{"product_id":"yamaha-bass-guitar-trbx605fm","title":"Yamaha TRBX605FM 5-String Electric Bass Guitar","description":"\u003cstyle\u003e\n[data-yms-description-gutter=\"true\"]{box-sizing:border-box;width:100%;max-width:100%;padding:0 18px 0 20px;margin:0 auto;overflow:visible}\n[data-yms-description-gutter=\"true\"] *{box-sizing:border-box}\n[data-yms-description-gutter=\"true\"] h2{font-size:clamp(22px,3vw,28px)!important;font-weight:700!important;line-height:1.3!important;letter-spacing:-.01em!important}\n[data-yms-description-gutter=\"true\"] h3{font-size:clamp(17px,2vw,19px)!important;font-weight:700!important;line-height:1.4!important}\n[data-yms-description-gutter=\"true\"] p,[data-yms-description-gutter=\"true\"] li{overflow-wrap:anywhere;word-break:break-word}\n[data-yms-description-gutter=\"true\"] .yms-scroll{width:100%;overflow-x:auto;-webkit-overflow-scrolling:touch}\n[data-yms-description-gutter=\"true\"] table{border-collapse:collapse;width:100%;min-width:720px;font-size:15px}\n[data-yms-description-gutter=\"true\"] th,[data-yms-description-gutter=\"true\"] td{padding:10px 12px;text-align:left;border-bottom:1px solid #e5e7eb;vertical-align:top}\n[data-yms-description-gutter=\"true\"] th{background:#faf6ff;font-weight:700}\n[data-yms-description-gutter=\"true\"] td.yms-same{color:#3f7d3f;}\n\u003c\/style\u003e\n\u003cdiv data-yms-description-gutter=\"true\"\u003e\n  \u003cdiv style=\"padding:20px 16px;border-left:4px solid #6b3fa0;background:#faf6ff;border-radius:10px;margin:0 0 26px;max-width:100%;\"\u003e\n    \u003ch2 style=\"margin:0 0 12px;\"\u003eThe Flagship, With a Low B.\u003c\/h2\u003e\n    \u003cp style=\"margin:0 0 12px;\"\u003eThe \u003cstrong\u003eYamaha TRBX605FM\u003c\/strong\u003e sits at the very top of the TRBX range: the five-string flagship, and the most expensive bass in the series. Like the four-string 604FM it breaks from the rest of the range with a \u003cstrong\u003esculpted alder\/maple-laminated body and a flamed maple top\u003c\/strong\u003e — every other TRBX is mahogany.\u003c\/p\u003e\n    \u003cp style=\"margin:0 0 12px;\"\u003eThat timber choice matters on a five-string. Alder is brighter and more scooped than mahogany, and the maple adds attack — which is exactly the character that keeps a \u003cstrong\u003elow B\u003c\/strong\u003e articulate rather than swallowing it in warmth. Paired with the full 34\" scale, this is the tightest-sounding five in the range.\u003c\/p\u003e\n    \u003cp style=\"margin:0;\"\u003eElectronics are the proven 500\/600 package: \u003cstrong\u003eYGD H5 alnico humbuckers\u003c\/strong\u003e, a three-band active EQ, and an \u003cstrong\u003eactive\/passive switch\u003c\/strong\u003e with “level-matched output, whether in passive or active mode”, plus gold-plated internal parts and a battery alert LED. 43 mm nut, 18 mm spacing, flat five-string radius. In Matte Amber.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:22px 18px;background:#2a1b3d;color:#f4effa;border-radius:12px;margin:0 0 30px;\"\u003e\n    \u003ch2 style=\"margin:0 0 10px;color:#ffffff;\"\u003eWhy This Combination Suits a Five-String\u003c\/h2\u003e\n    \u003cp style=\"margin:0 0 16px;color:#ded3ee;\"\u003eThe flagship specification and the extra string reinforce each other here in a way worth spelling out.\u003c\/p\u003e\n    \u003cdiv style=\"padding:14px 16px;background:rgba(255,255,255,.07);border-radius:10px;margin:0 0 12px;\"\u003e\n      \u003ch3 style=\"margin:0 0 6px;color:#ffffff;\"\u003e1. Alder keeps the low B articulate\u003c\/h3\u003e\n      \u003cp style=\"margin:0;color:#ded3ee;\"\u003eA muddy B string is the standard failing of five-string basses. \u003cstrong style=\"color:#fff\"\u003eAlder\u003c\/strong\u003e is brighter and more scooped than the mahogany used elsewhere in the range, and the maple laminate adds attack — so the bottom string stays defined rather than turning to warm mush.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"padding:14px 16px;background:rgba(255,255,255,.07);border-radius:10px;margin:0 0 12px;\"\u003e\n      \u003ch3 style=\"margin:0 0 6px;color:#ffffff;\"\u003e2. The passive fallback matters most on your main bass\u003c\/h3\u003e\n      \u003cp style=\"margin:0;color:#ded3ee;\"\u003eA five-string is usually the instrument you take to the gigs that require it — worship, gospel, session work. Those are precisely the gigs where a flat battery is a disaster. Flick the switch and keep playing, with no volume jump.