{"product_id":"yamaha-bass-guitar-trbx505","title":"Yamaha TRBX505 5-String Electric Bass Guitar","description":"\u003cstyle\u003e\n[data-yms-description-gutter=\"true\"]{box-sizing:border-box;width:100%;max-width:100%;padding:0 18px 0 20px;margin:0 auto;overflow:visible}\n[data-yms-description-gutter=\"true\"] *{box-sizing:border-box}\n[data-yms-description-gutter=\"true\"] h2{font-size:clamp(22px,3vw,28px)!important;font-weight:700!important;line-height:1.3!important;letter-spacing:-.01em!important}\n[data-yms-description-gutter=\"true\"] h3{font-size:clamp(17px,2vw,19px)!important;font-weight:700!important;line-height:1.4!important}\n[data-yms-description-gutter=\"true\"] p,[data-yms-description-gutter=\"true\"] li{overflow-wrap:anywhere;word-break:break-word}\n[data-yms-description-gutter=\"true\"] .yms-scroll{width:100%;overflow-x:auto;-webkit-overflow-scrolling:touch}\n[data-yms-description-gutter=\"true\"] table{border-collapse:collapse;width:100%;min-width:720px;font-size:15px}\n[data-yms-description-gutter=\"true\"] th,[data-yms-description-gutter=\"true\"] td{padding:10px 12px;text-align:left;border-bottom:1px solid #e5e7eb;vertical-align:top}\n[data-yms-description-gutter=\"true\"] th{background:#faf6ff;font-weight:700}\n[data-yms-description-gutter=\"true\"] td.yms-same{color:#3f7d3f;}\n\u003c\/style\u003e\n\u003cdiv data-yms-description-gutter=\"true\"\u003e\n  \u003cdiv style=\"padding:20px 16px;border-left:4px solid #6b3fa0;background:#faf6ff;border-radius:10px;margin:0 0 26px;max-width:100%;\"\u003e\n    \u003ch2 style=\"margin:0 0 12px;\"\u003eA Five-String That Keeps Working When the Battery Doesn't.\u003c\/h2\u003e\n    \u003cp style=\"margin:0 0 12px;\"\u003eThe \u003cstrong\u003eYamaha TRBX505\u003c\/strong\u003e is the five-string version of the TRBX504 — a \u003cstrong\u003elow B\u003c\/strong\u003e added to a bass built around dependability. The defining feature is the \u003cstrong\u003eactive\/passive switch\u003c\/strong\u003e: a full three-band active preamp when you want it, and a genuine passive circuit the instant you flick it.\u003c\/p\u003e\n    \u003cp style=\"margin:0 0 12px;\"\u003eThat matters more on a five-string than anywhere else. A five is usually the bass you take to the gigs that demand it — worship, gospel, session work — and those are exactly the gigs where a flat battery two songs in is a disaster. Here it is a shrug and a switch.\u003c\/p\u003e\n    \u003cp style=\"margin:0;\"\u003ePickups are \u003cstrong\u003eYGD-designed H5 humbuckers\u003c\/strong\u003e with “quad-polepiece design and Alnico magnets” for “a clean, open tone” — and the extra clarity earns its keep keeping the low B defined. 43 mm nut, 18 mm spacing, flat five-string radius, sculpted mahogany body, high-mass die-cast bridge. In Brick Burst, Brown and Translucent Black.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:22px 18px;background:#2a1b3d;color:#f4effa;border-radius:12px;margin:0 0 30px;\"\u003e\n    \u003ch2 style=\"margin:0 0 10px;color:#ffffff;\"\u003eBuilt for the Gigs That Need Five Strings\u003c\/h2\u003e\n    \u003cp style=\"margin:0 0 16px;color:#ded3ee;\"\u003eThree things separate this from the five-string TRBX305 below it, and all three show up on stage rather than in a shop.\u003c\/p\u003e\n    \u003cdiv style=\"padding:14px 16px;background:rgba(255,255,255,.07);border-radius:10px;margin:0 0 12px;\"\u003e\n      \u003ch3 style=\"margin:0 0 6px;color:#ffffff;\"\u003e1. A real active\/passive switch\u003c\/h3\u003e\n      \u003cp style=\"margin:0;color:#ded3ee;\"\u003eNot a thin-sounding bypass — a proper passive circuit that the H5 pickups are powerful enough to drive alone. Yamaha level-matches the output, so switching mid-song does not dump or spike your volume through the PA. The TRBX305 has no such escape route.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"padding:14px 16px;background:rgba(255,255,255,.07);border-radius:10px;margin:0 0 12px;\"\u003e\n      \u003ch3 style=\"margin:0 0 6px;color:#ffffff;\"\u003e2. Alnico pickups that keep the B tight\u003c\/h3\u003e\n      \u003cp style=\"margin:0;color:#ded3ee;\"\u003eA muddy low B is the standard failing of affordable five-strings. The \u003cstrong style=\"color:#fff\"\u003eH5 alnico humbuckers\u003c\/strong\u003e are voiced for a clean, open response, and paired with the full 34\" scale they keep the bottom string defined rather than woolly.