{"title":"Deals","description":"\u003cp\u003eCurrent deals on genuine Yamaha musical instruments and pro audio. Every product here is sold below its MRP, with full manufacturer warranty, EMI options and free delivery across India.\u003c\/p\u003e","products":[{"product_id":"yamaha-ag03mk2-lspk-live-streaming-pack","title":"Yamaha AG03MK2 LSPK Live Streaming Pack with Microphone \u0026 Headphones","description":"\u003cstyle\u003e\n[data-yms-mg]{box-sizing:border-box;width:100%;max-width:100%;padding:0 18px 0 20px;margin:0 auto;color:#1f2937;line-height:1.6}\n[data-yms-mg] *{box-sizing:border-box}\n[data-yms-mg] h2{font-size:clamp(20px,2.6vw,25px)!important;font-weight:700!important;margin:28px 0 12px!important;color:#111827!important}\n[data-yms-mg] p{margin:0 0 12px}\n[data-yms-mg] .i{padding:18px 16px;border-left:4px solid #6b3fa0;background:#faf6ff;border-radius:10px;margin:8px 0 6px}\n[data-yms-mg] .i h2{margin:0 0 10px!important}\n[data-yms-mg] .g{display:grid;grid-template-columns:repeat(auto-fit,minmax(150px,1fr));gap:10px;margin:6px 0 4px}\n[data-yms-mg] .t{border:1px solid #e5e7eb;border-radius:10px;background:#fafafa;padding:12px 14px}\n[data-yms-mg] .t span{display:block;font-size:12px;letter-spacing:.06em;text-transform:uppercase;color:#6b7280;margin:0 0 3px}\n[data-yms-mg] .t strong{font-size:16px;color:#111827}\n[data-yms-mg] ul.b{list-style:none;padding:0;margin:0}\n[data-yms-mg] ul.b li{padding:0 0 0 22px;position:relative;margin:0 0 10px}\n[data-yms-mg] ul.b li:before{content:\"▪\";position:absolute;left:4px;color:#6b3fa0}\n[data-yms-mg] .d{padding:20px 18px;background:#2a1b3d;color:#e7dff2;border-radius:12px;margin:18px 0}\n[data-yms-mg] .d h2{color:#fff!important;margin:0 0 10px!important}\n[data-yms-mg] .d ul.b li:before{color:#b794d4}\n[data-yms-mg] .s{width:100%;overflow-x:auto;-webkit-overflow-scrolling:touch}\n[data-yms-mg] table{border-collapse:collapse;width:100%;min-width:760px;font-size:14px}\n[data-yms-mg] th,[data-yms-mg] td{border:1px solid #e5e7eb;padding:8px 10px;text-align:left;white-space:nowrap}\n[data-yms-mg] th{background:#f3f0fa;font-weight:700}\n[data-yms-mg] tr.me td{background:#faf6ff;font-weight:700}\n[data-yms-mg] .q{margin:0 0 4px;font-weight:700}\n[data-yms-mg] .fq{padding:14px 0;border-bottom:1px solid #e5e7eb}\n[data-yms-mg] .w{padding:16px;background:#f8f8f8;border-radius:12px;margin:22px 0 8px}\n\u003c\/style\u003e\n\u003cdiv data-yms-mg=\"true\"\u003e\n\n\u003cdiv class=\"i\"\u003e\n\u003ch2\u003eEverything You Need to Go Live, in One Box\u003c\/h2\u003e\n\u003cp\u003eThe LSPK is Yamaha's Live Streaming Pack: the AG03MK2 mixer, a YCM01 studio condenser microphone, YH-MT1 monitor headphones and a 3 m XLR cable, supplied together and voiced to work together.\u003c\/p\u003e\n\u003cp\u003eIt exists because the mixer on its own is only a third of a setup. Buying the pack means you plug in one USB-C cable and you are on air — no working out which microphone suits the preamp, no discovering at the last minute that the XLR cable is not in the box.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eAt a Glance\u003c\/h2\u003e\n\u003cdiv class=\"g\"\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eMixer\u003c\/span\u003e\u003cstrong\u003eAG03MK2\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eMicrophone\u003c\/span\u003e\u003cstrong\u003eYCM01 condenser\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eHeadphones\u003c\/span\u003e\u003cstrong\u003eYH-MT1\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eCable\u003c\/span\u003e\u003cstrong\u003e3 m XLR\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eUSB audio\u003c\/span\u003e\u003cstrong\u003e24-bit \/ 192 kHz\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eFinish\u003c\/span\u003e\u003cstrong\u003eBlack or white\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"d\"\u003e\n\u003ch2\u003eWhat Is in the Box\u003c\/h2\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003e\n\u003cstrong style=\"color:#fff\"\u003eAG03MK2 live streaming mixer\u003c\/strong\u003e — one combo mic\/line input with +48V phantom power and a Hi-Z switch for guitar, a stereo line input, a smartphone jack, and a 24-bit\/192 kHz USB-C interface.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"color:#fff\"\u003eYCM01 condenser microphone\u003c\/strong\u003e — a cardioid XLR studio condenser, powered by the mixer's phantom supply.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"color:#fff\"\u003eYH-MT1 headphones\u003c\/strong\u003e — closed-back monitor headphones for tracking and monitoring without spill into the mic.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"color:#fff\"\u003e3 m XLR microphone cable\u003c\/strong\u003e, plus the mixer's USB-C cable and the Cubase AI and WaveLab Cast download licences.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:0\"\u003eNot included: a microphone stand or boom arm, and a pop filter. Tell us how your desk is set up and we will recommend the right one alongside the pack.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eWhat the Mixer Gives You\u003c\/h2\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eOne-touch COMP\/EQ and SPX REVERB\u003c\/strong\u003e running in the hardware — zero latency, no load on your computer, and applied to the stream as well as your headphones.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLOOPBACK\u003c\/strong\u003e folds your voice and your computer's audio into one outgoing stream, which is why the AG range became the default for podcasts and game streams.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMIX MINUS MIC\u003c\/strong\u003e keeps your own voice out of the return feed so remote guests do not hear themselves.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHi-Z guitar input with AMP SIM\u003c\/strong\u003e on CH1 — a guitar plugs straight in with no amp or DI box.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBus powered over USB-C\u003c\/strong\u003e, 126 × 63 × 201 mm, 0.8 kg. Class compliant, so it also works with an iPad through a camera adapter.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eThe Full AG Range at YMS\u003c\/h2\u003e\n\u003cp\u003eEvery AG model we stock. All USB figures are 24-bit.\u003c\/p\u003e\n\u003cdiv class=\"s\"\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003cth\u003eChannels\u003c\/th\u003e\n\u003cth\u003eMic inputs (+48V)\u003c\/th\u003e\n\u003cth\u003eHi-Z guitar\u003c\/th\u003e\n\u003cth\u003eUSB audio\u003c\/th\u003e\n\u003cth\u003eSound pads\u003c\/th\u003e\n\u003cth\u003eWeight\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAG01\u003c\/td\u003e\n\u003ctd\u003eMic + line + phone\u003c\/td\u003e\n\u003ctd\u003eBuilt-in condenser\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e2 in \/ 2 out, 192 kHz\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e1.2 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAG03MK2\u003c\/td\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003ctd\u003e1 × combo\u003c\/td\u003e\n\u003ctd\u003eYes (CH1)\u003c\/td\u003e\n\u003ctd\u003e2 in \/ 2 out, 192 kHz\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e0.8 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"me\"\u003e\n\u003ctd\u003eAG03MK2 LSPK\u003c\/td\u003e\n\u003ctd\u003e3, with mic \u0026amp; headphones\u003c\/td\u003e\n\u003ctd\u003e1 × combo\u003c\/td\u003e\n\u003ctd\u003eYes (CH1)\u003c\/td\u003e\n\u003ctd\u003e2 in \/ 2 out, 192 kHz\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e0.8 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAG06MK2\u003c\/td\u003e\n\u003ctd\u003e6\u003c\/td\u003e\n\u003ctd\u003e2 × combo\u003c\/td\u003e\n\u003ctd\u003eYes (CH2)\u003c\/td\u003e\n\u003ctd\u003e2 in \/ 2 out, 192 kHz\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e0.9 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAG08\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003ctd\u003e2 × combo\u003c\/td\u003e\n\u003ctd\u003eYes (CH2)\u003c\/td\u003e\n\u003ctd\u003e8 in \/ 14 out, 48 kHz\u003c\/td\u003e\n\u003ctd\u003e6\u003c\/td\u003e\n\u003ctd\u003e2.2 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Is the pack the same mixer as the standalone AG03MK2?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eIdentical — same mixer, same specification, same warranty. The LSPK simply adds the YCM01 microphone, YH-MT1 headphones and the XLR cable in one carton.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Do I need a microphone stand as well?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eYes — a stand or boom arm is the one thing the pack does not include. A desk-mounted boom arm is the usual choice for podcasting and streaming because it keeps the mic off the desk and away from keyboard noise. Ask us and we will match one to your setup.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Can I use a microphone I already own?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eYes. The AG03MK2 takes any XLR microphone, dynamic or condenser, and supplies +48V phantom power for condensers. If you already have a mic you are happy with, the standalone AG03MK2 may suit you better than the pack.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Is this enough for a two-person podcast?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eNot comfortably. The AG03MK2 has one mic input and one headphone output. For two people at the table, look at the AG06MK2 with a second YCM01 — two phantom-powered inputs and two headphone feeds.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Will it work with my phone or iPad?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eYes. There is a 4-pole mini jack for a smartphone, and the mixer is class compliant, so an iPad connects through Apple's USB-C or Lightning camera adapter.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"w\"\u003e\n\u003ch2 style=\"margin:0 0 12px!important\"\u003eWhy Buy from YMS?\u003c\/h2\u003e\n\u003cp style=\"margin:0 0 8px\"\u003eYMS For Music is an authorised \u003cstrong\u003eYamaha Premium Retailer\u003c\/strong\u003e. Every AG mixer is genuine Yamaha stock with full manufacturer warranty, sold and supported by people who set these up for a living.\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eHonest advice on which model you actually need, demo units in Bengaluru and Mangaluru, and secure delivery across India. Not sure whether the pack or the separates suit you better? Ask us before you spend.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Yamaha","offers":[{"title":"White","offer_id":48083951943845,"sku":"AG03MK2 W LSPK \/\/Y","price":24975.0,"currency_code":"INR","in_stock":true},{"title":"Black","offer_id":48083951976613,"sku":"AG03MK2 B LSPK \/\/Y","price":24975.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/ag03mk2-lspk-wh-thum-2000_tcm142-1683155.jpg?v=1788716293"},{"product_id":"yamaha-ag08-live-streaming-mixer","title":"Yamaha AG08 8-Channel Live Streaming Mixer \u0026 USB Audio Interface","description":"\u003cstyle\u003e\n[data-yms-mg]{box-sizing:border-box;width:100%;max-width:100%;padding:0 18px 0 20px;margin:0 auto;color:#1f2937;line-height:1.6}\n[data-yms-mg] *{box-sizing:border-box}\n[data-yms-mg] h2{font-size:clamp(20px,2.6vw,25px)!important;font-weight:700!important;margin:28px 0 12px!important;color:#111827!important}\n[data-yms-mg] p{margin:0 0 12px}\n[data-yms-mg] .i{padding:18px 16px;border-left:4px solid #6b3fa0;background:#faf6ff;border-radius:10px;margin:8px 0 6px}\n[data-yms-mg] .i h2{margin:0 0 10px!important}\n[data-yms-mg] .g{display:grid;grid-template-columns:repeat(auto-fit,minmax(150px,1fr));gap:10px;margin:6px 0 4px}\n[data-yms-mg] .t{border:1px solid #e5e7eb;border-radius:10px;background:#fafafa;padding:12px 14px}\n[data-yms-mg] .t span{display:block;font-size:12px;letter-spacing:.06em;text-transform:uppercase;color:#6b7280;margin:0 0 3px}\n[data-yms-mg] .t strong{font-size:16px;color:#111827}\n[data-yms-mg] ul.b{list-style:none;padding:0;margin:0}\n[data-yms-mg] ul.b li{padding:0 0 0 22px;position:relative;margin:0 0 10px}\n[data-yms-mg] ul.b li:before{content:\"▪\";position:absolute;left:4px;color:#6b3fa0}\n[data-yms-mg] .d{padding:20px 18px;background:#2a1b3d;color:#e7dff2;border-radius:12px;margin:18px 0}\n[data-yms-mg] .d h2{color:#fff!important;margin:0 0 10px!important}\n[data-yms-mg] .d ul.b li:before{color:#b794d4}\n[data-yms-mg] .s{width:100%;overflow-x:auto;-webkit-overflow-scrolling:touch}\n[data-yms-mg] table{border-collapse:collapse;width:100%;min-width:760px;font-size:14px}\n[data-yms-mg] th,[data-yms-mg] td{border:1px solid #e5e7eb;padding:8px 10px;text-align:left;white-space:nowrap}\n[data-yms-mg] th{background:#f3f0fa;font-weight:700}\n[data-yms-mg] tr.me td{background:#faf6ff;font-weight:700}\n[data-yms-mg] .q{margin:0 0 4px;font-weight:700}\n[data-yms-mg] .fq{padding:14px 0;border-bottom:1px solid #e5e7eb}\n[data-yms-mg] .w{padding:16px;background:#f8f8f8;border-radius:12px;margin:22px 0 8px}\n\u003c\/style\u003e\n\u003cdiv data-yms-mg=\"true\"\u003e\n\n\u003cdiv class=\"i\"\u003e\n\u003ch2\u003eThe One That Sends Every Channel to Your Computer Separately\u003c\/h2\u003e\n\u003cp\u003eThe AG08 is the flagship of the AG range and the point at which it stops being a small streaming mixer and becomes a production desk. Eight channels, 60 mm faders and a mute button on every input, six assignable sound pads, and a touch panel for the DSP.\u003c\/p\u003e\n\u003cp\u003eThe real reason to step up is the USB interface: 8 channels in and 14 out, so OBS or your DAW sees your microphone, your guest, your music and your game audio as separate tracks rather than one stereo mix. That is what lets you fix a level after the fact instead of re-recording.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eAt a Glance\u003c\/h2\u003e\n\u003cdiv class=\"g\"\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eChannels\u003c\/span\u003e\u003cstrong\u003e8\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eMic inputs\u003c\/span\u003e\u003cstrong\u003e2 × combo, +48V\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eUSB audio\u003c\/span\u003e\u003cstrong\u003e8 in \/ 14 out\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eSound pads\u003c\/span\u003e\u003cstrong\u003e6\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eFaders\u003c\/span\u003e\u003cstrong\u003e60 mm\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eWeight\u003c\/span\u003e\u003cstrong\u003e2.2 kg\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eWhat You Get\u003c\/h2\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eMulti-channel USB.\u003c\/strong\u003e 8 in \/ 14 out over USB-C at 24-bit\/48 kHz — separate tracks for each source, and separate return feeds for guests, music and monitoring.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTwo combo mic inputs with +48V phantom power\u003c\/strong\u003e, CH2 switchable to Hi-Z so a guitar plugs straight in.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThree stereo inputs with assignable faders\u003c\/strong\u003e, each switchable between LINE and USB, plus a 4-pole mini jack on CH7\/8 for a phone or a camera.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e60 mm faders and a mute button per channel.\u003c\/strong\u003e Riding a level or killing a channel mid-stream is a physical action, not a mouse hunt.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSix customisable sound pads\u003c\/strong\u003e for stings, jingles and drops, triggered live from the panel.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull DSP chain:\u003c\/strong\u003e voice changer on CH1, amp simulator on CH2, plus gate, compressor, EQ, reverb, delay, ducker and maximiser. The ducker dips your music under your voice automatically.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTwo independent headphone outputs\u003c\/strong\u003e, MONITOR outputs on XLR and TRS, and MIX outputs on TRS.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTouch panel plus the AG08 Controller app\u003c\/strong\u003e for Windows, Mac and iOS. 290 × 88 × 222 mm, 2.2 kg, USB-C powered. Cubase AI, WaveLab Cast and Cubasis LE licences included.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"d\"\u003e\n\u003ch2\u003eReading the AG Model Names\u003c\/h2\u003e\n\u003cp\u003eYamaha's AG names are straightforward once you know the pattern:\u003c\/p\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003e\n\u003cstrong style=\"color:#fff\"\u003eThe number\u003c\/strong\u003e is the channel count — 03, 06, 08.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"color:#fff\"\u003eMK2\u003c\/strong\u003e is the second generation: USB-C instead of micro-USB, 24-bit\/192 kHz, and the streaming-out modes.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"color:#fff\"\u003eLSPK\u003c\/strong\u003e means Live Streaming Pack — the mixer bundled with a microphone, headphones and cable.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"color:#fff\"\u003eAG01\u003c\/strong\u003e is the exception: a condenser microphone with the AG mixer built into its body.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:0\"\u003eThe \u003cstrong style=\"color:#fff\"\u003eAG08\u003c\/strong\u003e carries no MK2 because it was new to the second generation. Note the honest trade-off: it runs at 48 kHz where the MK2 mixers reach 192 kHz, but it sends eight separate channels where they send a stereo mix.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eThe Full AG Range at YMS\u003c\/h2\u003e\n\u003cp\u003eEvery AG model we stock. All USB figures are 24-bit.\u003c\/p\u003e\n\u003cdiv class=\"s\"\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003cth\u003eChannels\u003c\/th\u003e\n\u003cth\u003eMic inputs (+48V)\u003c\/th\u003e\n\u003cth\u003eHi-Z guitar\u003c\/th\u003e\n\u003cth\u003eUSB audio\u003c\/th\u003e\n\u003cth\u003eSound pads\u003c\/th\u003e\n\u003cth\u003eWeight\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAG01\u003c\/td\u003e\n\u003ctd\u003eMic + line + phone\u003c\/td\u003e\n\u003ctd\u003eBuilt-in condenser\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e2 in \/ 2 out, 192 kHz\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e1.2 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAG03MK2\u003c\/td\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003ctd\u003e1 × combo\u003c\/td\u003e\n\u003ctd\u003eYes (CH1)\u003c\/td\u003e\n\u003ctd\u003e2 in \/ 2 out, 192 kHz\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e0.8 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAG03MK2 LSPK\u003c\/td\u003e\n\u003ctd\u003e3, with mic \u0026amp; headphones\u003c\/td\u003e\n\u003ctd\u003e1 × combo\u003c\/td\u003e\n\u003ctd\u003eYes (CH1)\u003c\/td\u003e\n\u003ctd\u003e2 in \/ 2 out, 192 kHz\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e0.8 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAG06MK2\u003c\/td\u003e\n\u003ctd\u003e6\u003c\/td\u003e\n\u003ctd\u003e2 × combo\u003c\/td\u003e\n\u003ctd\u003eYes (CH2)\u003c\/td\u003e\n\u003ctd\u003e2 in \/ 2 out, 192 kHz\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e0.9 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"me\"\u003e\n\u003ctd\u003eAG08\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003ctd\u003e2 × combo\u003c\/td\u003e\n\u003ctd\u003eYes (CH2)\u003c\/td\u003e\n\u003ctd\u003e8 in \/ 14 out, 48 kHz\u003c\/td\u003e\n\u003ctd\u003e6\u003c\/td\u003e\n\u003ctd\u003e2.2 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Why would I pay for the AG08 over the AG06MK2?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eThree reasons: multi-channel USB, so every source lands in your software as its own track; physical faders and mute buttons instead of knobs; and the sound pads. If you record a single mix and never edit it afterwards, the AG06MK2 is the sensible buy.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Does it really only go to 48 kHz?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eYes. The AG08 runs at 24-bit\/48 kHz and carries eight channels; the AG03MK2 and AG06MK2 reach 192 kHz but only two. For streaming and podcast work 48 kHz is the standard delivery rate, so the channel count matters far more than the sample rate.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Can two people monitor separately?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eYes — there are two independent headphone outputs, so you and a guest can each have your own feed, plus MONITOR outputs on XLR and TRS for powered speakers in the room.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e What is the ducker for?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eIt drops the music level automatically whenever you speak and brings it back when you stop — the effect radio presenters get from a producer riding a fader. It is one of the features that makes an AG08 stream sound produced rather than recorded.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Will it work with an iPad or a camera?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eYes. CH7\/8 has a 4-pole mini jack for a smartphone or camera, and iOS devices connect through Apple's camera adapter. The AG08 Controller app runs on iOS as well as Windows and Mac.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"w\"\u003e\n\u003ch2 style=\"margin:0 0 12px!important\"\u003eWhy Buy from YMS?