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"padding:14px 16px;background:rgba(255,255,255,.07);border-radius:10px;\"\u003e\n      \u003ch3 style=\"margin:0 0 6px;color:#ffffff;\"\u003e3. And the honest part\u003c\/h3\u003e\n      \u003cp style=\"margin:0;color:#ded3ee;\"\u003eThe pickups, EQ, switch, neck, scale and bridge are \u003cstrong style=\"color:#fff\"\u003eidentical to the TRBX505\u003c\/strong\u003e. The differences are the alder\/maple body with its flamed top, and gold-plated internal parts. Real, but narrower than the price gap implies — and if you want function over flame, the 505 is the better buy.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003ch2 style=\"padding-bottom:10px;border-bottom:2px solid #6b3fa0;margin:0 0 18px;\"\u003eKey Features\u003c\/h2\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Flame maple top\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e✨\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eFlamed maple top on a sculpted alder\/maple body\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eYamaha's “mass-optimized 3D design” contouring in the range's only non-mahogany body — brighter, snappier and better suited to keeping a low B defined.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Five strings\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e🎸\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eLow B on a full 34\" scale\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eFive strings tuned B–E–A–D–G on a full-length scale, keeping the B under proper tension rather than letting it flop and go indistinct.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Active passive switch\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e🔀\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eActive\/passive switching with level-matched output\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eFull three-band active EQ or a genuine passive circuit at the flick of a switch, without a volume jump. If the battery dies mid-set you keep playing. A battery alert LED warns you first.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"H5 pickups\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e🧲\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eYGD H5 alnico humbuckers and gold-plated parts\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eQuad-pole piece design with alnico magnets for “a clean, open tone”, feeding a preamp built with “high-quality, gold-plated parts” for corrosion resistance and reliability.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 30px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Neck\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e✋\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003e43 mm nut, flat five-string radius, five-piece neck\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eA wider 43 mm nut with 18 mm spacing on a much flatter fingerboard than the four-string models, keeping string height even across a wide neck. Five-piece maple\/mahogany lamination for stability.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003ch2 style=\"padding-bottom:10px;border-bottom:2px solid #6b3fa0;margin:0 0 16px;\"\u003eQuick Tone Guide\u003c\/h2\u003e\n  \u003cdiv style=\"display:grid;grid-template-columns:repeat(auto-fit,minmax(190px,1fr));gap:12px;margin:0 0 30px;\"\u003e\n    \u003cdiv style=\"padding:14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n      \u003ch3 style=\"margin:0 0 7px;\"\u003ePassive, balancer centred\u003c\/h3\u003e\n      \u003cp style=\"margin:0;\"\u003eThe alder body and alnico pickups on their own — open, balanced and bright. A strong default for recording.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"padding:14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n      \u003ch3 style=\"margin:0 0 7px;\"\u003eActive, mids pushed\u003c\/h3\u003e\n      \u003cp style=\"margin:0;\"\u003eThe five-string fix. If the low B is felt but not heard, add mids rather than bass.