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"padding:14px 16px;background:rgba(255,255,255,.07);border-radius:10px;\"\u003e\n      \u003ch3 style=\"margin:0 0 6px;color:#ffffff;\"\u003e3. A mid control, which a five-string needs most\u003c\/h3\u003e\n      \u003cp style=\"margin:0;color:#ded3ee;\"\u003eAdd a low B to a dense mix and the temptation is to add bass, which makes it worse. The \u003cstrong style=\"color:#fff\"\u003emiddle control\u003c\/strong\u003e is the one that actually gets a five-string heard — push the mids and the notes become audible without the low end turning to mush.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003ch2 style=\"padding-bottom:10px;border-bottom:2px solid #6b3fa0;margin:0 0 18px;\"\u003eKey Features\u003c\/h2\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Active passive switch\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e🔀\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eActive\/passive switching with level-matched output\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eFull three-band active EQ or a genuine passive circuit, at the flick of a switch, without a volume jump. A battery alert LED warns you before the 9 V runs out.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Five strings\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e🎸\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eLow B on a full 34\" scale\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eFive strings tuned B–E–A–D–G on a full-length scale, which keeps the B under proper tension rather than letting it flop and go indistinct.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"H5 pickups\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e🧲\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eYGD-designed H5 alnico humbuckers\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eQuad-polepiece design with alnico magnets for “a clean, open tone”. Powerful enough to drive the active circuit, sensitive enough to sound right passively.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Three band EQ\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e🎚️\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eThree-band EQ with a dedicated mid control\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eMaster volume, pickup balancer, and bass, middle and treble — the mid band being the one that gets a five-string heard in a busy arrangement.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 30px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Neck\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e✋\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003e43 mm nut and flat five-string radius\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eA wider 43 mm nut with 18 mm spacing, on a much flatter fingerboard than the four-string models — which keeps string height even across a wide neck and makes runs across all five strings easier.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003ch2 style=\"padding-bottom:10px;border-bottom:2px solid #6b3fa0;margin:0 0 16px;\"\u003eQuick Tone Guide\u003c\/h2\u003e\n  \u003cdiv style=\"display:grid;grid-template-columns:repeat(auto-fit,minmax(190px,1fr));gap:12px;margin:0 0 30px;\"\u003e\n    \u003cdiv style=\"padding:14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n      \u003ch3 style=\"margin:0 0 7px;\"\u003ePassive, balancer centred\u003c\/h3\u003e\n      \u003cp style=\"margin:0;\"\u003eWarm, open and natural — the alnico pickups on their own. Where a lot of engineers will ask you to sit.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"padding:14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n      \u003ch3 style=\"margin:0 0 7px;\"\u003eActive, mids pushed\u003c\/h3\u003e\n      \u003cp style=\"margin:0;\"\u003eThe five-string fix. If the low B is felt but not heard, add mids rather than bass.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"padding:14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n      \u003ch3 style=\"margin:0 0 7px;\"\u003eActive, mids scooped\u003c\/h3\u003e\n      \u003cp style=\"margin:0;\"\u003eThe classic slap and funk voicing — deep lows, bright top, mids pulled back out of the way.