\u003e\n  \u003cp style=\"margin:0 0 14px;\"\u003eBoth share the same A.R.E. top treatment, all-solid construction, 650 mm scale, 44 mm nut and SRT Zero Impact pickup. The body is what changes the voice.\u003c\/p\u003e\n  \u003cdiv class=\"yms-scroll\" style=\"margin:0 0 30px;\"\u003e\n    \u003ctable\u003e\n      \u003cthead\u003e\n        \u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003cth\u003eBody\u003c\/th\u003e\n\u003cth\u003eYamaha's description\u003c\/th\u003e\n\u003cth\u003eBest for\u003c\/th\u003e\n\u003c\/tr\u003e\n      \u003c\/thead\u003e\n      \u003ctbody\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\n\u003cstrong\u003eLL16\u003c\/strong\u003e (this guitar)\u003c\/td\u003e\n\u003ctd\u003eOriginal Jumbo — 415 mm wide\u003c\/td\u003e\n\u003ctd\u003e“Rich volume, a wide dynamic range, and excellent tonal balance”\u003c\/td\u003e\n\u003ctd\u003eStrumming, flatpicking, playing over a band\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLS16\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eConcert — 380 mm wide\u003c\/td\u003e\n\u003ctd\u003e“Excellent total balance”; “a big, confident sound for its size”\u003c\/td\u003e\n\u003ctd\u003eFingerstyle, recording, singer-songwriters\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\n    \u003c\/table\u003e\n  \u003c\/div\u003e\n\n  \u003ch2 style=\"padding-bottom:10px;border-bottom:2px solid #6b3fa0;margin:0 0 4px;\"\u003eFAQ\u003c\/h2\u003e\n\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e What is an “Original Jumbo”? Is it a dreadnought?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eIt is Yamaha's own name for the L Series body, which their specifications list as a round-shoulder dreadnought style. It is dreadnought-sized but with sloped rather than square shoulders, which softens the attack slightly and makes it a little easier to hold.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e How different is the LL16 from the LS16 in practice?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eThe LL16 body is 35 mm wider and 16 mm longer, at the same 100–120 mm depth. That is a real step up in volume and bass. The LS16 is easier to hold and more delicate under the fingers; the LL16 pushes harder and takes a pick better. Woods, neck, hardware and electronics are identical.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e Is the LL16 all solid wood?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eYes. Solid Engelmann spruce top, solid rosewood back, solid rosewood sides. Many guitars advertised as “solid top” use laminate back and sides; the LL16 does not.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e Is A.R.E. the same as a torrefied or roasted top?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eThey aim at the same result but are not the same process. Torrefaction bakes wood at high heat. A.R.E. controls temperature, humidity and atmospheric pressure together to alter the wood's molecular properties. Yamaha developed it in-house and uses it across the L Series.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e Where are the volume and tone controls?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eThere aren't any, by design. The SRT Zero Impact system is passive, so there is no preamp, no battery and no control panel routed into the side. You plug into the LINE OUT jack and set the level at your amp, mixer or an outboard acoustic preamp\/DI.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e Does a passive pickup need anything extra to gig with?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eMost acoustic amps and PA channels will take it directly. If you want more control on stage, a small acoustic preamp or DI with EQ and a notch filter is the usual pairing — useful on a large-bodied guitar, which is more prone to low-end feedback at volume. Ask us and we will match one to your setup.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e Is a dreadnought too big for a smaller player?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eIt can be. The Original Jumbo's sloped shoulders help, but if reaching over the body is uncomfortable, the LS16 gives you the same woods, A.R.E. top and electronics in a concert body. Come and try both if you can.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e What does the 5-ply neck actually get me?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eStability. Laminating mahogany and rosewood in alternating layers means the grain directions oppose each other, so the neck is far less likely to twist or shift with humidity — which matters a great deal in the Indian climate.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e How should I look after an all-solid guitar?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eKeep it in its bag when you are not playing, away from direct sun and air-conditioning vents, and use a soundhole humidifier in very dry weather. Solid tops are more responsive than laminate and also more sensitive to humidity swings.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0 26px;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e What is included in the box?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eA stiffened fabric gig bag and a hex wrench, with Elixir NANOWEB 80\/20 Bronze Light strings fitted. Yamaha's own specification sheet calls this a “hard bag”, but it is a padded semi-rigid fabric bag rather than a moulded hard case.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:18px 16px;background:#f8f8f8;border-radius:12px;\"\u003e\n    \u003ch2 style=\"margin:0 0 14px;\"\u003eWhy Buy from YMS?\u003c\/h2\u003e\n    \u003cul style=\"list-style:none;padding:0;margin:0;\"\u003e\n      \u003cli style=\"margin:0 0 11px;\"\u003e✓ \u003cstrong\u003eAuthorised Yamaha Premium Retailer:\u003c\/strong\u003e Buy a genuine India-market Yamaha instrument with official manufacturer warranty support.\u003c\/li\u003e\n      \u003cli style=\"margin:0 0 11px;\"\u003e✓ \u003cstrong\u003eSet up before it reaches you:\u003c\/strong\u003e On an instrument at this level we check action, relief and intonation so it plays properly out of the bag.\u003c\/li\u003e\n      \u003cli style=\"margin:0 0 11px;\"\u003e✓ \u003cstrong\u003eExpert guitar guidance:\u003c\/strong\u003e Our team can compare the LL16 and LS16 with you, and advise on preamps, DIs and amplification for the passive SRT pickup.\u003c\/li\u003e\n      \u003cli style=\"margin:0 0 11px;\"\u003e✓ \u003cstrong\u003eSupport beyond the guitar:\u003c\/strong\u003e Ask us about hard cases, humidifiers, Elixir strings, capos, stands and cables.\u003c\/li\u003e\n      \u003cli style=\"margin:0 0 11px;\"\u003e✓ \u003cstrong\u003ePan-India delivery:\u003c\/strong\u003e Order from anywhere in India, subject to serviceability for your location.\u003c\/li\u003e\n      \u003cli style=\"margin:0;\"\u003e✓ \u003cstrong\u003ePhysical-store support:\u003c\/strong\u003e YMS teams in Bengaluru and Mangaluru are available for product enquiries and after-sales guidance.\u003c\/li\u003e\n    \u003c\/ul\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e","brand":"Yamaha","offers":[{"title":"Natural","offer_id":48177708990629,"sku":null,"price":105441.0,"currency_code":"INR","in_stock":false},{"title":"Dark Tinted","offer_id":48083944308901,"sku":"ZQ20890","price":105441.0,"currency_code":"INR","in_stock":false},{"title":"Brown Sunburst","offer_id":48081715593381,"sku":"ZJ26350","price":105441.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/LL16_2.png?v=1787476088","url":"https:\/\/ymsformusic.com\/products\/yamaha-electro-acoustic-guitar-ll16","provider":"YMSFORMUSIC","version":"1.0","type":"link"}