\u003c\/h2\u003e\n\u003cp style=\"margin:0 0 8px\"\u003eYMS For Music is an authorised \u003cstrong\u003eYamaha Premium Retailer\u003c\/strong\u003e. Every AG mixer is genuine Yamaha stock with full manufacturer warranty, sold and supported by people who set these up for a living.\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eHonest advice on which model you actually need, demo units in Bengaluru and Mangaluru, and secure delivery across India. Not sure whether you need multi-channel USB? Ask us before you spend.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Yamaha","offers":[{"title":"White","offer_id":48083952074917,"sku":"AG08 W \/\/IN","price":35700.0,"currency_code":"INR","in_stock":false},{"title":"Black","offer_id":48083952107685,"sku":"AG08 B \/\/IN","price":35700.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/AG08-white-front_tcm142-1656850.jpg?v=1788716027"},{"product_id":"yamaha-ycm01-condenser-microphone","title":"Yamaha YCM01 Condenser Microphone","description":"\u003cp\u003eThe Yamaha YCM01 Condenser Microphone is a condenser microphone engineered for clear, detailed capture of vocals, instruments and spoken word.\u003c\/p\u003e\n\u003cp\u003eA carefully tuned capsule delivers natural presence without harshness, making it a dependable choice for streaming, podcasting, home recording and content creation. Simple to set up and built to Yamaha's professional audio standards.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"White","offer_id":48083952140453,"sku":"YCM01 W \/\/Y","price":8925.0,"currency_code":"INR","in_stock":true},{"title":"Black","offer_id":48083952173221,"sku":"YCM01 B \/\/Y","price":8925.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/yamaha-ycm01-condenser-microphone-1_281600ec-f19e-45dd-8b8b-00682f9dc9f1.jpg?v=1785589983"},{"product_id":"yamaha-hs5-studio-monitors-pair","title":"Yamaha HS5 5\" Powered Studio Monitors - Pair","description":"\u003cstyle\u003e\n[data-yms-mon]{box-sizing:border-box;width:100%;max-width:100%;padding:0 18px 0 20px;margin:0 auto;color:#1f2937;line-height:1.6}\n[data-yms-mon] *{box-sizing:border-box}\n[data-yms-mon] h2{font-size:clamp(20px,2.6vw,25px)!important;font-weight:700!important;margin:28px 0 12px!important;color:#111827!important}\n[data-yms-mon] h3{font-size:clamp(16px,2vw,18px)!important;font-weight:700!important;margin:0 0 6px!important}\n[data-yms-mon] p{margin:0 0 12px}\n[data-yms-mon] .i{padding:18px 16px;border-left:4px solid #6b3fa0;background:#faf6ff;border-radius:10px;margin:8px 0 6px}\n[data-yms-mon] .i h2{margin:0 0 10px!important}\n[data-yms-mon] .flag{padding:12px 14px;background:#fff7ed;border:1px solid #fed7aa;border-radius:9px;margin:0 0 12px}\n[data-yms-mon] .g{display:grid;grid-template-columns:repeat(auto-fit,minmax(150px,1fr));gap:10px;margin:6px 0 4px}\n[data-yms-mon] .t{border:1px solid #e5e7eb;border-radius:10px;background:#fafafa;padding:12px 14px}\n[data-yms-mon] .t span{display:block;font-size:12px;letter-spacing:.06em;text-transform:uppercase;color:#6b7280;margin:0 0 3px}\n[data-yms-mon] .t strong{font-size:16px;color:#111827}\n[data-yms-mon] ul.b{list-style:none;padding:0;margin:0}\n[data-yms-mon] ul.b li{padding:0 0 0 22px;position:relative;margin:0 0 10px}\n[data-yms-mon] ul.b li:before{content:\"\\25AA\";position:absolute;left:4px;color:#6b3fa0}\n[data-yms-mon] .d{padding:20px 18px;background:#2a1b3d;color:#e7dff2;border-radius:12px;margin:18px 0}\n[data-yms-mon] .d h2,[data-yms-mon] .d h3{color:#fff!important;margin-top:0!important}\n[data-yms-mon] .d .sub{padding:12px 14px;background:rgba(255,255,255,.07);border-radius:9px;margin:0 0 10px}\n[data-yms-mon] .s{width:100%;overflow-x:auto;-webkit-overflow-scrolling:touch}\n[data-yms-mon] table{border-collapse:collapse;width:100%;min-width:700px;font-size:14px}\n[data-yms-mon] th,[data-yms-mon] td{border:1px solid #e5e7eb;padding:8px 10px;text-align:left;white-space:nowrap}\n[data-yms-mon] th{background:#f3f0fa;font-weight:700}\n[data-yms-mon] tr.me td{background:#faf6ff;font-weight:700}\n[data-yms-mon] .q{margin:0 0 4px;font-weight:700}\n[data-yms-mon] .fq{padding:14px 0;border-bottom:1px solid #e5e7eb}\n[data-yms-mon] .w{padding:16px;background:#f8f8f8;border-radius:12px;margin:22px 0 8px}\n\u003c\/style\u003e\n\u003cdiv data-yms-mon=\"true\"\u003e\n\n\u003cdiv class=\"i\"\u003e\n\u003ch2\u003eThe Monitor That Tells You the Truth\u003c\/h2\u003e\n\u003cdiv class=\"flag\"\u003e\n\u003cstrong\u003eThis is a pair — two speakers, one price.\u003c\/strong\u003e Both cabinets are individually powered, each with its own amplifier. \u003cstrong\u003eChoose black or white above.\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe white-cone Yamaha monitor has been the reference in project studios for a long time for one reason: it does not flatter. Each HS5 is a flat, revealing 5-inch two-way with 70 W of bi-amplification — 45 W to the woofer, 25 W to the 1-inch dome — and a response from 54 Hz to 30 kHz.\u003c\/p\u003e\n\u003cp\u003eMixes that sound good on HS5s tend to travel. That is the whole job of a monitor, and it is why this is the point in the range where most people who are serious about mixing start.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eAt a Glance\u003c\/h2\u003e\n\u003cdiv class=\"g\"\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eSold as\u003c\/span\u003e\u003cstrong\u003ePair\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eWoofer\u003c\/span\u003e\u003cstrong\u003e5\" cone (each)\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eTweeter\u003c\/span\u003e\u003cstrong\u003e1\" dome (each)\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003ePower\u003c\/span\u003e\u003cstrong\u003e70 W per speaker\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eResponse\u003c\/span\u003e\u003cstrong\u003e54 Hz - 30 kHz\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eFinishes\u003c\/span\u003e\u003cstrong\u003eBlack or White\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eWhat You Get\u003c\/h2\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eTwo independently powered speakers.\u003c\/strong\u003e Unlike the HS3 and HS4, where one cabinet drives the other, each HS5 has its own amplifier and its own mains lead — so you can place them as far apart as your room and cables allow.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBi-amplified 70 W per speaker\u003c\/strong\u003e — a dedicated 45 W amplifier for the 5-inch woofer and 25 W for the 1-inch dome tweeter, crossing over at 2 kHz.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response 54 Hz–30 kHz\u003c\/strong\u003e (−10 dB), 74 Hz–24 kHz (−3 dB) — noticeably more low end and far more air on top than the smaller HS3 and HS4.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBalanced XLR and TRS inputs\u003c\/strong\u003e on each speaker. Studio-standard connections that reject interference over long cable runs — but note you will need an audio interface or mixer to feed them.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRoom Control and High Trim switches\u003c\/strong\u003e on both cabinets, so each side can be trimmed for its own position — cut 2 or 4 dB below 500 Hz for wall or corner placement, and ±2 dB at high frequencies for bright or dead rooms.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e170 × 285 × 222 mm and 5.3 kg\u003c\/strong\u003e per speaker, in black or white at the same price.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"d\"\u003e\n\u003ch2\u003eBefore You Buy: Two Things That Catch People Out\u003c\/h2\u003e\n\u003cdiv class=\"sub\"\u003e\n\u003ch3\u003e1. You will need an audio interface\u003c\/h3\u003e\n\u003cp style=\"margin:0;color:#ded3ee\"\u003eThe HS5 has balanced XLR and TRS inputs only. There is no RCA and no 3.5 mm socket, so a laptop headphone output cannot drive it properly. Factor an interface into the budget if you do not already own one — this is the most common surprise on this purchase. If you would rather plug a laptop straight in, the HS3 and HS4 pairs are built for exactly that.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sub\"\u003e\n\u003ch3\u003e2. An honest monitor is unforgiving of the room\u003c\/h3\u003e\n\u003cp style=\"margin:0;color:#ded3ee\"\u003eThe HS5 will show you what your room is doing as clearly as what your mix is doing. Keep the speakers clear of walls where you can, set them at ear height, and use the Room Control switch when placement is not ideal — that switch exists precisely because most rooms are not treated.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eThe Yamaha HS Range at YMS\u003c\/h2\u003e\n\u003cp\u003eEvery HS studio monitor we stock. All are sold as pairs — only the HS8S subwoofer is a single unit.\u003c\/p\u003e\n\u003cdiv class=\"s\"\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003cth\u003eWoofer\u003c\/th\u003e\n\u003cth\u003eAmp power\u003c\/th\u003e\n\u003cth\u003eResponse (-10 dB)\u003c\/th\u003e\n\u003cth\u003eInputs\u003c\/th\u003e\n\u003cth\u003eAmplification\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHS3\u003c\/td\u003e\n\u003ctd\u003e3.5\"\u003c\/td\u003e\n\u003ctd\u003e26 W + 26 W\u003c\/td\u003e\n\u003ctd\u003e70 Hz - 22 kHz\u003c\/td\u003e\n\u003ctd\u003eXLR\/TRS, RCA, 3.5 mm\u003c\/td\u003e\n\u003ctd\u003eLeft powered, right passive\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHS4\u003c\/td\u003e\n\u003ctd\u003e4.5\"\u003c\/td\u003e\n\u003ctd\u003e26 W + 26 W\u003c\/td\u003e\n\u003ctd\u003e60 Hz - 22 kHz\u003c\/td\u003e\n\u003ctd\u003eXLR\/TRS, RCA, 3.5 mm\u003c\/td\u003e\n\u003ctd\u003eLeft powered, right passive\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"me\"\u003e\n\u003ctd\u003eHS5\u003c\/td\u003e\n\u003ctd\u003e5\"\u003c\/td\u003e\n\u003ctd\u003e70 W per speaker\u003c\/td\u003e\n\u003ctd\u003e54 Hz - 30 kHz\u003c\/td\u003e\n\u003ctd\u003eXLR, TRS\u003c\/td\u003e\n\u003ctd\u003eBoth speakers powered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHS7\u003c\/td\u003e\n\u003ctd\u003e6.5\"\u003c\/td\u003e\n\u003ctd\u003e95 W per speaker\u003c\/td\u003e\n\u003ctd\u003e43 Hz - 30 kHz\u003c\/td\u003e\n\u003ctd\u003eXLR, TRS\u003c\/td\u003e\n\u003ctd\u003eBoth speakers powered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHS8\u003c\/td\u003e\n\u003ctd\u003e8\"\u003c\/td\u003e\n\u003ctd\u003e120 W per speaker\u003c\/td\u003e\n\u003ctd\u003e38 Hz - 30 kHz\u003c\/td\u003e\n\u003ctd\u003eXLR, TRS\u003c\/td\u003e\n\u003ctd\u003eBoth speakers powered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHS8S\u003c\/td\u003e\n\u003ctd\u003e8\" subwoofer\u003c\/td\u003e\n\u003ctd\u003e150 W\u003c\/td\u003e\n\u003ctd\u003e22 Hz - 160 Hz\u003c\/td\u003e\n\u003ctd\u003eXLR, TRS\u003c\/td\u003e\n\u003ctd\u003eSubwoofer, sold singly\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e How many speakers do I get?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eTwo — a complete stereo pair for the price shown. Each is a fully powered speaker with its own amplifier and mains lead.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e What do I need to connect them to my computer?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eAn audio interface or a mixer with balanced outputs, plus two cables (XLR or TRS). The HS5 has no RCA or 3.5 mm input. If you would rather connect a laptop directly with nothing in between, the HS3 and HS4 pairs are built for that.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e HS5 or HS7?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eThe HS7 has a 6.5-inch woofer, 95 W per speaker and reaches 43 Hz against the HS5's 54 Hz. In a small room the HS5 is often the more sensible choice — a bigger woofer in a space that cannot support it just gives you bass problems. In a room bigger than roughly 10 square metres, or if you work with a lot of low end, the HS7 earns the difference.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Is the white version different?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eNo — same speakers, same price, same specification. Choose whichever suits your room.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e I only need one speaker as a replacement. Can you help?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eYes — we sell the HS range as pairs, but if you need a single unit to replace a damaged one or to add to an existing setup, contact us and we will source it for you.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"w\"\u003e\n\u003ch2 style=\"margin:0 0 12px!important\"\u003eWhy Buy from YMS?\u003c\/h2\u003e\n\u003cp style=\"margin:0 0 8px\"\u003eYMS For Music is an authorised \u003cstrong\u003eYamaha Premium Retailer\u003c\/strong\u003e. Every monitor is genuine Yamaha stock with full manufacturer warranty.\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eMonitors are worth hearing before you commit — come and listen in Bengaluru or Mangaluru. Tell us your room size and what you mix, and we will tell you honestly whether the HS5 is the right size or whether you should go up or down. Secure delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Yamaha","offers":[{"title":"Black","offer_id":48083952238757,"sku":"HS5 \/\/IN","price":31824.0,"currency_code":"INR","in_stock":true},{"title":"White","offer_id":48083952271525,"sku":"HS5 W \/\/IN","price":31824.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/HS5.png?v=1787583652"},{"product_id":"yamaha-hs8-studio-monitors-pair","title":"Yamaha HS8 8\" Powered Studio Monitors - Pair","description":"\u003cstyle\u003e\n[data-yms-mon]{box-sizing:border-box;width:100%;max-width:100%;padding:0 18px 0 20px;margin:0 auto;color:#1f2937;line-height:1.6}\n[data-yms-mon] *{box-sizing:border-box}\n[data-yms-mon] h2{font-size:clamp(20px,2.6vw,25px)!important;font-weight:700!important;margin:28px 0 12px!important;color:#111827!important}\n[data-yms-mon] h3{font-size:clamp(16px,2vw,18px)!important;font-weight:700!important;margin:0 0 6px!important}\n[data-yms-mon] p{margin:0 0 12px}\n[data-yms-mon] .i{padding:18px 16px;border-left:4px solid #6b3fa0;background:#faf6ff;border-radius:10px;margin:8px 0 6px}\n[data-yms-mon] .i h2{margin:0 0 10px!important}\n[data-yms-mon] .flag{padding:12px 14px;background:#fff7ed;border:1px solid #fed7aa;border-radius:9px;margin:0 0 12px}\n[data-yms-mon] .g{display:grid;grid-template-columns:repeat(auto-fit,minmax(150px,1fr));gap:10px;margin:6px 0 4px}\n[data-yms-mon] .t{border:1px solid #e5e7eb;border-radius:10px;background:#fafafa;padding:12px 14px}\n[data-yms-mon] .t span{display:block;font-size:12px;letter-spacing:.06em;text-transform:uppercase;color:#6b7280;margin:0 0 3px}\n[data-yms-mon] .t strong{font-size:16px;color:#111827}\n[data-yms-mon] ul.b{list-style:none;padding:0;margin:0}\n[data-yms-mon] ul.b li{padding:0 0 0 22px;position:relative;margin:0 0 10px}\n[data-yms-mon] ul.b li:before{content:\"\\25AA\";position:absolute;left:4px;color:#6b3fa0}\n[data-yms-mon] .d{padding:20px 18px;background:#2a1b3d;color:#e7dff2;border-radius:12px;margin:18px 0}\n[data-yms-mon] .d h2,[data-yms-mon] .d h3{color:#fff!important;margin-top:0!important}\n[data-yms-mon] .d .sub{padding:12px 14px;background:rgba(255,255,255,.07);border-radius:9px;margin:0 0 10px}\n[data-yms-mon] .s{width:100%;overflow-x:auto;-webkit-overflow-scrolling:touch}\n[data-yms-mon] table{border-collapse:collapse;width:100%;min-width:700px;font-size:14px}\n[data-yms-mon] th,[data-yms-mon] td{border:1px solid #e5e7eb;padding:8px 10px;text-align:left;white-space:nowrap}\n[data-yms-mon] th{background:#f3f0fa;font-weight:700}\n[data-yms-mon] tr.me td{background:#faf6ff;font-weight:700}\n[data-yms-mon] .q{margin:0 0 4px;font-weight:700}\n[data-yms-mon] .fq{padding:14px 0;border-bottom:1px solid #e5e7eb}\n[data-yms-mon] .w{padding:16px;background:#f8f8f8;border-radius:12px;margin:22px 0 8px}\n\u003c\/style\u003e\n\u003cdiv data-yms-mon=\"true\"\u003e\n\n\u003cdiv class=\"i\"\u003e\n\u003ch2\u003eThe Big One — and It Needs a Room to Match\u003c\/h2\u003e\n\u003cdiv class=\"flag\"\u003e\n\u003cstrong\u003eThis is a pair — two speakers, one price.\u003c\/strong\u003e Both cabinets are individually powered, each with its own amplifier. \u003cstrong\u003eChoose black or white above.\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe HS8 is the largest monitor in the HS line: an 8-inch woofer, a 1-inch dome tweeter and 120 W of bi-amplification per speaker, split 75 W low and 45 W high, reaching down to 38 Hz. It is the only HS monitor that shows you the bottom octave without help from a subwoofer.\u003c\/p\u003e\n\u003cp\u003eEach cabinet is also 10.2 kg, 250 mm wide and 334 mm deep. Put them in a room that can carry them — a proper studio space, ideally with some treatment and real stands — and they are superb. Put them on a small desk against a wall and you will spend your time fighting bass that is not in the mix.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eAt a Glance\u003c\/h2\u003e\n\u003cdiv class=\"g\"\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eSold as\u003c\/span\u003e\u003cstrong\u003ePair\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eWoofer\u003c\/span\u003e\u003cstrong\u003e8\" cone (each)\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eTweeter\u003c\/span\u003e\u003cstrong\u003e1\" dome (each)\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003ePower\u003c\/span\u003e\u003cstrong\u003e120 W per speaker\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eResponse\u003c\/span\u003e\u003cstrong\u003e38 Hz - 30 kHz\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eWeight\u003c\/span\u003e\u003cstrong\u003e10.2 kg each\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eWhat You Get\u003c\/h2\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eTwo independently powered speakers.\u003c\/strong\u003e Unlike the HS3 and HS4, where one cabinet drives the other, each HS8 has its own amplifier and its own mains lead.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBi-amplified 120 W per speaker\u003c\/strong\u003e — 75 W to the 8-inch woofer and 45 W to the 1-inch dome tweeter, crossing over at 2 kHz.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response 38 Hz–30 kHz\u003c\/strong\u003e (−10 dB), 47 Hz–24 kHz (−3 dB) — the deepest reach in the HS range, and enough for most low-end work without a subwoofer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBalanced XLR and TRS inputs\u003c\/strong\u003e on each speaker. An audio interface or mixer is required — there is no RCA or 3.5 mm socket.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRoom Control and High Trim switches\u003c\/strong\u003e on both cabinets — cut 2 or 4 dB below 500 Hz for wall or corner placement, and ±2 dB at high frequencies. On monitors this size, the Room Control switch is not optional in most rooms.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e250 × 390 × 334 mm and 10.2 kg\u003c\/strong\u003e per speaker, in black or white at the same price. Measure your desk and check your stands are rated for the weight.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"d\"\u003e\n\u003ch2\u003eBefore You Buy: Two Things That Catch People Out\u003c\/h2\u003e\n\u003cdiv class=\"sub\"\u003e\n\u003ch3\u003e1. The room matters more than the speaker at this size\u003c\/h3\u003e\n\u003cp style=\"margin:0;color:#ded3ee\"\u003eAn 8-inch woofer in a small untreated bedroom will excite room modes hard. You end up hearing the room, not the mix, and mixes made that way translate badly. If your space is under roughly 12 square metres or has no treatment, an HS7 pair — or even an HS5 pair — will give you more reliable decisions for less money. We would rather sell you the right size than the biggest one.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sub\"\u003e\n\u003ch3\u003e2. You will need an audio interface, and proper stands\u003c\/h3\u003e\n\u003cp style=\"margin:0;color:#ded3ee\"\u003eBalanced XLR and TRS inputs only, so a laptop headphone output will not do. And at 10.2 kg each these want stands rated for the load, decoupled from the desk, with the tweeter at ear height.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eThe Yamaha HS Range at YMS\u003c\/h2\u003e\n\u003cp\u003eEvery HS studio monitor we stock. All are sold as pairs — only the HS8S subwoofer is a single unit.\u003c\/p\u003e\n\u003cdiv class=\"s\"\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003cth\u003eWoofer\u003c\/th\u003e\n\u003cth\u003eAmp power\u003c\/th\u003e\n\u003cth\u003eResponse (-10 dB)\u003c\/th\u003e\n\u003cth\u003eInputs\u003c\/th\u003e\n\u003cth\u003eAmplification\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHS3\u003c\/td\u003e\n\u003ctd\u003e3.5\"\u003c\/td\u003e\n\u003ctd\u003e26 W + 26 W\u003c\/td\u003e\n\u003ctd\u003e70 Hz - 22 kHz\u003c\/td\u003e\n\u003ctd\u003eXLR\/TRS, RCA, 3.5 mm\u003c\/td\u003e\n\u003ctd\u003eLeft powered, right passive\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHS4\u003c\/td\u003e\n\u003ctd\u003e4.5\"\u003c\/td\u003e\n\u003ctd\u003e26 W + 26 W\u003c\/td\u003e\n\u003ctd\u003e60 Hz - 22 kHz\u003c\/td\u003e\n\u003ctd\u003eXLR\/TRS, RCA, 3.5 mm\u003c\/td\u003e\n\u003ctd\u003eLeft powered, right passive\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHS5\u003c\/td\u003e\n\u003ctd\u003e5\"\u003c\/td\u003e\n\u003ctd\u003e70 W per speaker\u003c\/td\u003e\n\u003ctd\u003e54 Hz - 30 kHz\u003c\/td\u003e\n\u003ctd\u003eXLR, TRS\u003c\/td\u003e\n\u003ctd\u003eBoth speakers powered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHS7\u003c\/td\u003e\n\u003ctd\u003e6.5\"\u003c\/td\u003e\n\u003ctd\u003e95 W per speaker\u003c\/td\u003e\n\u003ctd\u003e43 Hz - 30 kHz\u003c\/td\u003e\n\u003ctd\u003eXLR, TRS\u003c\/td\u003e\n\u003ctd\u003eBoth speakers powered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"me\"\u003e\n\u003ctd\u003eHS8\u003c\/td\u003e\n\u003ctd\u003e8\"\u003c\/td\u003e\n\u003ctd\u003e120 W per speaker\u003c\/td\u003e\n\u003ctd\u003e38 Hz - 30 kHz\u003c\/td\u003e\n\u003ctd\u003eXLR, TRS\u003c\/td\u003e\n\u003ctd\u003eBoth speakers powered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHS8S\u003c\/td\u003e\n\u003ctd\u003e8\" subwoofer\u003c\/td\u003e\n\u003ctd\u003e150 W\u003c\/td\u003e\n\u003ctd\u003e22 Hz - 160 Hz\u003c\/td\u003e\n\u003ctd\u003eXLR, TRS\u003c\/td\u003e\n\u003ctd\u003eSubwoofer, sold singly\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e How many speakers do I get?