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv style=\"padding:14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n      \u003ch3 style=\"margin:0 0 7px;\"\u003eBalancer to the bridge\u003c\/h3\u003e\n      \u003cp style=\"margin:0;\"\u003eTighter and more articulate — the setting that keeps the B string defined in a dense mix.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003ch2 style=\"padding-bottom:10px;border-bottom:2px solid #6b3fa0;margin:0 0 16px;\"\u003eThe TRBX Range at a Glance\u003c\/h2\u003e\n  \u003cp style=\"margin:0 0 14px;\"\u003eEvery TRBX shares a 34\" scale and a 24-fret neck. What changes as you go up the range is the body, the neck construction, the pickups and — most of all — the electronics.\u003c\/p\u003e\n  \u003cdiv class=\"yms-scroll\" style=\"margin:0 0 30px;\"\u003e\n    \u003ctable\u003e\n      \u003cthead\u003e\n        \u003ctr\u003e\n\u003cth\u003e \u003c\/th\u003e\n\u003cth\u003eTRBX174\u003c\/th\u003e\n\u003cth\u003eTRBX174EW\u003c\/th\u003e\n\u003cth\u003eTRBX304 \/ 305\u003c\/th\u003e\n\u003cth\u003eTRBX504 \/ 505 (this bass)\u003c\/th\u003e\n\u003cth\u003eTRBX604FM \/ 605FM\u003c\/th\u003e\n\u003c\/tr\u003e\n      \u003c\/thead\u003e\n      \u003ctbody\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eElectronics\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePassive — volume, volume, tone\u003c\/td\u003e\n\u003ctd\u003ePassive — volume, volume, tone\u003c\/td\u003e\n\u003ctd\u003eActive, 2-band EQ + Performance EQ\u003c\/td\u003e\n\u003ctd\u003e\u003cstrong\u003eActive\/passive, 3-band EQ\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eActive\/passive, 3-band EQ\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePickups\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCeramic PJ\u003c\/td\u003e\n\u003ctd\u003eCeramic PJ\u003c\/td\u003e\n\u003ctd\u003eM3 ceramic humbuckers\u003c\/td\u003e\n\u003ctd\u003e\u003cstrong\u003eH5 Alnico V humbuckers\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eH5 Alnico V humbuckers\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBody\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMahogany\u003c\/td\u003e\n\u003ctd\u003eMahogany + exotic wood top\u003c\/td\u003e\n\u003ctd\u003eSculpted mahogany\u003c\/td\u003e\n\u003ctd\u003e\u003cstrong\u003eSculpted mahogany\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAlder\/maple + flame maple top\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eNeck\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1-piece maple\u003c\/td\u003e\n\u003ctd\u003e1-piece maple\u003c\/td\u003e\n\u003ctd\u003e5-piece maple\/mahogany\u003c\/td\u003e\n\u003ctd\u003e\u003cstrong\u003e5-piece maple\/mahogany\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5-piece maple\/mahogany\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBridge\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVintage style\u003c\/td\u003e\n\u003ctd\u003eVintage style\u003c\/td\u003e\n\u003ctd\u003eDie-cast\u003c\/td\u003e\n\u003ctd\u003e\u003cstrong\u003eHigh-mass die-cast\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHigh-mass die-cast\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eScale \/ frets\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"yms-same\" colspan=\"5\" style=\"text-align:center;\"\u003eIdentical across the range — 34\" scale, 24 frets, rosewood fingerboard\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\n    \u003c\/table\u003e\n  \u003c\/div\u003e\n\n  \u003ch2 style=\"padding-bottom:10px;border-bottom:2px solid #6b3fa0;margin:0 0 4px;\"\u003eFAQ\u003c\/h2\u003e\n\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e Do I actually need a five-string?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eOnly if you need notes below bottom E — worship, gospel, metal and modern pop routinely do — or you want lower positions under the hand without shifting. If neither applies, the four-string TRBX504 is easier to play, easier to slap on and cheaper.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e What happens if the battery dies mid-gig?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eYou flick the switch to passive and keep playing. This is the single best reason to choose the 505 over the TRBX305, which stops working entirely without a battery. A battery alert LED also warns you before it gets that far.