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"padding:14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n      \u003ch3 style=\"margin:0 0 7px;\"\u003eActive, mids scooped\u003c\/h3\u003e\n      \u003cp style=\"margin:0;\"\u003eThe classic slap and funk voicing — and the alder body suits it particularly well, being the brightest in the range.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"padding:14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n      \u003ch3 style=\"margin:0 0 7px;\"\u003eBalancer to the bridge\u003c\/h3\u003e\n      \u003cp style=\"margin:0;\"\u003eTighter and more articulate — the setting that keeps the B string defined in a dense mix.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003ch2 style=\"padding-bottom:10px;border-bottom:2px solid #6b3fa0;margin:0 0 16px;\"\u003eThe TRBX Range at a Glance\u003c\/h2\u003e\n  \u003cp style=\"margin:0 0 14px;\"\u003eEvery TRBX shares a 34\" scale and a 24-fret neck. What changes as you go up the range is the body, the neck construction, the pickups and — most of all — the electronics.\u003c\/p\u003e\n  \u003cdiv class=\"yms-scroll\" style=\"margin:0 0 30px;\"\u003e\n    \u003ctable\u003e\n      \u003cthead\u003e\n        \u003ctr\u003e\n\u003cth\u003e \u003c\/th\u003e\n\u003cth\u003eTRBX174\u003c\/th\u003e\n\u003cth\u003eTRBX174EW\u003c\/th\u003e\n\u003cth\u003eTRBX304 \/ 305\u003c\/th\u003e\n\u003cth\u003eTRBX504 \/ 505\u003c\/th\u003e\n\u003cth\u003eTRBX604FM \/ 605FM (this bass)\u003c\/th\u003e\n\u003c\/tr\u003e\n      \u003c\/thead\u003e\n      \u003ctbody\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eElectronics\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePassive — volume, volume, tone\u003c\/td\u003e\n\u003ctd\u003ePassive — volume, volume, tone\u003c\/td\u003e\n\u003ctd\u003eActive, 2-band EQ + Performance EQ\u003c\/td\u003e\n\u003ctd\u003eActive\/passive, 3-band EQ\u003c\/td\u003e\n\u003ctd\u003e\u003cstrong\u003eActive\/passive, 3-band EQ\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePickups\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCeramic PJ\u003c\/td\u003e\n\u003ctd\u003eCeramic PJ\u003c\/td\u003e\n\u003ctd\u003eM3 ceramic humbuckers\u003c\/td\u003e\n\u003ctd\u003eH5 Alnico V humbuckers\u003c\/td\u003e\n\u003ctd\u003e\u003cstrong\u003eH5 Alnico V humbuckers\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBody\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMahogany\u003c\/td\u003e\n\u003ctd\u003eMahogany + exotic wood top\u003c\/td\u003e\n\u003ctd\u003eSculpted mahogany\u003c\/td\u003e\n\u003ctd\u003eSculpted mahogany\u003c\/td\u003e\n\u003ctd\u003e\u003cstrong\u003eAlder\/maple + flame maple top\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eNeck\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1-piece maple\u003c\/td\u003e\n\u003ctd\u003e1-piece maple\u003c\/td\u003e\n\u003ctd\u003e5-piece maple\/mahogany\u003c\/td\u003e\n\u003ctd\u003e5-piece maple\/mahogany\u003c\/td\u003e\n\u003ctd\u003e\u003cstrong\u003e5-piece maple\/mahogany\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBridge\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVintage style\u003c\/td\u003e\n\u003ctd\u003eVintage style\u003c\/td\u003e\n\u003ctd\u003eDie-cast\u003c\/td\u003e\n\u003ctd\u003eHigh-mass die-cast\u003c\/td\u003e\n\u003ctd\u003e\u003cstrong\u003eHigh-mass die-cast\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eScale \/ frets\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"yms-same\" colspan=\"5\" style=\"text-align:center;\"\u003eIdentical across the range — 34\" scale, 24 frets, rosewood fingerboard\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\n    \u003c\/table\u003e\n  \u003c\/div\u003e\n\n  \u003ch2 style=\"padding-bottom:10px;border-bottom:2px solid #6b3fa0;margin:0 0 4px;\"\u003eFAQ\u003c\/h2\u003e\n\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e Is it worth the step up from the TRBX505?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eOnly for the body and the looks. The pickups, EQ, active\/passive switch, neck, scale and bridge are identical. What you gain is an alder\/maple body with a flamed maple top — brighter and snappier than mahogany, which genuinely helps a low B stay articulate — plus gold-plated internal parts. If you want more capability rather than a different voice, the 505 is the better buy.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e Do I actually need a five-string?