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eTwo — a complete stereo pair for the price shown. Each is a fully powered speaker with its own amplifier and mains lead.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Is my room big enough?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eAs a rough guide: under about 12 square metres, or with no acoustic treatment at all, the HS8 is more speaker than the room can use. The HS7 is usually the better decision there. Tell us your room dimensions and we will give you a straight answer rather than sell you up.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e HS8 or HS7 plus an HS8S subwoofer?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eFor most people, the HS8 pair. Adding a subwoofer brings crossover alignment and placement problems that are hard to solve without measurement, and the HS8S costs more than a pair of HS7s. A sub earns its place when you genuinely need content below 40 Hz — film, electronic music — in a room set up for it.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e What do I need to connect them?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eAn audio interface or mixer with balanced outputs, plus two XLR or TRS cables. There is no RCA or 3.5 mm input.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e I only need one speaker as a replacement. Can you help?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eYes — we sell the HS range as pairs, but if you need a single unit to replace a damaged one or to add to an existing setup, contact us and we will source it for you.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"w\"\u003e\n\u003ch2 style=\"margin:0 0 12px!important\"\u003eWhy Buy from YMS?\u003c\/h2\u003e\n\u003cp style=\"margin:0 0 8px\"\u003eYMS For Music is an authorised \u003cstrong\u003eYamaha Premium Retailer\u003c\/strong\u003e. Every monitor is genuine Yamaha stock with full manufacturer warranty.\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eAt this size the room decides as much as the speaker does. Come and listen in Bengaluru or Mangaluru, tell us your room dimensions, and we will tell you honestly whether the HS8 is right or whether an HS7 pair will serve you better. Secure delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Yamaha","offers":[{"title":"Black","offer_id":48083952533669,"sku":"HS8 \/\/IN","price":48764.0,"currency_code":"INR","in_stock":true},{"title":"White","offer_id":48083952566437,"sku":"HS8 W \/\/IN","price":48764.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/hs8.png?v=1787585326"},{"product_id":"yamaha-dhr10-2-way-bi-amped-powered-speaker","title":"Yamaha DHR10 10-inch Powered Loudspeaker","description":"\u003cstyle\u003e\n[data-yms-premium]{box-sizing:border-box;width:100%;max-width:100%;padding:0 18px 0 20px;color:#1f2937;line-height:1.65}\n[data-yms-premium] *{box-sizing:border-box}\n[data-yms-premium] h2{font-size:clamp(21px,2.5vw,26px)!important;line-height:1.25;margin:28px 0 12px!important;color:#111827!important}\n[data-yms-premium] h3{font-size:17px!important;line-height:1.35;margin:0 0 7px!important;color:#111827!important}\n[data-yms-premium] p{margin:0 0 12px}\n[data-yms-premium] .hero{padding:22px;border-left:5px solid #6b3fa0;background:linear-gradient(135deg,#faf6ff 0%,#f4effb 100%);border-radius:10px;margin-bottom:22px}\n[data-yms-premium] .hero h2{margin:0 0 10px!important}\n[data-yms-premium] .eyebrow{display:block;color:#6b3fa0;font-size:12px;font-weight:700;letter-spacing:.08em;text-transform:uppercase;margin-bottom:6px}\n[data-yms-premium] .grid{display:grid;grid-template-columns:repeat(auto-fit,minmax(220px,1fr));gap:12px;margin:14px 0 22px}\n[data-yms-premium] .card{border:1px solid #e5e7eb;border-radius:10px;padding:16px;background:#fff}\n[data-yms-premium] .card strong{color:#6b3fa0}\n[data-yms-premium] .band{padding:18px;border:1px solid #e5e7eb;border-radius:10px;background:#fafafa;margin:14px 0}\n[data-yms-premium] details{border-top:1px solid #e5e7eb;padding:12px 0}\n[data-yms-premium] details:last-child{border-bottom:1px solid #e5e7eb}\n[data-yms-premium] summary{cursor:pointer;font-weight:700;color:#111827}\n[data-yms-premium] details p{margin:8px 0 0}\n[data-yms-premium] ul{margin:8px 0 0;padding-left:20px}\n[data-yms-premium] li{margin-bottom:7px}\n\u003c\/style\u003e\n\u003cdiv data-yms-premium=\"true\"\u003e\n  \u003cdiv class=\"hero\"\u003e\n    \u003cspan class=\"eyebrow\"\u003eYamaha DHR Series Powered Loudspeaker\u003c\/span\u003e\n    \u003ch2\u003eInstallation-Ready Clarity in a Compact 10-inch Format\u003c\/h2\u003e\n    \u003cp\u003eThe Yamaha DHR10 combines a high-grade plywood enclosure, 700 W Class-D bi-amplification and Yamaha’s precision DSP in a compact powered loudspeaker engineered for clear, controlled sound. Its rotatable 90° × 60° horn and comprehensive mounting options make it especially effective for fixed installations, fills, speech reinforcement and space-conscious portable systems.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003ch2\u003ePurpose-Built for Flexible Sound Reinforcement\u003c\/h2\u003e\n  \u003cdiv class=\"grid\"\u003e\n    \u003cdiv class=\"card\"\u003e\n\u003ch3\u003e700 W Bi-Amplified Power\u003c\/h3\u003e\n\u003cp\u003eA dedicated Class-D amplifier delivers 500 W to the low-frequency section and 200 W to the high-frequency driver for efficient, articulate output up to 128 dB SPL.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"card\"\u003e\n\u003ch3\u003ePremium Plywood Enclosure\u003c\/h3\u003e\n\u003cp\u003eThe rigid plywood cabinet suppresses unwanted resonance, while its durable polyurea coating helps withstand the demands of transport and professional installation.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"card\"\u003e\n\u003ch3\u003eRotatable 90° × 60° Horn\u003c\/h3\u003e\n\u003cp\u003eRotate the high-frequency horn to maintain the intended dispersion pattern whether the cabinet is installed vertically or horizontally.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"card\"\u003e\n\u003ch3\u003eFIR-X Tuning\u003c\/h3\u003e\n\u003cp\u003eYamaha’s linear-phase FIR processing and corrective equalisation optimise the crossover region for smooth response and consistent clarity.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"card\"\u003e\n\u003ch3\u003eApplication-Focused DSP\u003c\/h3\u003e\n\u003cp\u003eD-CONTOUR modes adapt the response for FOH\/Main or monitor duties, while switchable 100 Hz and 120 Hz high-pass filters simplify subwoofer integration.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"card\"\u003e\n\u003ch3\u003ePractical Integrated Mixer\u003c\/h3\u003e\n\u003cp\u003eTwo input channels accept microphones, line sources and stereo RCA equipment, with an XLR output selectable as a parallel through or mixed feed.\u003c\/p\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003ch2\u003eDesigned for Installation—and Ready to Travel\u003c\/h2\u003e\n  \u003cp\u003eCompact dimensions and a 15 kg cabinet make the DHR10 easy to position without compromising construction quality. A 35 mm pole socket supports conventional stand mounting, M10 rigging points accommodate approved eyebolts, and the optional Yamaha UB-DXRDHR10 U-bracket enables secure vertical or horizontal installation.\u003c\/p\u003e\n\n  \u003cdiv class=\"band\"\u003e\n    \u003ch3\u003eIdeal Applications\u003c\/h3\u003e\n    \u003cul\u003e\n      \u003cli\u003eFixed sound systems in cafés, houses of worship, studios, classrooms and multipurpose venues\u003c\/li\u003e\n      \u003cli\u003eCompact front-of-house systems for speech, acoustic music and presentations\u003c\/li\u003e\n      \u003cli\u003eDelay, side-fill and distributed loudspeaker positions\u003c\/li\u003e\n      \u003cli\u003ePortable PA systems where plywood construction and controlled coverage are priorities\u003c\/li\u003e\n    \u003c\/ul\u003e\n  \u003c\/div\u003e\n\n  \u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n  \u003cdetails\u003e\u003csummary\u003eCan the DHR10 be mounted horizontally?\u003c\/summary\u003e\u003cp\u003eYes. The cabinet supports vertical or horizontal installation, and the 90° × 60° high-frequency horn can be rotated so the coverage pattern remains correctly oriented.\u003c\/p\u003e\u003c\/details\u003e\n  \u003cdetails\u003e\u003csummary\u003eDoes it need an external amplifier?\u003c\/summary\u003e\u003cp\u003eNo. The DHR10 is a powered loudspeaker with an integrated 700 W dynamic Class-D bi-amplifier.\u003c\/p\u003e\u003c\/details\u003e\n  \u003cdetails\u003e\u003csummary\u003eCan I connect a microphone directly?\u003c\/summary\u003e\u003cp\u003eYes. Channel 1 accepts microphone or line-level signals through its XLR\/TRS combo input. For larger systems or multiple sources, an external mixer is recommended.\u003c\/p\u003e\u003c\/details\u003e\n  \u003cdetails\u003e\u003csummary\u003eCan it be used with a subwoofer?\u003c\/summary\u003e\u003cp\u003eYes. Its 100 Hz and 120 Hz high-pass filter options support straightforward integration with a powered subwoofer.\u003c\/p\u003e\u003c\/details\u003e\n  \u003cdetails\u003e\u003csummary\u003eIs the installation bracket included?\u003c\/summary\u003e\u003cp\u003eNo. The compatible Yamaha UB-DXRDHR10 U-bracket and approved M10 eyebolts are optional accessories sold separately.\u003c\/p\u003e\u003c\/details\u003e\n\n  \u003ch2\u003eWhy Buy from YMS?\u003c\/h2\u003e\n  \u003cp\u003eChoose YMS for genuine Yamaha products, knowledgeable pre-sales guidance and dependable after-sales support. Our team can help you assess coverage, mounting and system-matching requirements before purchase so the DHR10 is applied correctly in your venue or portable setup.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":48083952763045,"sku":"DHR10","price":45000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/DHR10-angle-left_tcm142-2294980.jpg?v=1787682387"},{"product_id":"yamaha-stagepas-600bt-pa-system","title":"Yamaha STAGEPAS 600BT 680 W Portable PA System","description":"\u003cstyle\u003e\n[data-yms-description-gutter=\"true\"]{box-sizing:border-box;width:100%;max-width:100%;padding:0 18px 0 20px;margin:0 auto;overflow:visible}\n[data-yms-description-gutter=\"true\"] *{box-sizing:border-box}\n[data-yms-description-gutter=\"true\"] h2{font-size:clamp(22px,3vw,28px)!important;font-weight:700!important;line-height:1.3!important;letter-spacing:-.01em!important}\n[data-yms-description-gutter=\"true\"] h3{font-size:clamp(17px,2vw,19px)!important;font-weight:700!important;line-height:1.4!important}\n[data-yms-description-gutter=\"true\"] p,[data-yms-description-gutter=\"true\"] li{overflow-wrap:anywhere;word-break:break-word}\n\u003c\/style\u003e\n\u003cdiv data-yms-description-gutter=\"true\"\u003e\n  \u003cdiv style=\"padding:20px 16px;border-left:4px solid #6b3fa0;background:#faf6ff;border-radius:10px;margin:0 0 26px;max-width:100%;\"\u003e\n    \u003ch2 style=\"margin:0 0 12px;\"\u003eMore Power. More Inputs. One Complete Portable PA.\u003c\/h2\u003e\n    \u003cp style=\"margin:0 0 12px;\"\u003eThe \u003cstrong\u003eYamaha STAGEPAS 600BT\u003c\/strong\u003e combines a detachable 10-channel powered mixer, two custom-designed 10-inch loudspeakers and Bluetooth audio in one high-output portable PA. With \u003cstrong\u003e680 watts of dynamic output\u003c\/strong\u003e, it provides the headroom and input capacity needed for bands, DJs, worship teams, corporate events, schools and medium-sized live applications.\u003c\/p\u003e\n    \u003cp style=\"margin:0;\"\u003eThe mixer stores securely inside either speaker for transport, allowing the complete system to travel as a compact package. SPX digital reverb, 1-Knob Master EQ, 3-band channel EQ, automatic feedback suppression and Yamaha’s intelligent DSP help deliver a clear, controlled mix without relying on a rack of external processing.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003ch2 style=\"padding-bottom:10px;border-bottom:2px solid #6b3fa0;margin:0 0 18px;\"\u003eKey Features\u003c\/h2\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Portable PA system\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e🧳\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eA high-output PA that packs into its own speakers\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eThe system includes two passive loudspeakers, a detachable powered mixer, two 6 m speaker cables and the required power cord. The mixer fits into the rear compartment of either speaker, making the complete 25.6 kg system easier to transport, assemble and store between events.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Power and speakers\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e🔊\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003e680 watts with 10-inch speakers for greater scale and headroom\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eThe Class-D amplifier supplies 340 W to each loudspeaker. Custom two-way bass-reflex cabinets pair a 10-inch low-frequency driver with a 1.4-inch voice-coil compression driver, producing a 55 Hz–20 kHz frequency range and up to 129 dB SPL per speaker.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Mixer\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e🎚️\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eFlexible 10-channel mixer for larger performance setups\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eFour mono mic\/line channels accommodate microphones and instruments, while channels 5\/6, 7\/8 and 9\/10 can operate as stereo pairs or independent mono inputs. Channel 4 includes a Hi-Z switch for connecting a passive guitar or bass directly, and +30 V phantom power is available on channels 1 and 2 for compatible condenser microphones.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Bluetooth\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e📱\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eBluetooth playback without an extra cable\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eStream backing tracks, interval music, presentation audio or event playlists from a compatible phone or tablet. Bluetooth 4.1 with A2DP provides a specified range of approximately 10 metres under suitable operating conditions.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Sound processing\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e✨\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eDetailed control with SPX effects and 3-band channel EQ\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eFour high-resolution SPX reverb programs add controlled ambience to vocals and acoustic instruments. Each channel provides 3-band EQ for more precise tonal shaping, while the 1-Knob Master EQ quickly adapts the complete system for speech, music or stronger low-frequency impact. The onboard feedback suppressor reduces problem frequencies at the press of a button.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 30px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"System expansion\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e🔌\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eReady to expand for monitoring or additional low end\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eDedicated Monitor outputs can feed powered stage monitors or another sound system. Connecting a powered subwoofer to the mono Subwoofer output automatically applies a high-pass filter to the STAGEPAS speakers. StageLok pole sockets support standard 34.8–35.2 mm speaker poles, and an optional Yamaha FC5 can provide hands-free reverb switching.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003ch2 style=\"padding-bottom:10px;border-bottom:2px solid #6b3fa0;margin:0 0 4px;\"\u003eFAQ\u003c\/h2\u003e\n\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e Who is the STAGEPAS 600BT best suited to?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eIt is designed for bands, DJs, worship teams, schools, corporate presenters and event users who need more output, larger speakers and additional mixer channels while retaining the convenience of a portable all-in-one PA.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e What is included with the system?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eYamaha specifies two speakers, the detachable powered mixer, a mixer cover panel, a 2 m power cord, two 6 m speaker cables, non-skid pads, ferrite cores and cable ties. Speaker stands and optional accessories are sold separately.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e Can I connect a guitar directly?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eYes. Channel 4 has a Hi-Z switch for direct connection of a passive guitar or bass. Other instruments, microphones and line-level sources can be connected through the remaining mixer inputs as appropriate.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e Can it power condenser microphones?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eThe mixer provides +30 V phantom power on channels 1 and 2 for compatible condenser microphones. Check the microphone’s power requirements before connection.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e Can I add stage monitors or a subwoofer?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eYes. Stereo Monitor outputs support external powered monitors or an additional PA feed, and the mono Subwoofer output can connect a powered subwoofer. The system automatically engages a high-pass filter when the subwoofer output is used.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0 26px;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e How does it differ from the STAGEPAS 400BT?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eThe 600BT increases output to 680 W, uses two 10-inch speakers, provides a 10-channel mixer and adds 3-band channel EQ. The 400BT is smaller and lighter, with 400 W output, 8-inch speakers and an 8-channel mixer.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:18px 16px;background:#f8f8f8;border-radius:12px;\"\u003e\n    \u003ch2 style=\"margin:0 0 14px;\"\u003eWhy Buy from YMS?\u003c\/h2\u003e\n    \u003cul style=\"list-style:none;padding:0;margin:0;\"\u003e\n      \u003cli style=\"margin:0 0 11px;\"\u003e✓ \u003cstrong\u003eAuthorised Yamaha Premium Retailer:\u003c\/strong\u003e Buy a genuine India-market Yamaha product with official manufacturer warranty support.\u003c\/li\u003e\n      \u003cli style=\"margin:0 0 11px;\"\u003e✓ \u003cstrong\u003ePractical PA guidance:\u003c\/strong\u003e Our team can help plan microphone, instrument, monitor, subwoofer and speaker-stand requirements for your setup.\u003c\/li\u003e\n      \u003cli style=\"margin:0 0 11px;\"\u003e✓ \u003cstrong\u003eComplete-system support:\u003c\/strong\u003e Ask us about suitable cables, microphones, stands, footswitches, powered monitors and subwoofers.\u003c\/li\u003e\n      \u003cli style=\"margin:0 0 11px;\"\u003e✓ \u003cstrong\u003ePan-India delivery:\u003c\/strong\u003e Order from anywhere in India, subject to serviceability for your location.\u003c\/li\u003e\n      \u003cli style=\"margin:0;\"\u003e✓ \u003cstrong\u003ePhysical-store support:\u003c\/strong\u003e YMS teams in Bengaluru and Mangaluru are available for product enquiries and after-sales guidance.\u003c\/li\u003e\n    \u003c\/ul\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":48084007223461,"sku":"STAGEPAS 600BT \/\/IN","price":92700.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/600bt.png?v=1788100681"},{"product_id":"yamaha-stagepas-1kmkii-powered-subwoofer-with-a-line-array-speaker","title":"Yamaha STAGEPAS 1K MKII Portable PA System","description":"\u003cstyle\u003e\n[data-yms-description-gutter=\"true\"]{box-sizing:border-box;width:100%;max-width:100%;padding:0 18px 0 20px;margin:0 auto;overflow:visible}\n[data-yms-description-gutter=\"true\"] *{box-sizing:border-box}\n[data-yms-description-gutter=\"true\"] h2{font-size:clamp(22px,3vw,28px)!important;font-weight:700!important;line-height:1.3!important;letter-spacing:-.01em!important}\n[data-yms-description-gutter=\"true\"] h3{font-size:clamp(17px,2vw,19px)!important;font-weight:700!important;line-height:1.4!important}\n[data-yms-description-gutter=\"true\"] p,[data-yms-description-gutter=\"true\"] li{overflow-wrap:anywhere;word-break:break-word}\n\u003c\/style\u003e\n\u003cdiv data-yms-description-gutter=\"true\"\u003e\n  \u003cdiv style=\"padding:20px 16px;border-left:4px solid #6b3fa0;background:#faf6ff;border-radius:10px;margin:0 0 26px;max-width:100%;\"\u003e\n    \u003ch2 style=\"margin:0 0 12px;\"\u003eWide, Powerful Sound. One Elegant Portable System.