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e Will the low B sound tight or muddy?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eThe full 34\" scale keeps the B under proper tension, and the alnico H5 pickups are voiced for a clean, open response. Use the bridge pickup and the mid control if you need it more defined still. It is well clear of the woolly low B that cheap five-strings are known for.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e How different does the neck feel from a four-string?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eWider at the nut — 43 mm against 38 mm — with strings slightly closer together at 18 mm rather than 19 mm, on a flatter fingerboard. Most players adapt within a few weeks, but heavy slap players notice the tighter spacing. Try one if you can.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e Is it worth stepping up from the TRBX305?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eIf you gig it, yes — the passive fallback, the alnico pickups and the mid control all matter on stage. If you play mostly at home, the 305's Performance EQ gives you more instant sounds for less money. Be honest about which you are.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e How does it differ from the TRBX605FM?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eElectronically not at all — same H5 pickups, same three-band EQ, same active\/passive switch. The 605FM changes the body to alder with a flame maple top and adds gold-plated internal parts. You are paying for looks and materials, not more function.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0 26px;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e Is a case or gig bag included?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eNo — Yamaha does not supply a case with the TRBX505. A five-string needs a bag or case cut for the wider neck, so ask us and we will match one that actually fits.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:18px 16px;background:#f8f8f8;border-radius:12px;\"\u003e\n    \u003ch2 style=\"margin:0 0 14px;\"\u003eWhy Buy Your Bass from YMS?\u003c\/h2\u003e\n    \u003cul style=\"list-style:none;padding:0;margin:0;\"\u003e\n      \u003cli style=\"margin:0 0 11px;\"\u003e✓ \u003cstrong\u003eAuthorised Yamaha Premium Retailer:\u003c\/strong\u003e Buy a genuine India-market Yamaha instrument with official manufacturer warranty support.\u003c\/li\u003e\n      \u003cli style=\"margin:0 0 11px;\"\u003e✓ \u003cstrong\u003eSet up before it reaches you:\u003c\/strong\u003e We check action, relief and intonation, and confirm both active and passive modes work, so it is stage-ready on arrival.\u003c\/li\u003e\n      \u003cli style=\"margin:0 0 11px;\"\u003e✓ \u003cstrong\u003eBassist-focused guidance:\u003c\/strong\u003e Tell us what you play and we will tell you honestly whether you need five strings or four.\u003c\/li\u003e\n      \u003cli style=\"margin:0 0 11px;\"\u003e✓ \u003cstrong\u003eSupport beyond the bass:\u003c\/strong\u003e Five-string gig bags and cases, spare 9 V batteries, straps, stands, cables, tuners, strings and bass amps.\u003c\/li\u003e\n      \u003cli style=\"margin:0 0 11px;\"\u003e✓ \u003cstrong\u003ePan-India delivery:\u003c\/strong\u003e Order from anywhere in India, subject to serviceability for your location.\u003c\/li\u003e\n      \u003cli style=\"margin:0;\"\u003e✓ \u003cstrong\u003ePhysical-store support:\u003c\/strong\u003e YMS teams in Bengaluru and Mangaluru are available for product enquiries and after-sales guidance.\u003c\/li\u003e\n    \u003c\/ul\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e","brand":"Yamaha","offers":[{"title":"Brick Burst","offer_id":48081713430693,"sku":"VDN7180","price":56041.0,"currency_code":"INR","in_stock":false},{"title":"Brown","offer_id":48083933233317,"sku":"ZG35330","price":56041.0,"currency_code":"INR","in_stock":false},{"title":"Translucent Black","offer_id":48083933266085,"sku":"ZG35320","price":56041.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/yamaha-bass-guitar-trbx505-brick-burst_97294ff0-5487-416b-9745-28818b7852ce.webp?v=1785572618","url":"https:\/\/ymsformusic.com\/products\/yamaha-bass-guitar-trbx505","provider":"YMSFORMUSIC","version":"1.0","type":"link"}