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eOnly if you need notes below bottom E, or you want lower positions under the hand without shifting. If neither applies, the four-string TRBX604FM is the same instrument with an easier neck, and it costs less.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e Will the low B sound tight or muddy?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eThis is the best-equipped five in the range for that. The full 34\" scale keeps the B under tension, the alder body is naturally brighter than mahogany, and the alnico H5 pickups are voiced for a clean, open response. Use the bridge pickup and the mid control if you need it tighter still.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e Is the flamed maple a real top or a photo finish?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eYamaha specifies a flamed maple top over an alder\/maple-laminated body — real timber, not a printed finish. Because flame figure is natural, the pattern varies from instrument to instrument, so no two are quite identical.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e What happens if the battery dies mid-gig?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eYou flick the switch to passive and keep playing, with no volume jump thanks to Yamaha's level-matched output. A battery alert LED warns you before it gets that far.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e How different does the neck feel from a four-string?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eWider at the nut — 43 mm against 38 mm — with strings slightly closer together at 18 mm rather than 19 mm, on a flatter fingerboard. Most players adapt within a few weeks, but heavy slap players notice the tighter spacing.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0 26px;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e Is a case or gig bag included?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eNo — Yamaha does not supply a case with the TRBX605FM. On the most expensive bass in the range, and one with a five-string neck that needs a properly cut bag, a good case is worth having. Ask us and we will match one before it ships.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:18px 16px;background:#f8f8f8;border-radius:12px;\"\u003e\n    \u003ch2 style=\"margin:0 0 14px;\"\u003eWhy Buy Your Bass from YMS?\u003c\/h2\u003e\n    \u003cul style=\"list-style:none;padding:0;margin:0;\"\u003e\n      \u003cli style=\"margin:0 0 11px;\"\u003e✓ \u003cstrong\u003eAuthorised Yamaha Premium Retailer:\u003c\/strong\u003e Buy a genuine India-market Yamaha instrument with official manufacturer warranty support.\u003c\/li\u003e\n      \u003cli style=\"margin:0 0 11px;\"\u003e✓ \u003cstrong\u003eSet up before it reaches you:\u003c\/strong\u003e We check action, relief and intonation, and confirm both active and passive modes work, so it is stage-ready on arrival.\u003c\/li\u003e\n      \u003cli style=\"margin:0 0 11px;\"\u003e✓ \u003cstrong\u003eBassist-focused guidance:\u003c\/strong\u003e We will tell you honestly where the step up from the TRBX505 is worth it and where it is not.\u003c\/li\u003e\n      \u003cli style=\"margin:0 0 11px;\"\u003e✓ \u003cstrong\u003eSupport beyond the bass:\u003c\/strong\u003e Five-string gig bags and cases, spare 9 V batteries, straps, stands, cables, tuners, strings and bass amps.\u003c\/li\u003e\n      \u003cli style=\"margin:0 0 11px;\"\u003e✓ \u003cstrong\u003ePan-India delivery:\u003c\/strong\u003e Order from anywhere in India, subject to serviceability for your location.\u003c\/li\u003e\n      \u003cli style=\"margin:0;\"\u003e✓ \u003cstrong\u003ePhysical-store support:\u003c\/strong\u003e YMS teams in Bengaluru and Mangaluru are available for product enquiries and after-sales guidance.\u003c\/li\u003e\n    \u003c\/ul\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e","brand":"Yamaha","offers":[{"title":"Matte Amber","offer_id":48081706352805,"sku":"ZZ15470","price":65541.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/yamaha-bass-guitar-trbx605fm-matte-amber_04029984-3db6-4a8b-b882-0cd587845273.webp?v=1785572662","url":"https:\/\/ymsformusic.com\/products\/yamaha-bass-guitar-trbx605fm","provider":"YMSFORMUSIC","version":"1.0","type":"link"}