\u003c\/h2\u003e\n    \u003cp style=\"margin:0 0 12px;\"\u003eThe \u003cstrong\u003eYamaha STAGEPAS 1K mkII\u003c\/strong\u003e combines a 12-inch powered subwoofer, ten-driver J-curve line array and 5-channel digital mixer in a slim, self-contained portable PA. Its \u003cstrong\u003e1,100 W Class-D amplifier\u003c\/strong\u003e produces up to 125 dB SPL, while 170° horizontal coverage distributes clear sound across a wide audience area.\u003c\/p\u003e\n    \u003cp style=\"margin:0;\"\u003eDesigned for performers, DJs, houses of worship, corporate events and mobile productions, the modular system assembles without separate speaker cables or stands. Bluetooth 5.0, SPX digital reverb, 1-Knob EQ, MODE multiband compression, Priority Ducker and STAGEPAS Controller app support provide practical control without complicating setup.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003ch2 style=\"padding-bottom:10px;border-bottom:2px solid #6b3fa0;margin:0 0 18px;\"\u003eKey Features\u003c\/h2\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Line array system\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e🔊\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eTen-driver J-curve array with exceptionally wide coverage\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eTen 1.5-inch high-frequency drivers form a slim J-curve line array above the powered subwoofer. Its 170° horizontal and 30° vertical coverage helps maintain clear, consistent sound from the front of the audience to the rear while reducing the need to aim multiple conventional speaker cabinets.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Amplifier and subwoofer\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e⚡\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003e1,100 W output with a full-size 12-inch subwoofer\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eThe high-efficiency Class-D amplifier drives the ten-speaker array and 12-inch bass-reflex subwoofer with a specified frequency range of 37 Hz–20 kHz. A maximum output level of 125 dB SPL gives the system the scale and low-frequency authority required for live music, playback and event sound.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Digital mixer\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e🎚️\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eIntegrated 5-channel digital mixer for complete performances\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eThree mono mic\/line inputs handle microphones and instruments, while the stereo input can also operate as two mono line inputs. Channels 2 and 3 include Hi-Z switching for passive guitars or basses, and Link input expands the system for larger or stereo configurations.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Sound processing\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e✨\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eProfessional processing with controls designed for speed\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eFour SPX digital reverb programs add ambience to vocals and instruments. 1-Knob EQ simplifies channel tone shaping, the MODE control applies multiband compression optimised for Speech, Music or Club use, and Priority Ducker automatically lowers the stereo source when a microphone signal needs to be heard clearly.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 14px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Wireless control\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e📱\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eBluetooth audio and detailed app-based control\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eBluetooth 5.0 supports wireless playback using SBC or AAC audio. The STAGEPAS Controller app for compatible iOS and Android devices provides remote mixer access, including more detailed 4-band parametric EQ control, making it possible to adjust the system while listening from the audience area.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:14px;margin:0 0 30px;border:1px solid #e5e7eb;border-radius:12px;background:#fafafa;\"\u003e\n    \u003cdiv role=\"img\" aria-label=\"Portable assembly\" style=\"display:inline-flex;width:40px;height:40px;align-items:center;justify-content:center;margin:0 0 10px;background:#fff;border:1px solid #d9c7eb;border-radius:50%;font-size:21px;\"\u003e🧳\u003c\/div\u003e\n    \u003ch3 style=\"margin:0 0 7px;\"\u003eFast modular assembly with a dedicated cover included\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eThe line-array module and two spacers slot directly into the powered subwoofer, eliminating separate speaker cables and stands. The full system weighs 23 kg and includes a fitted cover. Yamaha’s optional DL-SP1K dolly can be added for easier movement between vehicles, venues and storage.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003ch2 style=\"padding-bottom:10px;border-bottom:2px solid #6b3fa0;margin:0 0 4px;\"\u003eFAQ\u003c\/h2\u003e\n\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e Who is the STAGEPAS 1K mkII best suited to?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eIt is a strong choice for solo performers, acoustic groups, DJs, worship teams, corporate events, schools and mobile production users who need wide coverage, powerful low-frequency output and an integrated mixer in a visually discreet system.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e Does it require a separate speaker stand or cable?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eNo. The line-array speaker and spacer modules connect directly to the powered subwoofer. The column structure establishes the operating height without a separate speaker pole or external speaker cable.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e Can I connect a guitar directly?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eYes. Channels 2 and 3 provide Hi-Z switching for direct connection of passive guitars or basses. Microphones and line-level equipment can be connected through the appropriate mixer inputs.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e What can the STAGEPAS Controller app adjust?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eThe app provides remote control of the digital mixer from a compatible iOS or Android device and offers access to deeper functions such as 4-band parametric EQ. It is useful for making adjustments while listening from different positions in the venue.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0;border-bottom:1px solid #e5e7eb;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e Can two systems be connected together?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eYes. Link input and output allow another STAGEPAS 1K mkII or compatible system to be connected for wider coverage or a larger setup. A separate Monitor output is also provided.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv style=\"padding:16px 0 26px;\"\u003e\n    \u003ch3 style=\"margin:0 0 6px;\"\u003e\n\u003cspan style=\"color:#6b3fa0;\"\u003eQ.\u003c\/span\u003e What is included in the box?\u003c\/h3\u003e\n    \u003cp style=\"margin:0;\"\u003eYamaha specifies the powered subwoofer, ten-driver line-array module, two spacer modules, power cord and dedicated system cover. The DL-SP1K transport dolly and FC5 reverb footswitch are optional accessories.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv style=\"padding:18px 16px;background:#f8f8f8;border-radius:12px;\"\u003e\n    \u003ch2 style=\"margin:0 0 14px;\"\u003eWhy Buy from YMS?\u003c\/h2\u003e\n    \u003cul style=\"list-style:none;padding:0;margin:0;\"\u003e\n      \u003cli style=\"margin:0 0 11px;\"\u003e✓ \u003cstrong\u003eAuthorised Yamaha Premium Retailer:\u003c\/strong\u003e Buy a genuine India-market Yamaha product with official manufacturer warranty support.\u003c\/li\u003e\n      \u003cli style=\"margin:0 0 11px;\"\u003e✓ \u003cstrong\u003ePractical PA guidance:\u003c\/strong\u003e Our team can help plan microphones, mixer inputs, linked systems, monitors and suitable transport accessories.\u003c\/li\u003e\n      \u003cli style=\"margin:0 0 11px;\"\u003e✓ \u003cstrong\u003eComplete-system support:\u003c\/strong\u003e Ask us about appropriate microphones, cables, footswitches, covers, dollies and additional PA equipment.\u003c\/li\u003e\n      \u003cli style=\"margin:0 0 11px;\"\u003e✓ \u003cstrong\u003ePan-India delivery:\u003c\/strong\u003e Order from anywhere in India, subject to serviceability for your location.\u003c\/li\u003e\n      \u003cli style=\"margin:0;\"\u003e✓ \u003cstrong\u003ePhysical-store support:\u003c\/strong\u003e YMS teams in Bengaluru and Mangaluru are available for product enquiries and after-sales guidance.\u003c\/li\u003e\n    \u003c\/ul\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":48084007420069,"sku":"STAGEPAS 1K MKII \/\/IN","price":99525.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/STAGEPAS-1K-mkII-angle-left_tcm142-1732230.jpg?v=1787687246"},{"product_id":"yamaha-mg10x-mixing-console","title":"Yamaha MG10X 10-Channel Analog Mixing Console with SPX Effects","description":"\u003cstyle\u003e\n[data-yms-mg]{box-sizing:border-box;width:100%;max-width:100%;padding:0 18px 0 20px;margin:0 auto;color:#1f2937;line-height:1.6}\n[data-yms-mg] *{box-sizing:border-box}\n[data-yms-mg] h2{font-size:clamp(20px,2.6vw,25px)!important;font-weight:700!important;margin:28px 0 12px!important;color:#111827!important}\n[data-yms-mg] p{margin:0 0 12px}\n[data-yms-mg] .i{padding:18px 16px;border-left:4px solid #6b3fa0;background:#faf6ff;border-radius:10px;margin:8px 0 6px}\n[data-yms-mg] .i h2{margin:0 0 10px!important}\n[data-yms-mg] .g{display:grid;grid-template-columns:repeat(auto-fit,minmax(150px,1fr));gap:10px;margin:6px 0 4px}\n[data-yms-mg] .t{border:1px solid #e5e7eb;border-radius:10px;background:#fafafa;padding:12px 14px}\n[data-yms-mg] .t span{display:block;font-size:12px;letter-spacing:.06em;text-transform:uppercase;color:#6b7280;margin:0 0 3px}\n[data-yms-mg] .t strong{font-size:16px;color:#111827}\n[data-yms-mg] ul.b{list-style:none;padding:0;margin:0}\n[data-yms-mg] ul.b li{padding:0 0 0 22px;position:relative;margin:0 0 10px}\n[data-yms-mg] ul.b li:before{content:\"\\25AA\";position:absolute;left:4px;color:#6b3fa0}\n[data-yms-mg] .d{padding:20px 18px;background:#2a1b3d;color:#e7dff2;border-radius:12px;margin:18px 0}\n[data-yms-mg] .d h2{color:#fff!important;margin:0 0 10px!important}\n[data-yms-mg] .d ul.b li:before{color:#b794d4}\n[data-yms-mg] .s{width:100%;overflow-x:auto;-webkit-overflow-scrolling:touch}\n[data-yms-mg] table{border-collapse:collapse;width:100%;min-width:760px;font-size:14px}\n[data-yms-mg] th,[data-yms-mg] td{border:1px solid #e5e7eb;padding:8px 10px;text-align:left;white-space:nowrap}\n[data-yms-mg] th{background:#f3f0fa;font-weight:700}\n[data-yms-mg] tr.me td{background:#faf6ff;font-weight:700}\n[data-yms-mg] .q{margin:0 0 4px;font-weight:700}\n[data-yms-mg] .fq{padding:14px 0;border-bottom:1px solid #e5e7eb}\n[data-yms-mg] .w{padding:16px;background:#f8f8f8;border-radius:12px;margin:22px 0 8px}\n\u003c\/style\u003e\n\u003cdiv data-yms-mg=\"true\"\u003e\n\n\u003cdiv class=\"i\"\u003e\n\u003ch2\u003eThe Small Live Desk Most Bands Actually Need\u003c\/h2\u003e\n\u003cp\u003eThe MG10X is the MG10 with Yamaha's full SPX effects engine added — 24 programmes of reverb, delay and modulation, with a parameter control and a foot-switch jack for muting the return between songs. Four D-PRE mic channels, three stereo line channels, one-knob compressor, three-band EQ, one AUX send and a monitor output.\u003c\/p\u003e\n\u003cp\u003eFor a four-piece band, a church, a school hall or a rehearsal room, this is usually the right size and the right feature set. It is the cheapest MG that gives you both a proper foldback send and usable onboard reverb.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eAt a Glance\u003c\/h2\u003e\n\u003cdiv class=\"g\"\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eChannels\u003c\/span\u003e\u003cstrong\u003e10 total\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eMono mic\/line\u003c\/span\u003e\u003cstrong\u003e4 × D-PRE\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eStereo line\u003c\/span\u003e\u003cstrong\u003e3\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eEffects\u003c\/span\u003e\u003cstrong\u003eSPX, 24 programmes\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eUSB audio\u003c\/span\u003e\u003cstrong\u003eNone\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eWeight\u003c\/span\u003e\u003cstrong\u003e2.1 kg\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eWhat You Get\u003c\/h2\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eSPX effects, 24 programmes\u003c\/strong\u003e, with a single parameter knob for adjusting reverb time or delay, and an \u003cstrong\u003eFC5 foot-switch jack\u003c\/strong\u003e to kill the effect return hands-free.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFour D-PRE mic preamps\u003c\/strong\u003e on balanced combo jacks, +48V phantom power, 26 dB pad.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOne-knob compressor\u003c\/strong\u003e — threshold, ratio and make-up gain on a single control, so a vocal sits still without outboard gear.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThree-band EQ\u003c\/strong\u003e (100 Hz \/ 2.5 kHz \/ 10 kHz, ±15 dB) and an 80 Hz high-pass filter on every mono channel.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOne AUX send and a monitor output\u003c\/strong\u003e for an independent stage or in-ear mix.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.1 kg metal chassis\u003c\/strong\u003e, 244 × 71 × 294 mm, external PA-10 adapter supplied.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"d\"\u003e\n\u003ch2\u003eReading the MG Model Names\u003c\/h2\u003e\n\u003cp\u003eYamaha's MG names are a code, and once you know it the whole range makes sense at a glance:\u003c\/p\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003e\n\u003cstrong style=\"color:#fff\"\u003eThe number\u003c\/strong\u003e is the channel count — 06, 10, 12, 16, 20.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"color:#fff\"\u003eX\u003c\/strong\u003e adds the SPX digital effects processor (reverbs, delays, chorus).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"color:#fff\"\u003eU\u003c\/strong\u003e adds a USB audio interface for recording straight to a computer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"color:#fff\"\u003eF\u003c\/strong\u003e means channel faders instead of rotary knobs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"color:#fff\"\u003eK\u003c\/strong\u003e means the reverse — knobs instead of faders, for a shallower, lighter console.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:0\"\u003eSo the \u003cstrong style=\"color:#fff\"\u003eMG10X\u003c\/strong\u003e is ten channels with effects and no USB. If you want to record the mix into a laptop without buying an interface, the MG10XU is the same desk with USB added.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eThe Full MG Range at YMS\u003c\/h2\u003e\n\u003cp\u003eEvery analog MG console we stock, smallest to largest. \"4 + 2\" means four mono mic\/line channels plus two that switch between mono mic and stereo line.\u003c\/p\u003e\n\u003cdiv class=\"s\"\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003cth\u003eCh\u003c\/th\u003e\n\u003cth\u003eMono mic\/line\u003c\/th\u003e\n\u003cth\u003eStereo line\u003c\/th\u003e\n\u003cth\u003eEffects\u003c\/th\u003e\n\u003cth\u003eUSB\u003c\/th\u003e\n\u003cth\u003eAUX\u003c\/th\u003e\n\u003cth\u003eGroups\u003c\/th\u003e\n\u003cth\u003eLevels\u003c\/th\u003e\n\u003cth\u003ePower\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG06\u003c\/td\u003e\n\u003ctd\u003e6\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eKnobs\u003c\/td\u003e\n\u003ctd\u003eAdapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG06X\u003c\/td\u003e\n\u003ctd\u003e6\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eSPX ×6\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eKnobs\u003c\/td\u003e\n\u003ctd\u003eAdapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG10\u003c\/td\u003e\n\u003ctd\u003e10\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eKnobs\u003c\/td\u003e\n\u003ctd\u003eAdapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"me\"\u003e\n\u003ctd\u003eMG10X\u003c\/td\u003e\n\u003ctd\u003e10\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eKnobs\u003c\/td\u003e\n\u003ctd\u003eAdapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG10XU\u003c\/td\u003e\n\u003ctd\u003e10\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eKnobs\u003c\/td\u003e\n\u003ctd\u003eAdapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG10XUF\u003c\/td\u003e\n\u003ctd\u003e10\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eAdapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG12\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003ctd\u003e4 + 2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eBuilt-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG12X\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003ctd\u003e4 + 2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eBuilt-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG12XU\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003ctd\u003e4 + 2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eBuilt-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG12XUK\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003ctd\u003e6\u003c\/td\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003e1 (FX)\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eKnobs\u003c\/td\u003e\n\u003ctd\u003eAdapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG16\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003ctd\u003e8 + 2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eBuilt-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG16X\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003ctd\u003e8 + 2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eBuilt-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG16XU\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003ctd\u003e8 + 2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eBuilt-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG20XU\u003c\/td\u003e\n\u003ctd\u003e20\u003c\/td\u003e\n\u003ctd\u003e12 + 4\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eBuilt-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e What is the difference between this and the MG10XU?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eOnly the USB audio interface. Same preamps, same effects, same EQ, same compressor, same chassis. If you will never plug the desk into a computer, the MG10X saves you money for nothing lost.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Can I change the reverb with my foot?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eYou can mute and unmute the effect return with an optional Yamaha FC5 foot switch — useful for killing reverb on spoken announcements between songs. Selecting a different programme is done at the desk.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e How many microphones can I plug in?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eFour. The three stereo channels are line-level only. For six mic inputs step to the MG12 family; for ten, the MG16 family.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Faders or knobs?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eKnobs. The MG10XUF is the fader version of this console, and also adds USB. Knobs survive transport better; faders are quicker to ride during a show.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"w\"\u003e\n\u003ch2 style=\"margin:0 0 12px!important\"\u003eWhy Buy from YMS?\u003c\/h2\u003e\n\u003cp style=\"margin:0 0 8px\"\u003eYMS For Music is an authorised \u003cstrong\u003eYamaha Premium Retailer\u003c\/strong\u003e. Every MG console is genuine Yamaha stock with full manufacturer warranty, sold and supported by people who use these desks on real jobs.\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eHonest advice on which model you actually need, demo units in Bengaluru and Mangaluru, and secure delivery across India. Not sure whether you need effects or USB? Ask us before you spend.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":48084015087781,"sku":"MG10 X CV","price":16875.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/MG10X-angle-with-icon_tcm142-1720374.jpg?v=1787573097"},{"product_id":"yamaha-mg12xu-mixing-console","title":"Yamaha MG12XU 12-Channel Analog Mixing Console with Effects \u0026 USB","description":"\u003cstyle\u003e\n[data-yms-mg]{box-sizing:border-box;width:100%;max-width:100%;padding:0 18px 0 20px;margin:0 auto;color:#1f2937;line-height:1.6}\n[data-yms-mg] *{box-sizing:border-box}\n[data-yms-mg] h2{font-size:clamp(20px,2.6vw,25px)!important;font-weight:700!important;margin:28px 0 12px!important;color:#111827!important}\n[data-yms-mg] p{margin:0 0 12px}\n[data-yms-mg] .i{padding:18px 16px;border-left:4px solid #6b3fa0;background:#faf6ff;border-radius:10px;margin:8px 0 6px}\n[data-yms-mg] .i h2{margin:0 0 10px!important}\n[data-yms-mg] .g{display:grid;grid-template-columns:repeat(auto-fit,minmax(150px,1fr));gap:10px;margin:6px 0 4px}\n[data-yms-mg] .t{border:1px solid #e5e7eb;border-radius:10px;background:#fafafa;padding:12px 14px}\n[data-yms-mg] .t span{display:block;font-size:12px;letter-spacing:.06em;text-transform:uppercase;color:#6b7280;margin:0 0 3px}\n[data-yms-mg] .t strong{font-size:16px;color:#111827}\n[data-yms-mg] ul.b{list-style:none;padding:0;margin:0}\n[data-yms-mg] ul.b li{padding:0 0 0 22px;position:relative;margin:0 0 10px}\n[data-yms-mg] ul.b li:before{content:\"\\25AA\";position:absolute;left:4px;color:#6b3fa0}\n[data-yms-mg] .d{padding:20px 18px;background:#2a1b3d;color:#e7dff2;border-radius:12px;margin:18px 0}\n[data-yms-mg] .d h2{color:#fff!important;margin:0 0 10px!important}\n[data-yms-mg] .d ul.b li:before{color:#b794d4}\n[data-yms-mg] .s{width:100%;overflow-x:auto;-webkit-overflow-scrolling:touch}\n[data-yms-mg] table{border-collapse:collapse;width:100%;min-width:760px;font-size:14px}\n[data-yms-mg] th,[data-yms-mg] td{border:1px solid #e5e7eb;padding:8px 10px;text-align:left;white-space:nowrap}\n[data-yms-mg] th{background:#f3f0fa;font-weight:700}\n[data-yms-mg] tr.me td{background:#faf6ff;font-weight:700}\n[data-yms-mg] .q{margin:0 0 4px;font-weight:700}\n[data-yms-mg] .fq{padding:14px 0;border-bottom:1px solid #e5e7eb}\n[data-yms-mg] .w{padding:16px;background:#f8f8f8;border-radius:12px;margin:22px 0 8px}\n\u003c\/style\u003e\n\u003cdiv data-yms-mg=\"true\"\u003e\n\n\u003cdiv class=\"i\"\u003e\n\u003ch2\u003eThe Most Complete Small MG\u003c\/h2\u003e\n\u003cp\u003eThe MG12XU is the MG12X with a 24-bit\/192 kHz USB audio interface added — and that combination makes it the most complete console in the compact half of the range. Six mic inputs on D-PRE preamps, two subgroups, two AUX sends, one-knob compressors, three-band EQ, 24 SPX effects programmes, faders, internal universal power supply, and a single USB cable to a laptop.\u003c\/p\u003e\n\u003cp\u003eBand, church, school hall, small venue, rehearsal room that also records — this is the model most people end up buying, because it stops you needing a second box for either effects or recording.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eAt a Glance\u003c\/h2\u003e\n\u003cdiv class=\"g\"\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eChannels\u003c\/span\u003e\u003cstrong\u003e12 total\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eMic inputs\u003c\/span\u003e\u003cstrong\u003e6 × D-PRE\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eEffects\u003c\/span\u003e\u003cstrong\u003eSPX, 24 programmes\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eUSB audio\u003c\/span\u003e\u003cstrong\u003e24-bit \/ 192 kHz\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eAUX \/ Groups\u003c\/span\u003e\u003cstrong\u003e2 \/ 2\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003ePower\u003c\/span\u003e\u003cstrong\u003eInternal, 100-240V\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eWhat You Get\u003c\/h2\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eUSB Audio Class 2.0 interface\u003c\/strong\u003e, up to 192 kHz at 24-bit, for recording the mix and playing back into the desk. \u003cstrong\u003eCubase AI\u003c\/strong\u003e download included.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSPX effects, 24 programmes\u003c\/strong\u003e, with parameter control and an FC5 foot-switch jack.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSix mic inputs on D-PRE preamps\u003c\/strong\u003e — four combo mic\/line channels plus two that take an XLR mic or a stereo line pair.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTwo subgroups and two AUX sends\u003c\/strong\u003e (one feeding the effects), so the drums can sit under one fader while a wedge gets its own mix.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOne-knob compressors\u003c\/strong\u003e and three-band EQ — 100 Hz shelving, 2.5 kHz peaking mid, 10 kHz shelving, all ±15 dB — plus 80 Hz high-pass filters on the mono channels.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal universal power supply\u003c\/strong\u003e (100–240V, IEC lead), 2 × 12-segment metering, channel faders, 308 × 118 × 422 mm, 4.2 kg. Optional RK-MG12 rack kit.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"d\"\u003e\n\u003ch2\u003eReading the MG Model Names\u003c\/h2\u003e\n\u003cp\u003eYamaha's MG names are a code, and once you know it the whole range makes sense at a glance:\u003c\/p\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003e\n\u003cstrong style=\"color:#fff\"\u003eThe number\u003c\/strong\u003e is the channel count — 06, 10, 12, 16, 20.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"color:#fff\"\u003eX\u003c\/strong\u003e adds the SPX digital effects processor (reverbs, delays, chorus).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"color:#fff\"\u003eU\u003c\/strong\u003e adds a USB audio interface for recording straight to a computer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"color:#fff\"\u003eF\u003c\/strong\u003e means channel faders instead of rotary knobs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"color:#fff\"\u003eK\u003c\/strong\u003e means the reverse — knobs instead of faders, for a shallower, lighter console.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:0\"\u003eSo the \u003cstrong style=\"color:#fff\"\u003eMG12XU\u003c\/strong\u003e is twelve channels with effects, USB and faders. Do not confuse it with the MG12XUK, which is also twelve channels with effects and USB but drops the subgroups and the second send in exchange for a smaller, lighter body.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eThe Full MG Range at YMS\u003c\/h2\u003e\n\u003cp\u003eEvery analog MG console we stock, smallest to largest. \"4 + 2\" means four mono mic\/line channels plus two that switch between mono mic and stereo line.\u003c\/p\u003e\n\u003cdiv class=\"s\"\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003cth\u003eCh\u003c\/th\u003e\n\u003cth\u003eMono mic\/line\u003c\/th\u003e\n\u003cth\u003eStereo line\u003c\/th\u003e\n\u003cth\u003eEffects\u003c\/th\u003e\n\u003cth\u003eUSB\u003c\/th\u003e\n\u003cth\u003eAUX\u003c\/th\u003e\n\u003cth\u003eGroups\u003c\/th\u003e\n\u003cth\u003eLevels\u003c\/th\u003e\n\u003cth\u003ePower\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG06\u003c\/td\u003e\n\u003ctd\u003e6\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eKnobs\u003c\/td\u003e\n\u003ctd\u003eAdapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG06X\u003c\/td\u003e\n\u003ctd\u003e6\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eSPX ×6\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eKnobs\u003c\/td\u003e\n\u003ctd\u003eAdapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG10\u003c\/td\u003e\n\u003ctd\u003e10\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eKnobs\u003c\/td\u003e\n\u003ctd\u003eAdapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG10X\u003c\/td\u003e\n\u003ctd\u003e10\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eKnobs\u003c\/td\u003e\n\u003ctd\u003eAdapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG10XU\u003c\/td\u003e\n\u003ctd\u003e10\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eKnobs\u003c\/td\u003e\n\u003ctd\u003eAdapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG10XUF\u003c\/td\u003e\n\u003ctd\u003e10\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eAdapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG12\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003ctd\u003e4 + 2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eBuilt-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG12X\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003ctd\u003e4 + 2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eBuilt-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"me\"\u003e\n\u003ctd\u003eMG12XU\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003ctd\u003e4 + 2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eBuilt-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG12XUK\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003ctd\u003e6\u003c\/td\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003e1 (FX)\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eKnobs\u003c\/td\u003e\n\u003ctd\u003eAdapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG16\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003ctd\u003e8 + 2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eBuilt-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG16X\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003ctd\u003e8 + 2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eBuilt-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG16XU\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003ctd\u003e8 + 2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eBuilt-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG20XU\u003c\/td\u003e\n\u003ctd\u003e20\u003c\/td\u003e\n\u003ctd\u003e12 + 4\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eBuilt-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Can I record each channel separately into my DAW?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eNo. The USB interface carries a stereo mix, not individual channels. For multitrack recording from a mixer, look at the MGX12 or MGX16 digital consoles, which record 18 and 22 tracks.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e MG12XU or MG12XUK?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eThe MG12XU has faders, two subgroups, two AUX sends, 12-segment meters and an internal power supply. The MG12XUK is smaller, lighter, usually cheaper, and gives up all of those for one FX send and rotary knobs. Choose the XU for live band work; the XUK for install, AV and portable use.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Does the effects processor use up an AUX send?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eYes — one of the two sends feeds the internal SPX unit, leaving one for a monitor wedge. If you need two independent monitor mixes plus effects, step up to the MG16XU with its four sends.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Is the mid EQ sweepable?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eNo — the MG12 family has a fixed 2.5 kHz mid. A sweepable 250 Hz–5 kHz mid appears only on the MG16 and MG20 consoles, and it is the main sound-shaping reason to step up.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e How many microphones fit?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eSix. Channels 1–4 are combo mic\/line; 5\/6 and 7\/8 take an XLR mic \u003cem\u003eor\u003c\/em\u003e a stereo line pair; 9\/10 are line only.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"w\"\u003e\n\u003ch2 style=\"margin:0 0 12px!important\"\u003eWhy Buy from YMS?\u003c\/h2\u003e\n\u003cp style=\"margin:0 0 8px\"\u003eYMS For Music is an authorised \u003cstrong\u003eYamaha Premium Retailer\u003c\/strong\u003e. Every MG console is genuine Yamaha stock with full manufacturer warranty, sold and supported by people who use these desks on real jobs.\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eHonest advice on which model you actually need, demo units in Bengaluru and Mangaluru, and secure delivery across India. Not sure whether you need effects or USB? Ask us before you spend.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":48084015218853,"sku":"MG12XU \/\/E YEM","price":31425.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/MG12XU_angle_with_icon_tcm142-1692058.jpg?v=1787572725"},{"product_id":"yamaha-mg16xu-mixing-console","title":"Yamaha MG16XU 16-Channel Analog Mixing Console with Effects \u0026 USB","description":"\u003cstyle\u003e\n[data-yms-mg]{box-sizing:border-box;width:100%;max-width:100%;padding:0 18px 0 20px;margin:0 auto;color:#1f2937;line-height:1.6}\n[data-yms-mg] *{box-sizing:border-box}\n[data-yms-mg] h2{font-size:clamp(20px,2.6vw,25px)!important;font-weight:700!important;margin:28px 0 12px!important;color:#111827!important}\n[data-yms-mg] p{margin:0 0 12px}\n[data-yms-mg] .i{padding:18px 16px;border-left:4px solid #6b3fa0;background:#faf6ff;border-radius:10px;margin:8px 0 6px}\n[data-yms-mg] .i h2{margin:0 0 10px!important}\n[data-yms-mg] .g{display:grid;grid-template-columns:repeat(auto-fit,minmax(150px,1fr));gap:10px;margin:6px 0 4px}\n[data-yms-mg] .t{border:1px solid #e5e7eb;border-radius:10px;background:#fafafa;padding:12px 14px}\n[data-yms-mg] .t span{display:block;font-size:12px;letter-spacing:.06em;text-transform:uppercase;color:#6b7280;margin:0 0 3px}\n[data-yms-mg] .t strong{font-size:16px;color:#111827}\n[data-yms-mg] ul.b{list-style:none;padding:0;margin:0}\n[data-yms-mg] ul.b li{padding:0 0 0 22px;position:relative;margin:0 0 10px}\n[data-yms-mg] ul.b li:before{content:\"\\25AA\";position:absolute;left:4px;color:#6b3fa0}\n[data-yms-mg] .d{padding:20px 18px;background:#2a1b3d;color:#e7dff2;border-radius:12px;margin:18px 0}\n[data-yms-mg] .d h2{color:#fff!important;margin:0 0 10px!important}\n[data-yms-mg] .d ul.b li:before{color:#b794d4}\n[data-yms-mg] .s{width:100%;overflow-x:auto;-webkit-overflow-scrolling:touch}\n[data-yms-mg] table{border-collapse:collapse;width:100%;min-width:760px;font-size:14px}\n[data-yms-mg] th,[data-yms-mg] td{border:1px solid #e5e7eb;padding:8px 10px;text-align:left;white-space:nowrap}\n[data-yms-mg] th{background:#f3f0fa;font-weight:700}\n[data-yms-mg] tr.me td{background:#faf6ff;font-weight:700}\n[data-yms-mg] .q{margin:0 0 4px;font-weight:700}\n[data-yms-mg] .fq{padding:14px 0;border-bottom:1px solid #e5e7eb}\n[data-yms-mg] .w{padding:16px;background:#f8f8f8;border-radius:12px;margin:22px 0 8px}\n\u003c\/style\u003e\n\u003cdiv data-yms-mg=\"true\"\u003e\n\n\u003cdiv class=\"i\"\u003e\n\u003ch2\u003eThe Biggest Analog MG Most Venues Need\u003c\/h2\u003e\n\u003cp\u003eThe MG16XU brings together everything the analog MG range offers short of the 20-channel model: sixteen channels with ten mic inputs, four subgroups, four AUX sends, one-knob compressors, the \u003cstrong\u003esweepable 250 Hz to 5 kHz mid EQ\u003c\/strong\u003e, 24 SPX effects programmes and a 24-bit\/192 kHz USB audio interface — in a rack-mountable chassis with an internal universal power supply.\u003c\/p\u003e\n\u003cp\u003eIt is the desk for a venue, a mid-size church, a school auditorium or a busy rehearsal complex: enough inputs for a full band with a drum kit, three independent foldback mixes even with reverb running, and a single USB cable when the show needs recording.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eAt a Glance\u003c\/h2\u003e\n\u003cdiv class=\"g\"\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eChannels\u003c\/span\u003e\u003cstrong\u003e16 total\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eMic inputs\u003c\/span\u003e\u003cstrong\u003e10 × D-PRE\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eEffects\u003c\/span\u003e\u003cstrong\u003eSPX, 24 programmes\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eUSB audio\u003c\/span\u003e\u003cstrong\u003e24-bit \/ 192 kHz\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eAUX \/ Groups\u003c\/span\u003e\u003cstrong\u003e4 \/ 4\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eRack kit\u003c\/span\u003e\u003cstrong\u003eIncluded\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eWhat You Get\u003c\/h2\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eUSB Audio Class 2.0 interface\u003c\/strong\u003e, up to 192 kHz at 24-bit, for recording the mix and playing back into the desk. \u003cstrong\u003eCubase AI\u003c\/strong\u003e download included.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSPX effects, 24 programmes\u003c\/strong\u003e, with parameter control and an FC5 foot-switch jack.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTen mic inputs on D-PRE preamps\u003c\/strong\u003e — eight combo mic\/line channels plus two that take an XLR mic or a stereo line pair.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSweepable mid EQ, 250 Hz–5 kHz\u003c\/strong\u003e, ±15 dB, on the mono channels — shared only with the MG16, MG16X and MG20XU.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFour subgroups and four AUX sends\u003c\/strong\u003e, one-knob compressors, 80 Hz high-pass filters, 26 dB pad.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal universal power supply\u003c\/strong\u003e (100–240V), 2 × 12-segment metering, rack-mount kit included. 444 × 130 × 500 mm, 6.8 kg.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"d\"\u003e\n\u003ch2\u003eReading the MG Model Names\u003c\/h2\u003e\n\u003cp\u003eYamaha's MG names are a code, and once you know it the whole range makes sense at a glance:\u003c\/p\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003e\n\u003cstrong style=\"color:#fff\"\u003eThe number\u003c\/strong\u003e is the channel count — 06, 10, 12, 16, 20.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"color:#fff\"\u003eX\u003c\/strong\u003e adds the SPX digital effects processor (reverbs, delays, chorus).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"color:#fff\"\u003eU\u003c\/strong\u003e adds a USB audio interface for recording straight to a computer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"color:#fff\"\u003eF\u003c\/strong\u003e means channel faders instead of rotary knobs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"color:#fff\"\u003eK\u003c\/strong\u003e means the reverse — knobs instead of faders, for a shallower, lighter console.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:0\"\u003eSo the \u003cstrong style=\"color:#fff\"\u003eMG16XU\u003c\/strong\u003e is sixteen channels with both effects and USB — the fully-loaded 16-channel console. The only step up in the analog range is the MG20XU, which adds four more channels and six more mic inputs.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eThe Full MG Range at YMS\u003c\/h2\u003e\n\u003cp\u003eEvery analog MG console we stock, smallest to largest. \"8 + 2\" means eight mono mic\/line channels plus two that switch between mono mic and stereo line.\u003c\/p\u003e\n\u003cdiv class=\"s\"\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003cth\u003eCh\u003c\/th\u003e\n\u003cth\u003eMono mic\/line\u003c\/th\u003e\n\u003cth\u003eStereo line\u003c\/th\u003e\n\u003cth\u003eEffects\u003c\/th\u003e\n\u003cth\u003eUSB\u003c\/th\u003e\n\u003cth\u003eAUX\u003c\/th\u003e\n\u003cth\u003eGroups\u003c\/th\u003e\n\u003cth\u003eLevels\u003c\/th\u003e\n\u003cth\u003ePower\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG06\u003c\/td\u003e\n\u003ctd\u003e6\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eKnobs\u003c\/td\u003e\n\u003ctd\u003eAdapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG06X\u003c\/td\u003e\n\u003ctd\u003e6\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eSPX ×6\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eKnobs\u003c\/td\u003e\n\u003ctd\u003eAdapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG10\u003c\/td\u003e\n\u003ctd\u003e10\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eKnobs\u003c\/td\u003e\n\u003ctd\u003eAdapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG10X\u003c\/td\u003e\n\u003ctd\u003e10\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eKnobs\u003c\/td\u003e\n\u003ctd\u003eAdapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG10XU\u003c\/td\u003e\n\u003ctd\u003e10\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eKnobs\u003c\/td\u003e\n\u003ctd\u003eAdapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG10XUF\u003c\/td\u003e\n\u003ctd\u003e10\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eAdapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG12\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003ctd\u003e4 + 2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eBuilt-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG12X\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003ctd\u003e4 + 2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eBuilt-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG12XU\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003ctd\u003e4 + 2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eBuilt-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG12XUK\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003ctd\u003e6\u003c\/td\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003e1 (FX)\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eKnobs\u003c\/td\u003e\n\u003ctd\u003eAdapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG16\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003ctd\u003e8 + 2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eBuilt-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG16X\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003ctd\u003e8 + 2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eBuilt-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"me\"\u003e\n\u003ctd\u003eMG16XU\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003ctd\u003e8 + 2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eBuilt-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG20XU\u003c\/td\u003e\n\u003ctd\u003e20\u003c\/td\u003e\n\u003ctd\u003e12 + 4\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eBuilt-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Can I record each channel separately into my DAW?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eNo. The USB interface carries a stereo mix, not individual channels — true of every USB-equipped analog MG. For multitrack recording from a mixer, look at the MGX12 or MGX16 digital consoles, which record 18 and 22 tracks.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Is it worth going to the MG20XU?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eOnly if you need the inputs. The MG20XU gives sixteen mic inputs instead of ten and twenty channels instead of sixteen; the preamps, effects, EQ, groups and sends are the same. Count your channel list before spending the difference.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Does running reverb cost me a monitor mix?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eOne of the four sends feeds the effects, leaving three independent monitor feeds — enough for most stages. This is the practical reason to choose a 16-channel MG over a 12.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Can it be rack-mounted?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eYes, and the kit is included in the box.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"w\"\u003e\n\u003ch2 style=\"margin:0 0 12px!important\"\u003eWhy Buy from YMS?\u003c\/h2\u003e\n\u003cp style=\"margin:0 0 8px\"\u003eYMS For Music is an authorised \u003cstrong\u003eYamaha Premium Retailer\u003c\/strong\u003e. Every MG console is genuine Yamaha stock with full manufacturer warranty, sold and supported by people who use these desks on real jobs.\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eHonest advice on which model you actually need, demo units in Bengaluru and Mangaluru, and secure delivery across India. Not sure whether you need effects or USB? Ask us before you spend.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":48084015743141,"sku":"MG16XU \/\/E YEM","price":46275.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/MG16XU_angle_with_icon_tcm142-1713880.jpg?v=1787572282"},{"product_id":"yamaha-mg10xu-mixing-console","title":"Yamaha MG10XU 10-Channel Analog Mixing Console with Effects \u0026 USB","description":"\u003cstyle\u003e\n[data-yms-mg]{box-sizing:border-box;width:100%;max-width:100%;padding:0 18px 0 20px;margin:0 auto;color:#1f2937;line-height:1.6}\n[data-yms-mg] *{box-sizing:border-box}\n[data-yms-mg] h2{font-size:clamp(20px,2.6vw,25px)!important;font-weight:700!important;margin:28px 0 12px!important;color:#111827!important}\n[data-yms-mg] p{margin:0 0 12px}\n[data-yms-mg] .i{padding:18px 16px;border-left:4px solid #6b3fa0;background:#faf6ff;border-radius:10px;margin:8px 0 6px}\n[data-yms-mg] .i h2{margin:0 0 10px!important}\n[data-yms-mg] .g{display:grid;grid-template-columns:repeat(auto-fit,minmax(150px,1fr));gap:10px;margin:6px 0 4px}\n[data-yms-mg] .t{border:1px solid #e5e7eb;border-radius:10px;background:#fafafa;padding:12px 14px}\n[data-yms-mg] .t span{display:block;font-size:12px;letter-spacing:.06em;text-transform:uppercase;color:#6b7280;margin:0 0 3px}\n[data-yms-mg] .t strong{font-size:16px;color:#111827}\n[data-yms-mg] ul.b{list-style:none;padding:0;margin:0}\n[data-yms-mg] ul.b li{padding:0 0 0 22px;position:relative;margin:0 0 10px}\n[data-yms-mg] ul.b li:before{content:\"\\25AA\";position:absolute;left:4px;color:#6b3fa0}\n[data-yms-mg] .d{padding:20px 18px;background:#2a1b3d;color:#e7dff2;border-radius:12px;margin:18px 0}\n[data-yms-mg] .d h2{color:#fff!important;margin:0 0 10px!important}\n[data-yms-mg] .d ul.b li:before{color:#b794d4}\n[data-yms-mg] .s{width:100%;overflow-x:auto;-webkit-overflow-scrolling:touch}\n[data-yms-mg] table{border-collapse:collapse;width:100%;min-width:760px;font-size:14px}\n[data-yms-mg] th,[data-yms-mg] td{border:1px solid #e5e7eb;padding:8px 10px;text-align:left;white-space:nowrap}\n[data-yms-mg] th{background:#f3f0fa;font-weight:700}\n[data-yms-mg] tr.me td{background:#faf6ff;font-weight:700}\n[data-yms-mg] .q{margin:0 0 4px;font-weight:700}\n[data-yms-mg] .fq{padding:14px 0;border-bottom:1px solid #e5e7eb}\n[data-yms-mg] .w{padding:16px;background:#f8f8f8;border-radius:12px;margin:22px 0 8px}\n\u003c\/style\u003e\n\u003cdiv data-yms-mg=\"true\"\u003e\n\n\u003cdiv class=\"i\"\u003e\n\u003ch2\u003eThe Cheapest MG You Can Record Through\u003c\/h2\u003e\n\u003cp\u003eThe MG10XU is the MG10X with a 24-bit\/192 kHz USB audio interface built in. Four D-PRE mic channels, three stereo line channels, one-knob compressor, three-band EQ, 24 SPX effects programmes, one AUX send and a monitor output — plus a single USB cable to a computer for recording and playback.\u003c\/p\u003e\n\u003cp\u003eIt is the standard small desk for a home studio, a streaming or podcast setup, a rehearsal room that also demos ideas, and any band that wants a board recording of the gig without carrying a separate interface.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eAt a Glance\u003c\/h2\u003e\n\u003cdiv class=\"g\"\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eChannels\u003c\/span\u003e\u003cstrong\u003e10 total\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eMono mic\/line\u003c\/span\u003e\u003cstrong\u003e4 × D-PRE\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eStereo line\u003c\/span\u003e\u003cstrong\u003e3\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eEffects\u003c\/span\u003e\u003cstrong\u003eSPX, 24 programmes\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eUSB audio\u003c\/span\u003e\u003cstrong\u003e24-bit \/ 192 kHz\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eWeight\u003c\/span\u003e\u003cstrong\u003e2.1 kg\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eWhat You Get\u003c\/h2\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eUSB Audio Class 2.0 interface\u003c\/strong\u003e — up to 192 kHz at 24-bit, class-compliant, so it works without a driver on most systems. Records the stereo mix out and plays audio back in.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCubase AI included\u003c\/strong\u003e as a download — a working DAW in the box, not a demo.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSPX effects, 24 programmes\u003c\/strong\u003e, with parameter control and an FC5 foot-switch jack for muting the return.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFour D-PRE mic preamps\u003c\/strong\u003e, +48V phantom power, 26 dB pad, 80 Hz high-pass filter.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOne-knob compressor\u003c\/strong\u003e and three-band EQ (100 Hz \/ 2.5 kHz \/ 10 kHz, ±15 dB) on the mono channels.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOne AUX send plus a monitor output\u003c\/strong\u003e, balanced XLR and TRS stereo out, 2.1 kg metal chassis, PA-10 adapter supplied.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"d\"\u003e\n\u003ch2\u003eReading the MG Model Names\u003c\/h2\u003e\n\u003cp\u003eYamaha's MG names are a code, and once you know it the whole range makes sense at a glance:\u003c\/p\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003e\n\u003cstrong style=\"color:#fff\"\u003eThe number\u003c\/strong\u003e is the channel count — 06, 10, 12, 16, 20.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"color:#fff\"\u003eX\u003c\/strong\u003e adds the SPX digital effects processor (reverbs, delays, chorus).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"color:#fff\"\u003eU\u003c\/strong\u003e adds a USB audio interface for recording straight to a computer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"color:#fff\"\u003eF\u003c\/strong\u003e means channel faders instead of rotary knobs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"color:#fff\"\u003eK\u003c\/strong\u003e means the reverse — knobs instead of faders, for a shallower, lighter console.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"margin:0\"\u003eSo the \u003cstrong style=\"color:#fff\"\u003eMG10XU\u003c\/strong\u003e is ten channels with effects and USB, on rotary knobs. The MG10XUF is the same specification with faders, in a larger and heavier chassis.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eThe Full MG Range at YMS\u003c\/h2\u003e\n\u003cp\u003eEvery analog MG console we stock, smallest to largest. \"4 + 2\" means four mono mic\/line channels plus two that switch between mono mic and stereo line.\u003c\/p\u003e\n\u003cdiv class=\"s\"\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003cth\u003eCh\u003c\/th\u003e\n\u003cth\u003eMono mic\/line\u003c\/th\u003e\n\u003cth\u003eStereo line\u003c\/th\u003e\n\u003cth\u003eEffects\u003c\/th\u003e\n\u003cth\u003eUSB\u003c\/th\u003e\n\u003cth\u003eAUX\u003c\/th\u003e\n\u003cth\u003eGroups\u003c\/th\u003e\n\u003cth\u003eLevels\u003c\/th\u003e\n\u003cth\u003ePower\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG06\u003c\/td\u003e\n\u003ctd\u003e6\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eKnobs\u003c\/td\u003e\n\u003ctd\u003eAdapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG06X\u003c\/td\u003e\n\u003ctd\u003e6\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eSPX ×6\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eKnobs\u003c\/td\u003e\n\u003ctd\u003eAdapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG10\u003c\/td\u003e\n\u003ctd\u003e10\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eKnobs\u003c\/td\u003e\n\u003ctd\u003eAdapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG10X\u003c\/td\u003e\n\u003ctd\u003e10\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eKnobs\u003c\/td\u003e\n\u003ctd\u003eAdapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"me\"\u003e\n\u003ctd\u003eMG10XU\u003c\/td\u003e\n\u003ctd\u003e10\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eKnobs\u003c\/td\u003e\n\u003ctd\u003eAdapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG10XUF\u003c\/td\u003e\n\u003ctd\u003e10\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eAdapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG12\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003ctd\u003e4 + 2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eBuilt-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG12X\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003ctd\u003e4 + 2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eBuilt-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG12XU\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003ctd\u003e4 + 2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eBuilt-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG12XUK\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003ctd\u003e6\u003c\/td\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003e1 (FX)\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eKnobs\u003c\/td\u003e\n\u003ctd\u003eAdapter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG16\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003ctd\u003e8 + 2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eBuilt-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG16X\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003ctd\u003e8 + 2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eBuilt-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG16XU\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003ctd\u003e8 + 2\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eBuilt-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMG20XU\u003c\/td\u003e\n\u003ctd\u003e20\u003c\/td\u003e\n\u003ctd\u003e12 + 4\u003c\/td\u003e\n\u003ctd\u003e—\u003c\/td\u003e\n\u003ctd\u003eSPX ×24\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003eFaders\u003c\/td\u003e\n\u003ctd\u003eBuilt-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Can I record each channel separately into my DAW?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eNo. The MG10XU's USB interface carries a stereo mix, not individual channels. It is for capturing the finished mix, streaming, and playing tracks back. For multitrack recording from a mixer you want the MGX12 or MGX16, which record 18 and 22 tracks respectively.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Do I need to install a driver?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eIt is USB Audio Class 2.0 compliant, so most current systems recognise it without one. Yamaha publishes a driver for Windows where lower latency is needed.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Is it worth paying more for the MG10XUF?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eOnly if you want faders. The audio specification is the same. Worth knowing: the MG12XUK is usually cheaper than the MG10XUF and gives you twelve channels and six mic inputs — also on knobs. Faders are the thing you are paying for on the XUF.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e How many microphones can I plug in?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eFour. The three stereo channels are line-level only. Six mic inputs means the MG12 family; ten means the MG16 family.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"w\"\u003e\n\u003ch2 style=\"margin:0 0 12px!important\"\u003eWhy Buy from YMS?\u003c\/h2\u003e\n\u003cp style=\"margin:0 0 8px\"\u003eYMS For Music is an authorised \u003cstrong\u003eYamaha Premium Retailer\u003c\/strong\u003e. Every MG console is genuine Yamaha stock with full manufacturer warranty, sold and supported by people who use these desks on real jobs.\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eHonest advice on which model you actually need, demo units in Bengaluru and Mangaluru, and secure delivery across India. Not sure whether you need effects or USB? Ask us before you spend.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":48084015906981,"sku":"MG10XU \/\/IN YEM","price":19200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/MG10XU_angle_with_icon-2_tcm142-1652475.jpg?v=1787571994"},{"product_id":"yamaha-stagepas-200bt-pa-system","title":"Yamaha STAGEPAS 200BTR Battery-Powered Portable PA System","description":"\u003cp\u003eThe Yamaha STAGEPAS 200BTR combines a 180 W coaxial loudspeaker, 5-channel digital mixer and rechargeable battery in a single portable system. It is suited to live performance, presentations, rehearsals and events where fast setup and independent operation are essential.\u003c\/p\u003e\u003ch3\u003eKey specifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e180 W Class-D output with 125 dB maximum SPL\u003c\/li\u003e\n\u003cli\u003e8-inch LF driver and 1-inch HF compression driver\u003c\/li\u003e\n\u003cli\u003e60 Hz–20 kHz frequency range with 90° × 90° coverage\u003c\/li\u003e\n\u003cli\u003e5-channel digital mixer with Hi-Z inputs and 1-knob EQ\/presets\u003c\/li\u003e\n\u003cli\u003eSPX reverb, delay and chorus effects\u003c\/li\u003e\n\u003cli\u003eBluetooth audio and STAGEPAS Controller app support\u003c\/li\u003e\n\u003cli\u003eUp to 10 hours of battery operation\u003c\/li\u003e\n\u003cli\u003e300 × 308 × 301 mm; 12.5 kg including battery\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eA 35 mm pole socket and 30°\/60° monitor angles support front-of-house and floor-monitor use, while the monitor\/link output allows easy system expansion.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":48084016857253,"sku":"STAGEPAS200BTR \/\/IN","price":52050.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/yamaha-stagepas-200bt-pa-system-1_b533f60e-5a43-41c1-b330-8073dded6673.jpg?v=1785589153"},{"product_id":"yamaha-hs3-studio-monitors-pair","title":"Yamaha HS3 3.5\" Powered Studio Monitors - Pair","description":"\u003cstyle\u003e\n[data-yms-mon]{box-sizing:border-box;width:100%;max-width:100%;padding:0 18px 0 20px;margin:0 auto;color:#1f2937;line-height:1.6}\n[data-yms-mon] *{box-sizing:border-box}\n[data-yms-mon] h2{font-size:clamp(20px,2.6vw,25px)!important;font-weight:700!important;margin:28px 0 12px!important;color:#111827!important}\n[data-yms-mon] h3{font-size:clamp(16px,2vw,18px)!important;font-weight:700!important;margin:0 0 6px!important}\n[data-yms-mon] p{margin:0 0 12px}\n[data-yms-mon] .i{padding:18px 16px;border-left:4px solid #6b3fa0;background:#faf6ff;border-radius:10px;margin:8px 0 6px}\n[data-yms-mon] .i h2{margin:0 0 10px!important}\n[data-yms-mon] .flag{padding:12px 14px;background:#fff7ed;border:1px solid #fed7aa;border-radius:9px;margin:0 0 12px}\n[data-yms-mon] .g{display:grid;grid-template-columns:repeat(auto-fit,minmax(150px,1fr));gap:10px;margin:6px 0 4px}\n[data-yms-mon] .t{border:1px solid #e5e7eb;border-radius:10px;background:#fafafa;padding:12px 14px}\n[data-yms-mon] .t span{display:block;font-size:12px;letter-spacing:.06em;text-transform:uppercase;color:#6b7280;margin:0 0 3px}\n[data-yms-mon] .t strong{font-size:16px;color:#111827}\n[data-yms-mon] ul.b{list-style:none;padding:0;margin:0}\n[data-yms-mon] ul.b li{padding:0 0 0 22px;position:relative;margin:0 0 10px}\n[data-yms-mon] ul.b li:before{content:\"\\25AA\";position:absolute;left:4px;color:#6b3fa0}\n[data-yms-mon] .d{padding:20px 18px;background:#2a1b3d;color:#e7dff2;border-radius:12px;margin:18px 0}\n[data-yms-mon] .d h2,[data-yms-mon] .d h3{color:#fff!important;margin-top:0!important}\n[data-yms-mon] .d .sub{padding:12px 14px;background:rgba(255,255,255,.07);border-radius:9px;margin:0 0 10px}\n[data-yms-mon] .s{width:100%;overflow-x:auto;-webkit-overflow-scrolling:touch}\n[data-yms-mon] table{border-collapse:collapse;width:100%;min-width:700px;font-size:14px}\n[data-yms-mon] th,[data-yms-mon] td{border:1px solid #e5e7eb;padding:8px 10px;text-align:left;white-space:nowrap}\n[data-yms-mon] th{background:#f3f0fa;font-weight:700}\n[data-yms-mon] tr.me td{background:#faf6ff;font-weight:700}\n[data-yms-mon] .q{margin:0 0 4px;font-weight:700}\n[data-yms-mon] .fq{padding:14px 0;border-bottom:1px solid #e5e7eb}\n[data-yms-mon] .w{padding:16px;background:#f8f8f8;border-radius:12px;margin:22px 0 8px}\n\u003c\/style\u003e\n\u003cdiv data-yms-mon=\"true\"\u003e\n\n\u003cdiv class=\"i\"\u003e\n\u003ch2\u003eA Complete Stereo Pair, Straight Out of the Box\u003c\/h2\u003e\n\u003cdiv class=\"flag\"\u003e\n\u003cstrong\u003eThis is a pair — two speakers in one box.\u003c\/strong\u003e \u003cstrong\u003eChoose black or white above.\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe HS3 puts the Yamaha monitor voicing — flat, unflattering, honest about your mix — into a 3.5-inch two-way cabinet small enough for a desk. You get both speakers, the speaker cable to link them and a stereo-mini-to-RCA lead, so a laptop or phone connects straight out of the box with no audio interface needed.\u003c\/p\u003e\n\u003cp\u003eIt is also the easiest monitor in the range to live with. A volume knob and a headphone jack sit on the front of the left speaker, so you set level and switch to headphones without reaching behind anything or adding a controller. For a bedroom setup, a first monitoring rig, a video edit suite or a second reference pair, that combination is hard to beat.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eAt a Glance\u003c\/h2\u003e\n\u003cdiv class=\"g\"\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eSold as\u003c\/span\u003e\u003cstrong\u003ePair (L + R)\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eWoofer\u003c\/span\u003e\u003cstrong\u003e3.5\" cone\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eTweeter\u003c\/span\u003e\u003cstrong\u003e0.75\" dome\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003ePower\u003c\/span\u003e\u003cstrong\u003e26 W + 26 W\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eResponse\u003c\/span\u003e\u003cstrong\u003e70 Hz - 22 kHz\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eFinishes\u003c\/span\u003e\u003cstrong\u003eBlack or White\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eWhat You Get\u003c\/h2\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eBoth speakers, in the box.\u003c\/strong\u003e The left cabinet holds the amplifier and all the connections; the right is passive and links to it with the supplied 2.5 m speaker cable.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFront-panel volume knob and headphone jack\u003c\/strong\u003e on the left speaker — adjust level and switch to headphones from the front, without a separate monitor controller.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInputs that suit a computer, not just a studio:\u003c\/strong\u003e two combo XLR\/TRS (LINE 1), two RCA (LINE 2) and a 3.5 mm stereo mini. A stereo-mini-to-RCA cable is included, so a laptop, phone or tablet plugs in immediately — no audio interface required.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e26 W + 26 W\u003c\/strong\u003e (20 W + 20 W at 0.1% THD), 3.5 inch woofer and 0.75 inch dome tweeter, crossing over at 3.2 kHz.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response 70 Hz–22 kHz\u003c\/strong\u003e (−10 dB), 85 Hz–20 kHz (−3 dB).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRoom Control and High Trim switches\u003c\/strong\u003e on the rear panel — cut 2 or 4 dB below 500 Hz when the speakers sit near a wall, and lift or cut 2 dB above 2 kHz to suit a bright or dead room.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlack or white\u003c\/strong\u003e, with Yamaha's signature white cone on both. Anti-slip pads included. 132 × 223 × 189 mm (left) and 132 × 223 × 177 mm (right); 2.8 kg and 2.1 kg.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"d\"\u003e\n\u003ch2\u003eBefore You Buy: Three Things People Get Wrong\u003c\/h2\u003e\n\u003cdiv class=\"sub\"\u003e\n\u003ch3\u003e1. One amplifier drives both cabinets\u003c\/h3\u003e\n\u003cp style=\"margin:0;color:#ded3ee\"\u003eThe left speaker is powered and the right is passive, linked by the supplied 2.5 m cable. That keeps the price down and the desk tidy, but it caps how far apart the two speakers can sit. From the HS5 upward, each speaker has its own amplifier and mains lead.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sub\"\u003e\n\u003ch3\u003e2. The bigger monitors will not plug into your laptop\u003c\/h3\u003e\n\u003cp style=\"margin:0;color:#ded3ee\"\u003eHS5, HS7 and HS8 have balanced XLR and TRS inputs only. Feeding them from a computer needs an audio interface. The HS3 and HS4 add RCA and 3.5 mm inputs and include the cable, which is often the difference between spending nothing more and spending several thousand rupees more.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sub\"\u003e\n\u003ch3\u003e3. A 3.5-inch woofer does not reach deep bass\u003c\/h3\u003e\n\u003cp style=\"margin:0;color:#ded3ee\"\u003eThe HS3 is honest down to about 70 Hz. That covers most of what you need for arrangement, vocals and general mixing, but it will not show you sub-bass. If low end is the point — electronic music, hip-hop, film — look at the HS7 or HS8, or add an HS8S subwoofer.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eThe Yamaha HS Range at YMS\u003c\/h2\u003e\n\u003cp\u003eEvery HS studio monitor we stock. All are sold as pairs — only the HS8S subwoofer is a single unit.\u003c\/p\u003e\n\u003cdiv class=\"s\"\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003cth\u003eModel\u003c\/th\u003e\n\u003cth\u003eWoofer\u003c\/th\u003e\n\u003cth\u003eAmp power\u003c\/th\u003e\n\u003cth\u003eResponse (-10 dB)\u003c\/th\u003e\n\u003cth\u003eInputs\u003c\/th\u003e\n\u003cth\u003eAmplification\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"me\"\u003e\n\u003ctd\u003eHS3\u003c\/td\u003e\n\u003ctd\u003e3.5\"\u003c\/td\u003e\n\u003ctd\u003e26 W + 26 W\u003c\/td\u003e\n\u003ctd\u003e70 Hz - 22 kHz\u003c\/td\u003e\n\u003ctd\u003eXLR\/TRS, RCA, 3.5 mm\u003c\/td\u003e\n\u003ctd\u003eLeft powered, right passive\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHS4\u003c\/td\u003e\n\u003ctd\u003e4.5\"\u003c\/td\u003e\n\u003ctd\u003e26 W + 26 W\u003c\/td\u003e\n\u003ctd\u003e60 Hz - 22 kHz\u003c\/td\u003e\n\u003ctd\u003eXLR\/TRS, RCA, 3.5 mm\u003c\/td\u003e\n\u003ctd\u003eLeft powered, right passive\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHS5\u003c\/td\u003e\n\u003ctd\u003e5\"\u003c\/td\u003e\n\u003ctd\u003e70 W per speaker\u003c\/td\u003e\n\u003ctd\u003e54 Hz - 30 kHz\u003c\/td\u003e\n\u003ctd\u003eXLR, TRS\u003c\/td\u003e\n\u003ctd\u003eBoth speakers powered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHS7\u003c\/td\u003e\n\u003ctd\u003e6.5\"\u003c\/td\u003e\n\u003ctd\u003e95 W per speaker\u003c\/td\u003e\n\u003ctd\u003e43 Hz - 30 kHz\u003c\/td\u003e\n\u003ctd\u003eXLR, TRS\u003c\/td\u003e\n\u003ctd\u003eBoth speakers powered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHS8\u003c\/td\u003e\n\u003ctd\u003e8\"\u003c\/td\u003e\n\u003ctd\u003e120 W per speaker\u003c\/td\u003e\n\u003ctd\u003e38 Hz - 30 kHz\u003c\/td\u003e\n\u003ctd\u003eXLR, TRS\u003c\/td\u003e\n\u003ctd\u003eBoth speakers powered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHS8S\u003c\/td\u003e\n\u003ctd\u003e8\" subwoofer\u003c\/td\u003e\n\u003ctd\u003e150 W\u003c\/td\u003e\n\u003ctd\u003e22 Hz - 160 Hz\u003c\/td\u003e\n\u003ctd\u003eXLR, TRS\u003c\/td\u003e\n\u003ctd\u003eSubwoofer, sold singly\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Do I get one speaker or two?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eTwo. The HS3 ships as a left-and-right pair with the linking speaker cable, a stereo-mini-to-RCA cable and anti-slip pads included.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Is the white version different from the black?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eOnly in appearance. Drivers, amplifier, response, switches, connections and supplied cables are identical, and both finishes are the same price. Both use Yamaha's signature white cone. Pick whichever suits your desk.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Do I need an audio interface?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eNo. The RCA and 3.5 mm inputs take a headphone output from a laptop, phone or tablet directly, and Yamaha includes the cable. An interface will improve your converters and let you record, but nothing stops you working on day one without one.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Is only one speaker powered?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eYes — the left cabinet contains the amplifier, every input and the front volume knob, and drives the passive right cabinet through the supplied 2.5 m cable. That is why the pair is affordable, and it means the two speakers cannot be placed further apart than that cable reaches.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Is there a headphone output?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eYes, on the front of the left speaker, next to the volume knob — useful for late-night work without moving cables or adding a monitor controller.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e HS3 or HS4?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eBoth are pairs with the same amplifier and the same connections. The HS4 has a 4.5 inch woofer and reaches about 10 Hz lower, at 60 Hz against 70 Hz. If your desk has the space and the budget stretches, the HS4 gives you more low end for the same convenience.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"w\"\u003e\n\u003ch2 style=\"margin:0 0 12px!important\"\u003eWhy Buy from YMS?\u003c\/h2\u003e\n\u003cp style=\"margin:0 0 8px\"\u003eYMS For Music is an authorised \u003cstrong\u003eYamaha Premium Retailer\u003c\/strong\u003e. Every monitor is genuine Yamaha stock with full manufacturer warranty.\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eMonitors are worth hearing before you commit — come and listen in Bengaluru or Mangaluru. If you tell us your room size and what you are mixing, we will tell you honestly whether you need to spend more than this. Secure delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Yamaha","offers":[{"title":"Black","offer_id":48179404964005,"sku":"VFS0980","price":18225.0,"currency_code":"INR","in_stock":true},{"title":"White","offer_id":48179404996773,"sku":"VFS0981","price":18225.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/HS3-black-angle-01_tcm142-2159005.jpg?v=1787579111"},{"product_id":"yamaha-ur12mk3-audio-interface-black","title":"Yamaha UR12MK3 Audio Interface - Black","description":"\u003cp\u003eThe Yamaha UR12MK3 Audio Interface - Black is a USB audio interface that brings studio-quality recording to your desktop with Yamaha and Steinberg's acclaimed D-PRE preamps.\u003c\/p\u003e\n\u003cp\u003eHigh-resolution conversion and latency-free direct monitoring keep takes clean and performances natural, while tight Cubase integration gets you from idea to finished track quickly. Compact, bus-powered and dependable, it's a recording front end you can build a studio around.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":48084017184933,"sku":"UR12MK3 B","price":8925.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/yamaha-ur12mk3-audio-interface-black-1_3aaf0f50-61b6-4376-a266-7e864e69c281.jpg?v=1785589066"},{"product_id":"yamaha-urx44c-audio-interface","title":"Yamaha URX44C Audio Interface","description":"\u003cp\u003eThe Yamaha URX44C Audio Interface is a USB audio interface that brings studio-quality recording to your desktop with Yamaha and Steinberg's acclaimed D-PRE preamps.\u003c\/p\u003e\n\u003cp\u003eHigh-resolution conversion and latency-free direct monitoring keep takes clean and performances natural, while tight Cubase integration gets you from idea to finished track quickly. Compact, bus-powered and dependable, it's a recording front end you can build a studio around.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":48084017217701,"sku":"URX44C","price":26700.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/yamaha-urx44c-audio-interface-1_f1b2ccf5-6d63-445d-9758-883ad3814ea1.jpg?v=1785589065"},{"product_id":"yamaha-dhr12-2-way-bi-amped-powered-speaker","title":"Yamaha DHR12 12-inch Powered Loudspeaker","description":"\u003cstyle\u003e\n[data-yms-premium]{box-sizing:border-box;width:100%;max-width:100%;padding:0 18px 0 20px;color:#1f2937;line-height:1.65}\n[data-yms-premium] *{box-sizing:border-box}\n[data-yms-premium] h2{font-size:clamp(21px,2.5vw,26px)!important;line-height:1.25;margin:28px 0 12px!important;color:#111827!important}\n[data-yms-premium] h3{font-size:17px!important;line-height:1.35;margin:0 0 7px!important;color:#111827!important}\n[data-yms-premium] p{margin:0 0 12px}\n[data-yms-premium] .hero{padding:22px;border-left:5px solid #6b3fa0;background:linear-gradient(135deg,#faf6ff 0%,#f4effb 100%);border-radius:10px;margin-bottom:22px}\n[data-yms-premium] .hero h2{margin:0 0 10px!important}\n[data-yms-premium] .eyebrow{display:block;color:#6b3fa0;font-size:12px;font-weight:700;letter-spacing:.08em;text-transform:uppercase;margin-bottom:6px}\n[data-yms-premium] .grid{display:grid;grid-template-columns:repeat(auto-fit,minmax(220px,1fr));gap:12px;margin:14px 0 22px}\n[data-yms-premium] .card{border:1px solid #e5e7eb;border-radius:10px;padding:16px;background:#fff}\n[data-yms-premium] .band{padding:18px;border:1px solid #e5e7eb;border-radius:10px;background:#fafafa;margin:14px 0}\n[data-yms-premium] details{border-top:1px solid #e5e7eb;padding:12px 0}\n[data-yms-premium] details:last-child{border-bottom:1px solid #e5e7eb}\n[data-yms-premium] summary{cursor:pointer;font-weight:700;color:#111827}\n[data-yms-premium] details p{margin:8px 0 0}\n[data-yms-premium] ul{margin:8px 0 0;padding-left:20px}\n[data-yms-premium] li{margin-bottom:7px}\n\u003c\/style\u003e\n\u003cdiv data-yms-premium=\"true\"\u003e\n  \u003cdiv class=\"hero\"\u003e\n    \u003cspan class=\"eyebrow\"\u003eYamaha DHR Series Powered Loudspeaker\u003c\/span\u003e\n    \u003ch2\u003ePowerful 12-inch Performance with Installation-Grade Flexibility\u003c\/h2\u003e\n    \u003cp\u003eThe Yamaha DHR12 combines 1,000 W Class-D bi-amplification, a high-grade plywood enclosure and Yamaha’s precision DSP in a versatile 12-inch powered loudspeaker. With 130 dB maximum SPL, a rotatable 90° × 60° horn and flexible mounting provisions, it is built for articulate front-of-house sound, fills and permanent installations.\u003c\/p\u003e\n  \u003c\/div\u003e\n\n  \u003ch2\u003eProfessional Performance, Precisely Controlled\u003c\/h2\u003e\n  \u003cdiv class=\"grid\"\u003e\n    \u003cdiv class=\"card\"\u003e\n\u003ch3\u003e1,000 W Bi-Amplified Power\u003c\/h3\u003e\n\u003cp\u003eA dedicated Class-D amplifier supplies 800 W to the 12-inch low-frequency driver and 200 W to the high-frequency section for clean, efficient output up to 130 dB SPL.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"card\"\u003e\n\u003ch3\u003eStrong Full-Range Response\u003c\/h3\u003e\n\u003cp\u003eThe 12-inch woofer extends response down to 48 Hz, delivering a confident balance of low-frequency authority, vocal definition and compact dimensions.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"card\"\u003e\n\u003ch3\u003eRotatable 90° × 60° Horn\u003c\/h3\u003e\n\u003cp\u003eThe high-frequency horn can be rotated to preserve the intended dispersion pattern in either vertical or horizontal installation.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"card\"\u003e\n\u003ch3\u003eFIR-X Tuning\u003c\/h3\u003e\n\u003cp\u003eYamaha’s linear-phase FIR processing and corrective EQ optimise the crossover region for a smooth, coherent response and consistent clarity.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"card\"\u003e\n\u003ch3\u003eApplication-Focused DSP\u003c\/h3\u003e\n\u003cp\u003eD-CONTOUR provides FOH\/Main and monitor voicings, while selectable 100 Hz and 120 Hz high-pass filters simplify powered-subwoofer integration.\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"card\"\u003e\n\u003ch3\u003eIntegrated 2-Channel Mixer\u003c\/h3\u003e\n\u003cp\u003eCombo inputs accommodate microphones and line sources, Channel 2 adds stereo RCA connectivity, and the XLR output can carry a parallel or mixed signal.\u003c\/p\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003ch2\u003eBuilt for Reliable Installation and Portable Use\u003c\/h2\u003e\n  \u003cp\u003eThe rigid plywood enclosure controls cabinet vibration and is protected by a durable black polyurea coating. Dual 35 mm pole sockets provide 0° or -7° positioning, while M10 rigging points and the optional Yamaha UB-DXRDHR12 U-bracket support professional fixed installations.\u003c\/p\u003e\n\n  \u003cdiv class=\"band\"\u003e\n    \u003ch3\u003eIdeal Applications\u003c\/h3\u003e\n    \u003cul\u003e\n      \u003cli\u003eFront-of-house reinforcement for bands, DJs, presentations and events\u003c\/li\u003e\n      \u003cli\u003eFixed installations in houses of worship, auditoriums, hospitality and education spaces\u003c\/li\u003e\n      \u003cli\u003eDelay, side-fill and distributed loudspeaker systems\u003c\/li\u003e\n      \u003cli\u003ePortable systems requiring plywood construction, strong output and controlled coverage\u003c\/li\u003e\n    \u003c\/ul\u003e\n  \u003c\/div\u003e\n\n  \u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n  \u003cdetails\u003e\u003csummary\u003eCan the DHR12 be installed horizontally?\u003c\/summary\u003e\u003cp\u003eYes. The cabinet supports vertical or horizontal installation, and its 90° × 60° high-frequency horn can be rotated to keep the coverage pattern correctly oriented.\u003c\/p\u003e\u003c\/details\u003e\n  \u003cdetails\u003e\u003csummary\u003eDoes the DHR12 require an external amplifier?\u003c\/summary\u003e\u003cp\u003eNo. It is a powered loudspeaker with an integrated 1,000 W dynamic Class-D bi-amplifier.\u003c\/p\u003e\u003c\/details\u003e\n  \u003cdetails\u003e\u003csummary\u003eCan a microphone be connected directly?\u003c\/summary\u003e\u003cp\u003eYes. Channel 1 accepts microphone or line-level signals through its XLR\/TRS combo input. An external mixer is recommended for larger systems or multiple sources.\u003c\/p\u003e\u003c\/details\u003e\n  \u003cdetails\u003e\u003csummary\u003eCan it be used with a subwoofer?\u003c\/summary\u003e\u003cp\u003eYes. Switchable 100 Hz and 120 Hz high-pass filters make integration with a powered subwoofer straightforward.\u003c\/p\u003e\u003c\/details\u003e\n  \u003cdetails\u003e\u003csummary\u003eAre the mounting bracket and eyebolts included?\u003c\/summary\u003e\u003cp\u003eNo. The Yamaha UB-DXRDHR12 U-bracket and suitable M10 eyebolts are optional accessories sold separately.\u003c\/p\u003e\u003c\/details\u003e\n\n  \u003ch2\u003eWhy Buy from YMS?\u003c\/h2\u003e\n  \u003cp\u003eChoose YMS for genuine Yamaha products, knowledgeable pre-sales guidance and dependable after-sales support. Our team can help assess coverage, mounting and system-matching requirements so the DHR12 is specified correctly for your venue or portable system.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":48084017250469,"sku":"DHR12","price":49350.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/DHR12-angle-left_tcm142-2294982.jpg?v=1787682097"},{"product_id":"yamaha-cbr15-15-inch-2-way-passive-loudspeaker","title":"Yamaha CBR15 15-INCH 2-WAY Passive Loudspeaker","description":"\u003cp\u003eThe Yamaha CBR15 15-INCH 2-WAY Passive Loudspeaker is a passive loudspeaker engineered for consistent coverage, natural tone and dependable everyday performance.\u003c\/p\u003e\n\u003cp\u003ePair it with the power amplifier of your choice for a flexible, scalable system that suits fixed installs and portable rigs alike. A rugged cabinet and carefully voiced drivers keep the sound clear and controlled at any level.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":48084017283237,"sku":"ZJ05320","price":30225.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/yamaha-cbr15-15-inch-2-way-passive-loudspeaker-1_a2da9378-2743-463f-a659-87a26fb61a2a.jpg?v=1785589038"},{"product_id":"yamaha-mgx12-digital-mixing-console","title":"Yamaha MGX12 Digital Mixing Console with Multitrack Recording","description":"\u003cstyle\u003e\n[data-yms-mg]{box-sizing:border-box;width:100%;max-width:100%;padding:0 18px 0 20px;margin:0 auto;color:#1f2937;line-height:1.6}\n[data-yms-mg] *{box-sizing:border-box}\n[data-yms-mg] h2{font-size:clamp(20px,2.6vw,25px)!important;font-weight:700!important;margin:28px 0 12px!important;color:#111827!important}\n[data-yms-mg] h3{font-size:clamp(16px,2vw,18px)!important;font-weight:700!important;margin:0 0 6px!important}\n[data-yms-mg] p{margin:0 0 12px}\n[data-yms-mg] .i{padding:18px 16px;border-left:4px solid #6b3fa0;background:#faf6ff;border-radius:10px;margin:8px 0 6px}\n[data-yms-mg] .i h2{margin:0 0 10px!important}\n[data-yms-mg] .g{display:grid;grid-template-columns:repeat(auto-fit,minmax(150px,1fr));gap:10px;margin:6px 0 4px}\n[data-yms-mg] .t{border:1px solid #e5e7eb;border-radius:10px;background:#fafafa;padding:12px 14px}\n[data-yms-mg] .t span{display:block;font-size:12px;letter-spacing:.06em;text-transform:uppercase;color:#6b7280;margin:0 0 3px}\n[data-yms-mg] .t strong{font-size:16px;color:#111827}\n[data-yms-mg] ul.b{list-style:none;padding:0;margin:0}\n[data-yms-mg] ul.b li{padding:0 0 0 22px;position:relative;margin:0 0 10px}\n[data-yms-mg] ul.b li:before{content:\"\\25AA\";position:absolute;left:4px;color:#6b3fa0}\n[data-yms-mg] .d{padding:20px 18px;background:#2a1b3d;color:#e7dff2;border-radius:12px;margin:18px 0}\n[data-yms-mg] .d h2,[data-yms-mg] .d h3{color:#fff!important;margin-top:0!important}\n[data-yms-mg] .d .sub{padding:12px 14px;background:rgba(255,255,255,.07);border-radius:9px;margin:0 0 10px}\n[data-yms-mg] .s{width:100%;overflow-x:auto;-webkit-overflow-scrolling:touch}\n[data-yms-mg] table{border-collapse:collapse;width:100%;min-width:520px;font-size:14px}\n[data-yms-mg] th,[data-yms-mg] td{border:1px solid #e5e7eb;padding:9px 11px;text-align:left;vertical-align:top}\n[data-yms-mg] th{background:#f3f0fa;font-weight:700}\n[data-yms-mg] td.same{color:#3f7d3f;text-align:center}\n[data-yms-mg] .q{margin:0 0 4px;font-weight:700}\n[data-yms-mg] .fq{padding:14px 0;border-bottom:1px solid #e5e7eb}\n[data-yms-mg] .w{padding:16px;background:#f8f8f8;border-radius:12px;margin:22px 0 8px}\n\u003c\/style\u003e\n\u003cdiv data-yms-mg=\"true\"\u003e\n\n\u003cdiv class=\"i\"\u003e\n\u003ch2\u003eThe Mixer That Records Every Channel Separately\u003c\/h2\u003e\n\u003cp\u003eThe MGX12 is digital, and that changes what a mixer can do. Eleven non-motorised channel faders, one stereo master fader and a 4.3-inch touchscreen sit over a processing engine with a gate, compressor and EQ on every channel, plus REV-X reverb, delay, amp simulation and Yamaha's Sweet Spot Morphing Channel Strip. It runs at up to 96 kHz with under 0.4 ms of latency.\u003c\/p\u003e\n\u003cp\u003eThe headline is recording: \u003cstrong\u003e18 tracks in and out over USB-C\u003c\/strong\u003e, a second USB port for a 2-track stream feed, and \u003cstrong\u003eup to 16 tracks straight to a microSD card with no computer at all\u003c\/strong\u003e. Every analog mixer in the Yamaha range sends a stereo mix to your DAW. This one sends the whole session.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eAt a Glance\u003c\/h2\u003e\n\u003cdiv class=\"g\"\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eMic inputs\u003c\/span\u003e\u003cstrong\u003e4 combo\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eLine inputs\u003c\/span\u003e\u003cstrong\u003e4 TRS + 4 RCA\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eFaders\u003c\/span\u003e\u003cstrong\u003e11 + 1, non-motorised\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eUSB recording\u003c\/span\u003e\u003cstrong\u003e18-track\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003emicroSD\u003c\/span\u003e\u003cstrong\u003eUp to 16-track\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eBluetooth\u003c\/span\u003e\u003cstrong\u003e5.0 audio in\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eWhat You Get\u003c\/h2\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003e\n\u003cstrong\u003e18-track USB-C recording and playback\u003c\/strong\u003e on the main port, plus a second USB-C port carrying 2 tracks in and out — so you can multitrack to a DAW and feed a stream or a second machine at the same time.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStandalone microSD recording\u003c\/strong\u003e, up to 16 tracks, with 2-track playback. Record the whole band without bringing a laptop.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.3-inch touchscreen\u003c\/strong\u003e with four screen knobs, a TOUCH AND TURN encoder, eleven channel faders and one stereo master fader — touch a parameter, then adjust it with a real control.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull channel processing:\u003c\/strong\u003e gate, compressor and EQ per channel, plus Sweet Spot Morphing Channel Strip, Multi-Band Compressor, Compander, Ducker, Delay, Pitch Fix, Guitar Amp Classics and REV-X reverb.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBluetooth 5.0 audio input\u003c\/strong\u003e for playback from a phone, and a Sound Pad channel for triggering stings and beds.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e96 kHz operation, under 0.4 ms latency\u003c\/strong\u003e, 125 dB dynamic range, THD under 0.002%, −128 dBu equivalent input noise, 86 dB gain range.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFaster setup and safer levels:\u003c\/strong\u003e Auto Gain, Clip Safe, Simple and Standard operating modes, and Scene Recall help new operators get started while retaining deeper control for experienced users.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware included:\u003c\/strong\u003e Cubase AI, WaveLab Cast and Steinberg Plus licences plus the Basic FX Suite. 335 × 96 × 319 mm, 3.9 kg, PA-300C adapter supplied. Optional RK-MGX12 rack kit.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"d\"\u003e\n\u003ch2\u003eDigital or Analog? The Honest Comparison\u003c\/h2\u003e\n\u003cp\u003eAt around the same money as a large analog MG, the MGX12 makes a completely different trade — and it is worth being clear about it before you buy.\u003c\/p\u003e\n\u003cdiv class=\"sub\"\u003e\n\u003ch3\u003eChoose the MGX12 if you record, stream, or repeat setups\u003c\/h3\u003e\n\u003cp style=\"margin:0;color:#ded3ee\"\u003eMultitrack recording, per-channel gate and compression, effects beyond reverb, Bluetooth playback, and settings you can store and recall instead of resetting the desk every session.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sub\"\u003e\n\u003ch3\u003eChoose an analog MG if you need lots of microphones\u003c\/h3\u003e\n\u003cp style=\"margin:0;color:#ded3ee\"\u003eThe MGX12 has \u003cstrong style=\"color:#fff\"\u003efour\u003c\/strong\u003e mic inputs. An MG16XU has ten and an MG20XU has sixteen, for similar or less money. If you are miking a drum kit plus a band, channel count wins and the analog desk is the right buy.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"margin:0\"\u003eNeed both — more mics \u003cem\u003eand\u003c\/em\u003e multitrack? That is the \u003cstrong style=\"color:#fff\"\u003eMGX16\u003c\/strong\u003e: eight mic inputs, a 15+1 fader layout and 22-track recording.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eMGX12 or MGX16?\u003c\/h2\u003e\n\u003cp\u003eSame engine, same screen, same processing and the same software bundle. The difference is inputs, faders and track count.\u003c\/p\u003e\n\u003cdiv class=\"s\"\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003cth\u003e \u003c\/th\u003e\n\u003cth\u003eMGX12 (this console)\u003c\/th\u003e\n\u003cth\u003eMGX16\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMic\/line combo inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInput channels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 mono + 4 stereo\u003c\/td\u003e\n\u003ctd\u003e8 mono + 4 stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFaders \/ send knobs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e11+1 \/ 12\u003c\/td\u003e\n\u003ctd\u003e15+1 \/ 16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eUSB multitrack\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e18-track\u003c\/td\u003e\n\u003ctd\u003e22-track\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAnalog outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 XLR + 6 TRS\u003c\/td\u003e\n\u003ctd\u003e2 XLR + 8 TRS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine inputs, Sound Pad, FX returns\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\" class=\"same\"\u003eIdentical — 4 TRS + 4 RCA line, 1 Sound Pad, 2 FX channels\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBuses\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\" class=\"same\"\u003eIdentical — 8 mono mix, 1 stereo, 2 FX, 1 cue\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eScreen \u0026amp; processing\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\" class=\"same\"\u003eIdentical — 4.3-inch touchscreen, 5 encoders, full DSP suite, REV-X\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003emicroSD \/ Bluetooth \/ latency\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\" class=\"same\"\u003eIdentical — up to 16-track microSD, Bluetooth 5.0 in, under 0.4 ms at 96 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSize \/ weight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e335 × 96 × 319 mm, 3.9 kg\u003c\/td\u003e\n\u003ctd\u003e419 × 96 × 319 mm, 4.7 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Can it really record without a computer?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eYes — up to 16 tracks to a microSD card, with 2-track playback from the same card. That is the feature that sets it apart from every analog mixer we sell.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Only four mic inputs?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eFour combo mic\/line inputs, plus four TRS and four RCA line inputs. It is aimed at podcast, streaming, small-band and content work rather than miking a full stage. For eight mic inputs take the MGX16; for ten or sixteen, the analog MG16XU or MG20XU.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Does the digital processing add noticeable delay?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eNo. Under 0.4 ms from input to stereo out at 96 kHz — well below what anyone perceives, including performers on in-ears.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e What are the two USB-C ports for?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eThe main port carries the full 18-track stream to and from a computer at 32-bit. The sub port carries a 2-track feed at 16-bit — typically a stream, a phone, or a second machine capturing the mix while the main port multitracks.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e What software comes with it?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eCubase AI and WaveLab Cast licences plus Steinberg Plus, and the Basic FX Suite plugin bundle. Enough to record, edit and master what the desk captures without buying anything else.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"w\"\u003e\n\u003ch2 style=\"margin:0 0 12px!important\"\u003eWhy Buy from YMS?\u003c\/h2\u003e\n\u003cp style=\"margin:0 0 8px\"\u003eYMS For Music is an authorised \u003cstrong\u003eYamaha Premium Retailer\u003c\/strong\u003e. Every console is genuine Yamaha stock with full manufacturer warranty, sold and supported by people who use these desks on real jobs.\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eDigital or analog is the biggest decision here and it depends entirely on how many microphones you need. Tell us your channel list and we will tell you honestly which one to buy. Demo units in Bengaluru and Mangaluru, secure delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Yamaha","offers":[{"title":"Black","offer_id":48233517973669,"sku":"MGX12 B-1","price":59625.0,"currency_code":"INR","in_stock":true},{"title":"White","offer_id":48233518006437,"sku":"MGX12 B-2","price":59625.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/MGX12-angle-01_tcm142-2918157.jpg?v=1788719564"},{"product_id":"yamaha-mgx16-digital-mixing-console","title":"Yamaha MGX16 Digital Mixing Console with Multitrack Recording","description":"\u003cstyle\u003e\n[data-yms-mg]{box-sizing:border-box;width:100%;max-width:100%;padding:0 18px 0 20px;margin:0 auto;color:#1f2937;line-height:1.6}\n[data-yms-mg] *{box-sizing:border-box}\n[data-yms-mg] h2{font-size:clamp(20px,2.6vw,25px)!important;font-weight:700!important;margin:28px 0 12px!important;color:#111827!important}\n[data-yms-mg] h3{font-size:clamp(16px,2vw,18px)!important;font-weight:700!important;margin:0 0 6px!important}\n[data-yms-mg] p{margin:0 0 12px}\n[data-yms-mg] .i{padding:18px 16px;border-left:4px solid #6b3fa0;background:#faf6ff;border-radius:10px;margin:8px 0 6px}\n[data-yms-mg] .i h2{margin:0 0 10px!important}\n[data-yms-mg] .g{display:grid;grid-template-columns:repeat(auto-fit,minmax(150px,1fr));gap:10px;margin:6px 0 4px}\n[data-yms-mg] .t{border:1px solid #e5e7eb;border-radius:10px;background:#fafafa;padding:12px 14px}\n[data-yms-mg] .t span{display:block;font-size:12px;letter-spacing:.06em;text-transform:uppercase;color:#6b7280;margin:0 0 3px}\n[data-yms-mg] .t strong{font-size:16px;color:#111827}\n[data-yms-mg] ul.b{list-style:none;padding:0;margin:0}\n[data-yms-mg] ul.b li{padding:0 0 0 22px;position:relative;margin:0 0 10px}\n[data-yms-mg] ul.b li:before{content:\"\\25AA\";position:absolute;left:4px;color:#6b3fa0}\n[data-yms-mg] .d{padding:20px 18px;background:#2a1b3d;color:#e7dff2;border-radius:12px;margin:18px 0}\n[data-yms-mg] .d h2,[data-yms-mg] .d h3{color:#fff!important;margin-top:0!important}\n[data-yms-mg] .d .sub{padding:12px 14px;background:rgba(255,255,255,.07);border-radius:9px;margin:0 0 10px}\n[data-yms-mg] .s{width:100%;overflow-x:auto;-webkit-overflow-scrolling:touch}\n[data-yms-mg] table{border-collapse:collapse;width:100%;min-width:520px;font-size:14px}\n[data-yms-mg] th,[data-yms-mg] td{border:1px solid #e5e7eb;padding:9px 11px;text-align:left;vertical-align:top}\n[data-yms-mg] th{background:#f3f0fa;font-weight:700}\n[data-yms-mg] td.same{color:#3f7d3f;text-align:center}\n[data-yms-mg] .q{margin:0 0 4px;font-weight:700}\n[data-yms-mg] .fq{padding:14px 0;border-bottom:1px solid #e5e7eb}\n[data-yms-mg] .w{padding:16px;background:#f8f8f8;border-radius:12px;margin:22px 0 8px}\n\u003c\/style\u003e\n\u003cdiv data-yms-mg=\"true\"\u003e\n\n\u003cdiv class=\"i\"\u003e\n\u003ch2\u003eEight Mic Inputs and 22-Track Recording in One Desk\u003c\/h2\u003e\n\u003cp\u003eThe MGX16 is the larger of Yamaha's two digital consoles: eight combo mic\/line inputs, fifteen channel faders plus one stereo master fader, all non-motorised, a 4.3-inch touchscreen, and a gate, compressor and EQ on every channel alongside REV-X reverb, delay, amp simulation and the Sweet Spot Morphing Channel Strip. It runs at up to 96 kHz with under 0.4 ms of latency.\u003c\/p\u003e\n\u003cp\u003eIt records \u003cstrong\u003e22 tracks in and out over USB-C\u003c\/strong\u003e, carries a second USB port for a 2-track stream feed, and captures \u003cstrong\u003eup to 16 tracks straight to a microSD card with no computer connected\u003c\/strong\u003e. For a band that wants a proper multitrack of every rehearsal and gig, or a studio and content setup that also has to mix live, this is the one desk that covers both.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eAt a Glance\u003c\/h2\u003e\n\u003cdiv class=\"g\"\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eMic inputs\u003c\/span\u003e\u003cstrong\u003e8 combo\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eLine inputs\u003c\/span\u003e\u003cstrong\u003e4 TRS + 4 RCA\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eFaders\u003c\/span\u003e\u003cstrong\u003e15 + 1, non-motorised\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eUSB recording\u003c\/span\u003e\u003cstrong\u003e22-track\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003emicroSD\u003c\/span\u003e\u003cstrong\u003eUp to 16-track\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"t\"\u003e\n\u003cspan\u003eBluetooth\u003c\/span\u003e\u003cstrong\u003e5.0 audio in\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eWhat You Get\u003c\/h2\u003e\n\u003cul class=\"b\"\u003e\n\u003cli\u003e\n\u003cstrong\u003e22-track USB-C recording and playback\u003c\/strong\u003e on the main port at 32-bit, plus a second USB-C port carrying 2 tracks in and out — multitrack to a DAW and feed a stream simultaneously.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStandalone microSD recording\u003c\/strong\u003e, up to 16 tracks, with 2-track playback. No laptop required.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEight combo mic\/line inputs\u003c\/strong\u003e plus four TRS and four RCA line inputs — enough for a small band with a lightly miked kit, or a multi-guest podcast with playback sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.3-inch touchscreen\u003c\/strong\u003e with four screen knobs and a TOUCH AND TURN encoder, fifteen channel faders, one stereo master fader and sixteen SEND knobs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull channel processing:\u003c\/strong\u003e gate, compressor and EQ per channel, plus Sweet Spot Morphing Channel Strip, Multi-Band Compressor, Compander, Ducker, Delay, Pitch Fix, Guitar Amp Classics and REV-X reverb.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBluetooth 5.0 audio input\u003c\/strong\u003e, a Sound Pad channel, eight mono mix buses, 2 XLR and 8 TRS outputs and four headphone outputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFaster setup and safer levels:\u003c\/strong\u003e Auto Gain, Clip Safe, Simple and Standard operating modes, and Scene Recall help new operators get started while retaining deeper control for experienced users.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware included:\u003c\/strong\u003e Cubase AI, WaveLab Cast and Steinberg Plus licences plus the Basic FX Suite. 419 × 96 × 319 mm, 4.7 kg, PA-300C adapter supplied. Optional RK-MGX16 rack kit.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cdiv class=\"d\"\u003e\n\u003ch2\u003eDigital or Analog? The Honest Comparison\u003c\/h2\u003e\n\u003cp\u003eThe MGX16 sits at the top of our mixer range on price, and it earns that in capability rather than input count — worth being clear about before you buy.\u003c\/p\u003e\n\u003cdiv class=\"sub\"\u003e\n\u003ch3\u003eChoose the MGX16 if you record, stream, or repeat setups\u003c\/h3\u003e\n\u003cp style=\"margin:0;color:#ded3ee\"\u003eMultitrack recording to a computer \u003cem\u003eor\u003c\/em\u003e a card, per-channel gate and compression, a full effects suite, Bluetooth playback, and settings you can store and recall instead of resetting the desk every session.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sub\"\u003e\n\u003ch3\u003eChoose an analog MG if you need lots of microphones\u003c\/h3\u003e\n\u003cp style=\"margin:0;color:#ded3ee\"\u003eThe MGX16 has \u003cstrong style=\"color:#fff\"\u003eeight\u003c\/strong\u003e mic inputs. An MG16XU has ten and an MG20XU sixteen, both for considerably less. If your job is a fully miked stage and the recording is an afterthought, the analog desk is the better buy.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"margin:0\"\u003eWant the same capability in a smaller, cheaper body? The \u003cstrong style=\"color:#fff\"\u003eMGX12\u003c\/strong\u003e is the identical engine with four mic inputs, an 11+1 fader layout and 18-track recording.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eMGX16 or MGX12?\u003c\/h2\u003e\n\u003cp\u003eSame engine, same screen, same processing and the same software bundle. The difference is inputs, faders and track count.\u003c\/p\u003e\n\u003cdiv class=\"s\"\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003cth\u003e \u003c\/th\u003e\n\u003cth\u003eMGX16 (this console)\u003c\/th\u003e\n\u003cth\u003eMGX12\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMic\/line combo inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInput channels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8 mono + 4 stereo\u003c\/td\u003e\n\u003ctd\u003e4 mono + 4 stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFaders \/ send knobs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e15+1 \/ 16\u003c\/td\u003e\n\u003ctd\u003e11+1 \/ 12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eUSB multitrack\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e22-track\u003c\/td\u003e\n\u003ctd\u003e18-track\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAnalog outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 XLR + 8 TRS\u003c\/td\u003e\n\u003ctd\u003e2 XLR + 6 TRS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine inputs, Sound Pad, FX returns\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\" class=\"same\"\u003eIdentical — 4 TRS + 4 RCA line, 1 Sound Pad, 2 FX channels\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBuses\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\" class=\"same\"\u003eIdentical — 8 mono mix, 1 stereo, 2 FX, 1 cue\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eScreen \u0026amp; processing\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\" class=\"same\"\u003eIdentical — 4.3-inch touchscreen, 5 encoders, full DSP suite, REV-X\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003emicroSD \/ Bluetooth \/ latency\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\" class=\"same\"\u003eIdentical — up to 16-track microSD, Bluetooth 5.0 in, under 0.4 ms at 96 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSize \/ weight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e419 × 96 × 319 mm, 4.7 kg\u003c\/td\u003e\n\u003ctd\u003e335 × 96 × 319 mm, 3.9 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Can it really record without a computer?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eYes — up to 16 tracks to a microSD card, with 2-track playback from the same card. Note that the USB path goes further, at 22 tracks; the card is capped at 16.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Is eight mic inputs enough for a band?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eFor a four-piece with a lightly miked kit (kick, snare, overhead), bass DI, guitar and two vocals — yes, just. A fully miked kit alone eats four to six. If your channel list runs past eight microphones, look at the analog MG16XU or MG20XU instead and record the stereo mix.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Does the digital processing add noticeable delay?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eNo. Under 0.4 ms from input to stereo out at 96 kHz — inaudible, including on in-ear monitors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e What are the two USB-C ports for?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eThe main port carries the full 22-track stream to and from a computer at 32-bit. The sub port carries a 2-track feed at 16-bit — typically a stream or a second machine capturing the mix while the main port multitracks.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fq\"\u003e\n\u003cp class=\"q\"\u003e\u003cspan style=\"color:#6b3fa0\"\u003eQ.\u003c\/span\u003e Can it be rack-mounted?\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eWith the optional RK-MGX16 kit, yes.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"w\"\u003e\n\u003ch2 style=\"margin:0 0 12px!important\"\u003eWhy Buy from YMS?\u003c\/h2\u003e\n\u003cp style=\"margin:0 0 8px\"\u003eYMS For Music is an authorised \u003cstrong\u003eYamaha Premium Retailer\u003c\/strong\u003e. Every console is genuine Yamaha stock with full manufacturer warranty, sold and supported by people who use these desks on real jobs.\u003c\/p\u003e\n\u003cp style=\"margin:0\"\u003eDigital or analog is the biggest decision here and it depends entirely on how many microphones you need. Tell us your channel list and we will tell you honestly which one to buy. Demo units in Bengaluru and Mangaluru, secure delivery across India.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Yamaha","offers":[{"title":"Black","offer_id":48233519448229,"sku":"MGX16 B-1","price":81750.0,"currency_code":"INR","in_stock":true},{"title":"White","offer_id":48233519480997,"sku":"MGX16 B-2","price":81750.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/MGX16-angle-01_tcm142-2918175.jpg?v=1788720021"},{"product_id":"yamaha-urx44-audio-interface-black","title":"Yamaha URX44 Audio Interface - Black","description":"\u003cp\u003eThe Yamaha URX44 Audio Interface - Black is a USB audio interface that brings studio-quality recording to your desktop with Yamaha and Steinberg's acclaimed D-PRE preamps.\u003c\/p\u003e\n\u003cp\u003eHigh-resolution conversion and latency-free direct monitoring keep takes clean and performances natural, while tight Cubase integration gets you from idea to finished track quickly. Compact, bus-powered and dependable, it's a recording front end you can build a studio around.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":48084017414309,"sku":"URX44 B","price":37725.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/yamaha-urx44-audio-interface-black-1_28304930-293f-4640-b017-2429a9b44b23.jpg?v=1785588956"},{"product_id":"yamaha-l-85-piano-stand","title":"Yamaha L-85 Piano Stand","description":"\u003cp\u003eThe \u003cstrong\u003eYamaha L-85\u003c\/strong\u003e is a dedicated furniture-style stand for compatible Yamaha digital pianos. Its coordinated design provides a stable, comfortable playing setup with a clean piano-style appearance.\u003c\/p\u003e\u003cp\u003ePlease confirm compatibility with your exact Yamaha piano model before ordering.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":48182150889637,"sku":"ZT15460","price":5618.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/files\/EB067F1F8B9F41BD98FA1DEB8F5FA38E_12073_735x735_f6d5c5371905d9a89e11321965de5df3.jpg?v=1787660709"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/7159\/6197\/collections\/yamaha-music-square-showroom_db5303ad-dacc-4dd5-8503-d82928bd2f58.jpg?v=1791146472","url":"https:\/\/ymsformusic.com\/collections\/deals.oembed","provider":"YMSFORMUSIC","version":"1.0","type":"link"}